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Learn guitar from scratch - Lesson 1 - G major on the third string

author:Alas, Guitar

Learn guitar from scratch - Lesson 1 - Bilibili in G major on the third string_bilibili

In this lesson, we need to start learning the feeling of pressing the strings with the left hand and plucking the strings with the right hand, first of all, we must find the feeling of holding the piano, the body is placed on the right leg, the right elbow is naturally on it, and the body is leaning against the chest. A triangle consisting of the right leg, the right elbow, and the right chest maintains the balance of the body.

Gently hold the neck with the left hand, not too hard, and attach the tiger's mouth and the root of the thumb of the left hand to the neck, probably between the 1st and 2nd products, the first knuckle of the thumb is higher than the surface of the neck, and the root of the palm touches the neck on the outside of the 1 string.

It should be noted that the left hand should not play a supporting role in the piano, and in the case of the body not moving, the left hand should be able to move up and down the neck freely.

Learn guitar from scratch - Lesson 1 - G major on the third string

The preparation posture before the right hand plucks the string

With the right hand in some position below the soundhole, place the index finger, middle finger, and ring finger on the 3rd, 2nd, and 1st strings, and place the thumb on the 6th string, and touch the string with the belly of the finger near the fingertip, applying a little pressure.

Learn guitar from scratch - Lesson 1 - G major on the third string

The index finger of the right hand is hooked

The position of the right hand and other fingers remain motionless, the first and second knuckles of the index finger are bent inwards, and the third string is plucked with the fingertips and nails to make a sound. Remain in the air for a period of time, after which it returns from above the string to the initial resting position, and the belly touches the string again, stopping the vibration of the string.

The rhythm of playing is as slow as possible, try to move only the fingers that want to pluck the strings, and strive to make the sound of each plucked string clean and evenly dynamic.

At the beginning of the play, the sound may not be very clear, the timing of the touch string is not well grasped, then do not worry, first try to slow down, play more, the important part is to listen carefully to the sound of their own pop-up, and strive to repeat the action when the effect is good.

After the right hand can repeat the plucking with basic stability, press the string with the fingertip of the middle finger of the left hand at a point above the 2nd product of the 3rd string. When pressing the strings, the tip of the finger should be used to touch the strings, the first knuckle should be perpendicular to the surface of the neck as much as possible, not touching the adjacent strings, and the nails should be cut as short as possible. Press as close to the product as possible on the character, without special force, and let the strings stick to the surface of the neck.

Keep the 2 pin pressed, the right hand still using the index finger to pluck the 3rd string, then you will hear the pop-up sound a little higher than just now, which is the 2 notes in G major. If the sound is very muffled, it is because the position of the finger belly touch string is too low and crosses the product, and if there is a metal sound, the position is too high, too far away from the product, or it is not real.

The sound is produced by the right hand plucking the string, and at the moment when the right hand plucks the string, the position of the left hand needs to be prepared, whether it is pressed two products or not pressed the string, otherwise it will lead to a wrong tone, or an unclear timbre. At the beginning, you can deliberately focus on the left hand first, prepare and then transfer to the right hand, there is a distribution process, after proficiency, the interval will become shorter and shorter, to achieve the state of coordination and synchronization of the left and right hands.

After you can clearly pop out the two tones of not pressing and pressing in 2 pins, you can start practicing other tones, keep the posture of the left hand unchanged, relax the middle finger, but still keep gently pressing the strings without pressing. The shoulder moves the elbow and wrist of the left hand from the original 2nd product to the top of the 4th product, stop moving, press the middle finger, and pluck the right index finger to pluck the string, and pop the 3 tone. Try to experience the switch between relaxing and not pressing during movement, and pressing and not moving when playing, and try to slow down and play more.

When switching between 2 and 4 products, it should be noted that the fingers do not force downwards when moving, but should continue to maintain the state of touching the strings, and slide along the strings to the position where they want to go, so that the advantage is that the movement is more accurate, and the lifting and pressing actions are minimized, which also helps to maintain the shape of the hand when moving.

After being able to pop 1 2 3, use these three tones to combine at will, stabilize the continuous repetition of the rhythm, and deliberately fix the movement of the left middle finger and the right index finger in the exercise, with the goal of being able to make a clear sound.

The next step is to continue to move the left hand, pop up 0 pins, 2 pins, 4 pins, 5 pins, 7 pins, 9 pins, 11 pins, 12 pins, and then return in turn, which is the complete content of this section in the score.

Again, when playing, be sure to sing the name of the tune you play (silently in your head).

After you can play the full scale, you can find some familiar, simple melody of the song, try to play, encounter a situation where the octave range is not enough, with a high or low octave, or simply omitted. In general, the most suitable tracks in guitar textbooks are more suitable, such as: little stars, little bees, farewells, and so on.

Sheet music page: 3rd string | Amateur Guitar

The corresponding color of the roll call, red, orange, yellow, green, blue, and purple, corresponds to 1 5 2 6 3 7 4, respectively, and the root tone is red.

Learn guitar from scratch - Lesson 1 - G major on the third string

The individual notes in G major and the corresponding colors in the score

Learn guitar from scratch - Lesson 1 - G major on the third string

The corresponding character position on the 3rd string

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