Wen | Ling Fox Bo Guang
Now, after a movie is released, word of mouth is very controversial.
Those who support the audience often refute the unsupportive audience with a sentence: You do it!
Critics who watch movies and say that they are the first to say the truth, the criticism of the film can be described as one of the best.
They saw a movie and scolded loudly: That's it? This movie is also too bad to make.
Then, their inner os: If someone invests, I will shoot better than this bad film.
Oh --
Now, there is really a "you go up" movie online.
<h1 class= "pgc-h-arrow-right" > – the nameless! </h1>
<h1 class="pgc-h-arrow-right" > martial arts bad movie "No Name"</h1>
Before talking about this movie, let's take a look at the basic information of "The Nameless Maniac".
"Nameless Madness", produced by Feng Xiaogang, directed by Li Yunbo, starring Zhang Xiaochen, Liu Yongxi, Sui Yongliang, Shangbai, etc., was launched on the Internet on August 27.
The storyline and character setting, I will not expand here.
Anyway, you just need to know that this is a martial arts movie.
The director of this film, Li Yunbo, is a well-known film critic.
Moreover, there was no investment in the beginning of the film.
So the producer used crowdfunding to make a martial arts film that film critics think is "I can do it".
The project was originally planned to raise 660,000 in 60 days.
Probably because there were too many bad movies in previous years.
As soon as the news came out, the whole film critics and fans were full of emotion.
As a result, in less than 24 hours, "4475" film critics and fans invested money, raising a total of 825,000 yuan.
This amount of money is definitely very little for making a big-budget movie, and even a "traffic star" can't afford it.
However, the film publicity effect is good, and it has also attracted the attention of the mainstream film circle.
I don't know if there is any money in the end, anyway, the film started smoothly, and Feng Xiaogang has not yet asked for money to supervise production.
As a result, some time ago, the movie was launched, and the Douban score is now 5.1.
Of course, the Douban score is nothing in China now.
The film has a bunch of problems from production, storyline to character building.
In the future, film critics will scold a movie.
The audience can take this movie as an example, and you scold him again: "You go up."
What's wrong with this "Nameless Mania"?
<h1 class= "pgc-h-arrow-right" > The Nameless maniac and the movie</h1>
Before talking about the problem of the movie "The Nameless".
I'll start with a story because of the problems with the film itself.
If you want to analyze it in detail, it doesn't make any sense.
This story is the master of Chinese martial arts films.
The aesthetics of Chinese martial arts films, the art style of art.
There is a big Hong Kong director who has a far-reaching influence.
--Hu Jinquan!
Let's not talk about the traditional culture, historical humanities and chivalrous spirit in Hu Jinquan's films.
From the perspective of film light and shadow art alone, the scenes of Hu Jinquan's films are very elaborate, and they have created a unique aesthetic style of oriental films.
This style of traditional oriental aesthetics, in addition to Akira Kurosawa in Japan, the Chinese film genus Hu Jinquan has the most far-reaching influence.
The layout and tone of Hu Jinquan's film pictures are very artistically pleasing to traditional Chinese aesthetics.
The famous director Wu Yusen said: "He requires that every frame of the film be a painting, and his visual effects are very beautiful, very traditional, and very poetic. ”
The embodiment of this film art style is after Hu Jinquan laid it.
Later, as long as the big Chinese directors shot costume films, especially martial arts films, they were more or less influenced by the aesthetics of Hu Jinquan's films.
Xu Ke didn't need to say much, to some extent he was a disciple of Hu Jinquan.
The bamboo forest drama of Ang Lee's "Crouching Tiger, Hidden Dragon", the bamboo forest drama of Zhang Yimou's "Ten Faces Ambush".
Xu Haofeng, who once again rose with martial arts films in this era.
Let's look at his latest martial arts film, "Poetry Eyes Tired of heaven", which has not yet been released.
Fine art aesthetics, color palette light and shadow, costume and transformation to cultural details processing, it is obvious that there is a taste of Hu Jinquan's film aesthetics.
All in all, Hu Jinquan does have such an influence on Chinese martial arts films and costume films.
So, what's the point of this story?
Let's look down.
<h1 class= "pgc-h-arrow-right" > the fundamental problem with The Nameless</h1>
The influence of Hu Jinquan on Chinese martial arts films is listed earlier.
If it is to be extended, the influence on the aesthetics of oriental films is of course inseparable from Akira Kurosawa in Japan.
I won't expand on it here, because it is similar to the meaning of Hu Jinquan.
But whether it's Akira Kurosawa or Hu Jinquan.
Their significance to future filmmakers is to lay a standard, at least one of the standards, of the "oriental traditional film aesthetics".
Later filmmakers shot costume films and martial arts films.
They can have inheritance, they can learn, they can learn from —
However, these directors must have their own film style, even their own ideas, and they must not copy them to these masters.
This kind of learning learns from film masters, directors who have their own style and philosophy.
Whether they are film masters or not, at least they are all big directors.
The time when Hu Jinquan was listed earlier.
The mention of Ang Lee is, Xu Ke is, and Zhang Yimou is also.
You see Zhang Yimou is about to bald Kurosawa, but no matter who despises Zhang Yimou, you have to admit that his use of film color is unique.
Film critics and the vast majority of fans are the same as the martial arts bad film "The Nameless".
Thinking that I have seen too many movies (and indeed I have seen too many movies), and mixing countless film knowledge in my head, I have a strong illusion of being able to do it myself.
But they didn't think about it at all, and they had no practical experience.
Not to mention that film and television drama is an industrial product with countless complex processes in the middle from investment, to shooting, and then to finishing a film.
Film critic resources and cognition are of course much stronger.
But in essence, it is not much different from most fans.
They blindly restored the knowledge in their brains to the work, and finally gave birth to this "ultimate stitching monster" martial arts bad film.
<h1 class="pgc-h-arrow-right" > – The Nameless Maniac! </h1>
<h1 class="pgc-h-arrow-right" > Where does "The Nameless Mania" rot? </h1>
It is probably the background setting, the story plot, to the character shaping, to the details of the preparation, and then to the art color grading costume.
It is full of this kind of imitation of the previous masters, and they have no understanding at all, let alone the situation of making their own special style.
The plot of this movie will not be expanded here due to the limitation of space.
Let's talk only about the art kimono and then the mirror and lens processing.
This movie is really —
Let's look at this scene, the art, the costume, the artistic conception created by the lens.
The design style of this nameless door is very obviously the "Shadow Warrior" of Akira Kurosawa.
You just replaced the cloth with the samurai family crest with pure white (the embroidered one is also expensive).
This scene of the bamboo forest, the art atmosphere and then the scene.
Is it very similar to Zhang Yimou's "Ten Faces Ambush"?
This daisho hat, as well as the lens facing the lake, composition, art and light and shadow processing.
Is it a parody of Wong Kar-wai's "East Evil and West Poison"?
By the way, when it comes to "East Evil west poison", the August 15 qing in it can also be regarded as the style of "East Evil West Poison".
Other examples will not be given, because there are so many.
Just like a high rating of Douban with a lot of likes.
Japanese sword films: Kenji Misumi in "Humpback City", Kihachi Okamoto in "Great Bodhisattva Ridge", Masahiro Shinoda in "Assassination", Shinji Fukasaku in "Ako Castle Broken", Masaki Kobayashi in "Death Sword", Akira Kurosawa, "Chaos", "Shadow Warrior", "Heart Stick", "Rashomon". Macaroni Western: Good bad ugly. Film noir. Cologne novels
You can also add Hu Jinquan, Wong Kar-wai, Zhang Yimou and other Chinese martial arts films.
This director is just copying a bunch of masters' movies, except for not having anything of his own.
< h1 class="pgc-h-arrow-right" > the end</h1>
Finally, the movie "The Nameless" is in peace.
The scenery is really beautiful, and the color grading, art and camera scheduling are still exquisite.
But the disadvantage is that these are all other people's, and none of them are the director's own.
And add the flawed storyline, the character building of the gods, and a lot of logic and details that can't be justified.
At this time, some people say that some martial arts films are like this.
For example, Gu Long's martial arts films are in this style.
Cologne is loaded.
But people pretend to be their own style.
Another example is Xu Haofeng, who may not have liked his martial arts films.
However, I believe that most viewers have to admit that from the aesthetics of the film to the concept of martial arts, Xu Haofeng has his own set of mature things.
This "Nameless Maniac" is the ultimate stitching monster that imitates the master.
Your single scene, a single shot, a single atmosphere is useless no matter how meaningful it is.
After all, you are copying others.
Audiences watching such immature films, why not watch the edited videos of other masters?
Finally, if there is really a point to be made.
That is, the director does have an attitude, but the ability is really lacking.
Having the attitude of wanting to make a good movie is better than the business operation of borrowing money from the circle of feelings.
Now the director needs to solve the problem is to digest the things in the other movies in his mind and think about what his advantages are.
In this way, it is not necessarily the next Xu Haofeng.
The premise is that after this crowdfunded "Nameless Mania" is rotten, the director's next director can still find investment.
Also: Don't have comments that make me "I'm on my own".
I'm just an ordinary film critic with a very low status.
I can't get on it!