Many people know Wang Jun, starting from his identity as an actor, whether it is "Zuo Yongbang" who is mature, free and golden in "Man Gang", or "Farewell, Vancouver", the identity is mysterious, gloomy, violent, and can be called the first villain in the play, "Yu Shixiong", or in "Celadon Porcelain", just a few tens of minutes, but presents the audience with a perfect gambler image of "Zuo Da", it should be said that in acting, Wang Jun is the kind that the audience has expectations, but he has a greater dream, that is, a more comprehensive control of the work, So later people found out that his real identity is a brilliant director, and many classic works are written by him.
As an actor, Wang Jun has many excellent qualities, such as his tall figure, showing the majesty of a man; his soft facial features, born with an inexplicable sense of joy, let people have a natural sense of closeness and warmth, which may be what we call the audience!
<h1 class="pgc-h-arrow-right" data-track="3" > the most advanced performance, resonating with the audience from the heart</h1>
The most impressive thing for him is "Farewell, Vancouver", which is a work he co-directed with Zhao Baogang, and he has one more identity, that is, an actor. The "Yu Shixiong" he played in the play, although he is a villain, is extremely important and plays a role in threading the needle.
And he also used his wonderful performance to interpret a domineering, mysterious, selfish, and violent man with a strong desire to rule as frightening, and also became a demon in the hearts of many love-oriented audiences at that time, and everyone hoped that the male and female protagonists would get rid of his shadow as soon as possible, and the lovers would eventually become dependents.
In terms of performance, his highest moment, I think, is in "Celadon Porcelain", he perfectly presented the image of the gambler in just a few tens of minutes of drama.
In the dilapidated, empty rotten building, a real estate developer on the verge of bankruptcy is preparing to commit suicide, but Du Jiang, who is full of heart and ambition in the play, has aroused his interest enough. At the last moment of his life, he wanted to give the young man a little warning, advice, or to make him know himself more clearly.
He used the gradual gambler logic to let Du Jiang enter his trap step by step, at this time, I believe that many audiences also pulled him in, just a few tens of minutes of play, let the audience get a baptism, such a performance skill is amazing.
Some people say that good actors are passive, and actors have too much opinion, often contrary to the performance of the role. There is a certain truth to this sentence, actors can not hinder the final direction of a work, they are destined to be only one of the links, and Wang Jun likes to dominate the overall pleasure, and the director is his ultimate dream.
<h1 class="pgc-h-arrow-right" data-track="26" > good director must insist</h1>
Director Wang Jun has many types of works, from spy dramas, love dramas, costume dramas, urban dramas, from the imperial heart technique, down to the chicken feathers of marriage, he has mastered it with ease, and the audience interprets the most from his works is two words, quality.
Quality dramas must be adhered to, as the leader of the creative team, where to take the work is the director's right and responsibility. From "Behind the Glitz", "The Pleiades of the Firmament", and then to "Ruyi Chuan", "Little Parting", "Little Joy", we see Wang Jun's own unique persistence.
Especially in "Ru Yi Zhuan", how to jump out of the cool plot trend of "fighting monsters all the way" and return to the truth of art, Wang Jun's persistence is a bit costly. Although he himself admits that "Ruyi Zhuan" is his most painstaking drama, which has many regrets and mistakes, I still think that "Ruyi Chuan" is the best court drama so far, and there is no one.
The drama puts the heroine's original intention, as well as the cool and thin nature of the emperor, cruelly and truly presented in front of us, where there is something to know and love, where there is any obsession, and there is nothing to reverse life all the way, people in the deep palace, everyone's ending has long been doomed.
It can be said to have broken in one fell swoop the royal love spring and autumn dreams created by the creators for the audience from the beginning of "Return the Pearl", and it uses a cruel and gray tone to explain that there is no winner under the deformed marriage.
However, such an original intention was contrary to the trend of watching dramas at that time, coupled with the improper control of the length of the article, and the lack of consideration for the setting of some bridge sections, so that this big drama that could have been circulated did not achieve the desired effect, and it should be said that this was the biggest frustration for Wang Jun since he was in the industry.
Wang Jun: "Creation is never an easy task, creators still have to listen to their own inner voice, in order to go more firmly and powerfully." Even if the process is difficult and regretful, it can be worthy when looking back. ”
<h1 class="pgc-h-arrow-right" data-track="28" > too insistent is the biggest harm to the marriage</h1>
Fences. Women and Dogs", once created a new pattern in the mainland television circle, rural dramas with full of emotions, grounded plots, and the main purpose of stimulating audience empathy, began to be popular with everyone, and the most distressing role in the play is none other than "jujube flower".
Wu Yuhua, the actor, is gentle, fresh, quiet, feminine, outstanding temperament, which immediately attracts the attention of the audience, and in reality she is also Wang Jun's lover.
As two classmates, in the eyes of many people, they can be called good couples.
With the help of each other, the two gradually had differences, especially in the treatment of children, to the point of irreconcilability. Wang Jun wants to work hard to achieve a career and have children when he has enough ability to create a perfect future for his children, while Wu Yuhua likes to go with the flow, becoming a mother is a woman's nature, and should not be bound by too much reality.
In the end, the two parted ways, after which Wu Yuhua married the painter Mo Dafeng, and also fulfilled his wish to become a mother, with a pair of lovely children. And Wang Jun has always been single, still running on the road to pursue a career, perhaps he is too perfectionist, or in his career, far from meeting his expectations, in short, after the divorce, the two have gone to a completely different path of life, but at least they are what they think.
<h1 class="pgc-h-arrow-right" data-track="30" > say at the end:</h1>
For Wang Jun, he is still full of expectations, I think he must be brewing a world-shattering work, so that he can reach the peak of his career, maybe until that day, he can let himself stop and rest a little, the audience is looking forward to, and he is also looking forward to.