In the past, when I was compiling and learning to draw, I was often intimidated by the teacher.
Can the line structure still be practiced well? The structure is painted in the ditch? Colors are painted with closed eyes? Hair painted like a helmet? The eyes are drawn like dark circles!
The teacher taught us at that time, as an art student, the vision must be high, pay more attention to the excellent masters at home and abroad, and practice different painting techniques, so that your sketches can make progress.
Today to bring you a foreign sketch god, J. hunsung he is a charcoal sketch enthusiast, senior art teacher, proficient in drawing, sketching, watercolor.
His charcoal sketches, tight brushstrokes, easy to retract, clean and tidy tone, clear black and white gray relationship.
J. hunsung has a high grasp of light and shadow, and the exquisite rendering technique injects a vague, hazy and real beauty into the painting, portraying the model's charm.
Especially when he portrays the model's expression, whether it is laughing, crying, sad, sad, joyful, excited... There are also casual eyes, looking back at the moment, can be captured by him very well, very vivid.
For him, painting does not need to use expensive painting tools, a charcoal strip + a piece of paper + a brush is enough!
Passionate brushwork, sometimes realistic, sometimes abstract, there are tracing, smearing, rubbing, a variety of different styles of brushwork combined.
Whether it is sketching or sketching, he has very high requirements for basic knowledge techniques, never draws shapes, is not afraid of drawing mistakes, and how fierce he is to start. One pen, one piece of paper, one step at a time!
The light and shallow tone, the relationship between black and white and gray is clearly contrasted, and the depiction of large color blocks and small details is exquisite.
In character sketching,
It is very important to pay close attention to the contours. It is necessary to grasp the basic shape of the head, the position of the five facial features, the position of the light and dark boundary, and the relationship between the head and the shoulders.
Before painting, develop the habit of observing the characteristics of the object. According to the age, occupation, temperament, expression, eye emotions, etc. of the object, consider how to perform.
The elegant and flowing brushstrokes, as if a few strokes at random, draw the seductive eyes of the goddess, the kind eyes of the old man, and the real eyes of the little children.
The overall picture is boldly refined with the pen, chaotic and delicate, and the brushstrokes do not have the slightest sense of rigidity.
J. Hunsung said: Insist on doing a good job, improve your own ability, and when the opportunity comes, you will be able to have the confidence to say it.
So, have you learned to scrap it?
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