<h1>If there is a moment of inner peace, can it be exchanged for a short period of peace? </h1>
"Fantasy Ancient Wind Wakes Up Strange Talk Style Otomo Katsuyo", Tennō Sauce admitted to being attracted by this title, and the four adjectives in addition to the vigilance successfully attracted the attention of Tennō Sauce, so he did not hesitate to click on this series called "Short Peace".
A long black straight girl squatted on the steps and covered her eyes with her hands, pulling a long tone and saying "good ~~~?", out of nowhere came the same long tone "not ~~ good ~". The camera zooms in from a distance, and the girl's face is gradually magnified to occupy two-thirds of the screen, when the girl puts down her hands in surprise and opens her eyes, she stands up and turns around, finding that the building behind her has changed, "Is it?" Her voice floated empty and did not respond.
A rabbit suddenly appeared, answered "good ~ ~ yo ~ " and then disappeared behind the door, the girl walked up the steps to gradually approach the door, and then finally was sucked into the door of the black and white dream world, the world of natural machinery technology in the forest changed, only for a moment, the girl returned to the steps, but this time there was a ball, and this ball, with a lightning speed, skillfully drilled into the bottom of the girl's paper skirt, and pushed the girl up, the girl exclaimed, at the same time, the girl's clothes! At the limit speed of 100 meters and three seconds and two, I changed more than a dozen sets!
Then the title "Short Peace" hula appeared! The opening of this film is really a bit interesting, the picture above is just the moment when the content of this series is introduced, "Short Peace" has four short stories, "Ninety-Nine" produced by Shuhei Morita, Katsuhiro Otomo's "Fire Town", Ando Hiroaki's "GAMBO", and the last "Don't Get a Weapon" script is Katsuyo Otomo and the supervision is Katsuyo Otomo and the supervision is カハジメ.
The story "Ninety-Nine" is one of the favorite tendo sauce in this series, and the result of watching Otomo Katsuyo is that he likes the work of Shuhei Morita! This sense of betrayal is simply amazing. That guy is really super charming! The unique simplicity of the craftsman is really very touching, the ninety-nine gods want to take revenge on mankind, resent the human beings who discarded the wreckage of the old things in the past, regardless of the progress, but did not want to meet a craftsman who was still in awe of the objects, he looked like a rough man, the actual craftsmanship was exquisite, the broken and dilapidated objects had once again taken life under his hands, even in the face of the objects that seemed to be completely impossible to repair, he was still grateful, and his hands were folded to thank the objects for their help to mankind.
This frog has a perfect score! Super cute to say, although I don't know what the deep significance of this frog appearing in this scene, we respect every super cute frog! Ten minutes of story, showing the pure and harmonious symbiosis between people and objects, the picture is very beautiful, whether it is the colorful oil-paper umbrella, or the gorgeous silk satin, are very beautiful, those old things we give up, many times not because it is not beautiful, but because we do not care about the gray.
Story two "Fire Town" is actually a mediocre performance, telling a tragic love story, but also a tragic man and woman who missed due to the lack of status gaps, the woman was forced to marry by the order of her parents, a woman who could not influence her marriage, but could burn most of the town through with a big fire. As for the implication of this story, there are explanations for the gentle revenge of nature, revenge for the town that has no natural atmosphere and is full of man-made buildings, and there is also an explanation that the woman finally gains the freedom that she could not get before the fire, and finally gets liberation after seeing the last person she loves.
If "Short Peace" is positioned as the coexistence of human beings and nature, then regarding the ideas to be expressed in "Fire Town", Tennō Sauce is more in favor of the idea of natural revenge, step by step, "Ninety-Nine" is about the initial mutual awe between man and nature, and then "Fire Town" says that nature's revenge on the increasing erosion of human beings, and then comes to the third story "GAMBO", the bear girl Anne appears, she is the embodiment of justice!
GAMBO is the name of the white bear in the story, it represents the natural side, and the monster that constantly worships young girls symbolizes the bad product of human technological progress, and once they are set up in this way, what the story is expressing will be solved. When the white bear and the monster finally fought to the death, the desolate forest was really shocking.
The last story, is the climax of the entire series, the previous story is still quite obscure, this from the name seems to be very direct "Don't have a weapon" is indeed very direct to tell a good story, Otomo Katsuyo is still so good, written by him script, took the title of Hemingway's novel, directly when telling the duel between humans and weapons produced by humans, it is a very interesting story, the attitude of human beings desperately trying to kill weapons is really a bit of self-inflicted, weapons are invented by humans in the end, Without humans, there are no weapons, weapons will never fight back without identifying the enemy, trying to follow their guidelines, and humans will eventually take the weapon and destroy it? If you really want to say goodbye to weapons, put down the weapons in your hands, big brother!
What kind of peace "Short Peace" is about, in fact, can explain a lot, destruction is naturally good, science and technology are anti-devouring, and human beings will not die if they do not do it. Several supervisors expounded their understanding of this "short peace" from their own perspective, and through a short video of ten minutes, conveyed their thoughts, "As long as human beings have a struggle, then peace will always be short-lived." ”
This kind of film has its own metaphor, but it does not require the audience to delve into anything and interpret anything, this is just a deep love letter to modern civilization.
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Text/Songmo Tianniu
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