#故宫飞雪梦回紫禁城 #
"White snow with red walls, broken and falling Qiongfang", the Forbidden City after the snow falls, red and white, solemn and solemn. In the meantime, the noisy and impetuous world seemed to be quiet in an instant.
Such a scene makes people seem to return to the distant Beiping era.
Today's modern new Beijing, although it has the beauty of the present world that combines ancient and modern, in the eyes of people, it is still too impetuous, ostentatious, dazzling, and less of the indescribable charm.
This is not the case after the snow falls, and under the cover of the vast white snow, the whole world appears silent and quiet, with a sense of chaos opening up. At this time, I believe that everyone will feel very ironed, calm, fresh and unworldly, and even have a little sense of history, and begin to reminisce about the water-like years of "Beiping".
Some people began to miss "Beiping" and longed for Beiping in "Old Things in the South of the City", Beiping in "Camel Xiangzi", Beiping in "Jinghua Smoke and Clouds", Beiping in "Long Live Youth", And Beiping in "Xizhao Street" and "Bell and Drum Tower".
The most distant distance in the world is that yesterday you called Beiping, today I call Beijing. The distance from Beijing to Beiping is not only a gap between time and space, but also a psychological gap. The ideal is very Beiping, and the reality is very Beijing. We live in the same city, where the sun rises and now it's shrouded in clouds.
The most sober and saddest sentence in the world is: We will never go back.