Crying Prairie Lyrics: Lu Yi'ou Composer: Lu Yi'ou Singing: Qingge Drummer: Lan Tao/Bass: Li Shi/Guitar: Gao Wei Box Piano: Gao Wei/Keyboard: Hatu Arrangement: Hatu/Mixing: Mongen June You Loom, If Looming In July, give me the fragrance of flowers, hundreds of miles connected to august's red dust fireworks, drink two, two, three dollars, September's white autumn Painters yearn for spring, your spring poets sleep all night, all night without sleep Stars are five tones, singing your yesterday's dancers fell beside you, you are not in pain, when we dig your face you are not bothered, We are so greedy that the river has dried and dried your tears, we can't see that you are not in pain, hurt you over and over again, you are not bothered, we just eat through the river and dry your tears, we can't see
"Weeping Prairie" is a struggle between greed and restraint
The lyrics of "Weeping Grassland" resemble the poet's worries, regrets and impulsiveness, sensitivity, beyond the scope of expression of the usual popular music works. The Mongolian plateau, once a green grass and rivers, is no longer what it used to be. How to understand the Mongolian plateau of suffering, that is, to understand our only earth that is still weeping.
Qingge's voice is clear, clear, and comfortable, giving people the power of tranquility, but also with a sharp and strong force. More importantly, her voice has the ability to control emotions, and each sentence is sung with full emotion, and with the help of a strong sense of self, to carefully narrate the emotions in the song. "Poets stay up all night, sleepless all night", "You don't hurt, when we dig your face" are the memory points of the main and secondary parts, and Qingge knows where to sing softly and where to re-cast, just like deeply understanding the story, understanding where to flatten the direct narrative, where to cut into the climax. After "You hurt or not, hurt you over and over again,...... After the sublimation of the chorus of "We Can't See", "Weeping Prairie" entered the strongest emotional explosion, and the high-pitched performance continued continuously. In the end, the colorful and brilliant embers are extinguished, leaving only the inner understanding, which can only be heard in The music of Qingge and can carry the deep power that can be absorbed with the ear.
"Weeping Prairie" is a struggle between greed and restraint, a race of destruction and repair. It must not only be the worries of the writers, but also the opportunities we will look back on in the future that can change the fate of mankind. After all, the earth has experienced all kinds of worse events than human destruction since its birth, so we believe that a plastic bag and a little sewage will bring a series of problems to the earth. But the truth is that there will be no problem with the earth, even if the environment is destroyed now, it will only be us who will disappear, and the earth will return to its original state after tens of thousands of years.
Don't let the prairie remain only on canvas
【Songwriter】
Lu Yiou, a well-known director in Inner Mongolia Autonomous Region, and the director of large-scale projects and art of Hamug Culture, has many years of experience in hosting large-scale evening parties and film and television productions. He has successfully directed dozens of provincial-level large-scale events and film and television works such as the 2nd China Nomadic Cultural Tourism Festival and the 3rd Inner Mongolia Animation Exhibition.
Musical works: Lyrics and compositions of "Wugu Fengdeng", lyrics and composition of "Daddy Song", lyrics of "Painting the World", lyrics of "The Most Beautiful Time", lyrics of "Friends", lyrics and composition of "Weeping Grassland", etc.
【Singer】
Qingge, a young Mongolian singer and actress, has "the voice kissed by the immortal heavens", the desert gives her vastness and vastness, the grassland gives her open-mindedness and spirituality, her voice is sometimes ethereal like a celestial deer, sometimes far away like a clear spring, sometimes penetrating the white clouds, sometimes reaching the depths of the human soul. Her style of music is free to travel between pop, original ecology and rock, creating and recording hundreds of songs with different styles, participating in various large-scale music competitions, and is a rare female singer who is active in the field of grassland music, representative works include: "Tujin Shang", "Two Little Goats", "Dream in the Grassland", "Father's Ao Bao" and so on.
Source: China Net Grassland Channel
Editor: Artis