Qiu Ying Tao Village Caotang diagram
Qiu Ying's landscape paintings come in many styles, and they are all exquisite. The most unattainable or unattainable is his large green landscape, which is beautiful and elegant, without wealth, tackiness and fire. In Qiu Ying's green landscape, he often cleverly contoured lines to make the intense colors both beautiful and harmonious. The use of ink contour lines to cut irreconcilable color blocks can make the breath of various colors more vivid and rhythmic, and can make the picture achieve a brilliant and brilliant effect of prominent and harmonious coordination.
His green landscape works are mostly based on the theme of wonderland, however, he weakens the mysterious and illusory color of the scenery, pays attention to the environment atmosphere that can be traveled and lived, and reconciles and communicates fantasy and reality, wonderland and the world, and the artistic conception is magnificent and peaceful. His green landscape is uneven but not beautiful, beautiful but not sweet, setting a new model for green landscapes. Dong Qichang was also deeply impressed, and commented in volume VI of the Rongtai Collection: "Covering five hundred years and having a qiushi father, it is extremely difficult to be subdued in Ruowen Taishi, and Taishi is painting in this family, and it cannot but be inferior to the Qiu clan." ”
Qiu Ying Jade Cave Immortal Source Diagram
First, the green is thick
Qiu Ying's green landscape takes "qi" with the brushwork of "courtyard body", "rhyme" with the ink method of literati painting, and "beauty" with green coloring. His "Taoyuan Wonderland Map", "Jade Cave Xianyuan Map", "Taoxi Caotang Map", etc., are also masterpieces of this kind of green landscape.
Qiu Ying Sword Pavilion Diagram
One of Qiu Ying's masterpieces of green landscape works, "Sword Pavilion Diagram", is a huge green landscape painting, the work is colorful, dazzling, silk, color, pen and law Li Tang. The mountain stone trees are dyed with ink and pale colors, and the characters are heavily colored. The peaks of the entire work overlap, with white-capped snow cliffs in the distance and brilliant mountains in the near distance, steep cliffs like knives, and woods lined with rough boardwalks covered with residual snow. Everyone on the boardwalk has a different demeanor. "The walls are thousands of people, the dangers of the poor land, and the steepness of the extreme roads." Looking down at the ancient road, pedestrians are like ants", which vividly reflects the characteristics of "Shu Road is difficult and difficult to go to the qingtian".
Qiu Ying Taoyuan Wonderland Map
"Taoyuan Wonderland Map" is now in the Tianjin Art Museum, the painting is divided into three parts by Xiangyun, but the momentum is coherent, and the realm is holistic. The close-up view is a deep ravine, a small bridge, and flowing water, and there are children on the bridge who hold the urn. Across the bridge, grass was paved, and another boy carried a food box to the shore. Across the creek is a cave with stalactite overhangs, a spring flowing out, a fairy playing the piano at the mouth of the cave, and two immortals listening quietly. Among the mountain root rocks where the immortals are leaning, there are mountain peaches mixed with lying pines and open, ancient pines lie horizontally on the top of the cave from the right bank slope, pine skin dragon shells, green vines coiled, and the left bank mountain rock peach echoes, the realm is super easy, not the genus of the gods, this is the theme of the work. The cave roof is clear and misty, there are paths emerging from the clouds, bypassing the mountain beams and pine forests, qiongge high buildings and pine cypresses reflect each other, mountain streams have clear springs, rocks and flowing, streams of miscellaneous fairy grasses, small pavilions on the stone, floating clouds between the mountains, oblique, several groups of distant mountains, a sea of clouds, but also make the picture realm endless.
Qiu Ying Lotus Creek Fish Hidden Map
Second, pastel elegance
Qiu Ying's green landscape paintings also have many styles, such as the "Hidden Map of Lianxi Fish" collected by the Palace Museum, the Composition of Pingyuan, the Qing Estrangement, only on the mountain stone with stone green, stone blue, not as thick and gorgeous as the "Taoyuan Wonderland Map", and there are both scratches and dots in the outline. When drawing a tree, it will be outlined, rendered, clipped, and used to dot leaves.
"Lotus Creek Fish Hidden Map" writes about the scenery of Jiangnan Water Town and the Pingyuan Landscape. Painting the Clear Creek paddy field, lined with trees, a courtyard on the shore, outside the courtyard there are Gao Shi with a bookboy overlooking, leisurely, distant clouds and mountains undulating, truly reproducing the quiet and happy life scene of Jiangnan fishing village. The set is far away and distant, and the brushwork is neat and elegant.
Qiu Ying Liu xia sleeping piano diagram
3. Landscape figures
Qiu Ying's thick brush ink characters, taken from Fa Ma Yuan and Du Yan, also have a gentle and elegant atmosphere, the depiction of objects is concise, the use of lines is refined, or Shi JinJian's folding reed drawing, or a round and smooth orchid leaf drawing, the character temperament is also elegant and elegant, different from the "courtyard body" and "Zhejiang School". Representative works include the axis of "Right Army Book Fan Diagram" and the axis of "Liuxia Sleeping Qintu".
Qiu Ying stopped listening to Nguyen Tu Axis
Qiu Ying's painting "Stopping the Piano and Listening to ruan tu axis" is a representative of this type of painting. The painting is next to the stream, one person stops the piano and listens to the other person playing the ruan, the boulders are standing, the stream is long, and several large bent trees cover the top. The rocks are outlined with strong and strong lines, with a slightly sparse pencil, and then dyed with an extremely light dark green color, which is as if it were faint. The whole picture is clean, light, beautiful, elegant, straight to all the hues of the air, high grid unique standard, in the Ming painting, such elegance is very rare. Similar to the form of "Stop the Piano and Listen to Ruan Tu", Qiu Ying also painted a lot, which shows that he himself is also very satisfied with this style of painting.
Qiu Ying Xian Shan Pavilion Map
Qiu Ying used skillful pen and ink to describe the surrounding garden scenes, raising the landscape painting that expressed the subject matter of the literati's life to a new level, and opening up a new realm of landscape painting since the Yuan, Ming and Qing dynasties. In his short artistic career, Qiu Ying has created a large number of exquisite works, and in the fields of figure painting and green landscape painting, he has surpassed his predecessors and opened up new styles. However, he is a painter after all, lacking in literature and calligraphy, although his works are profound and skilled, they have not been able to get rid of the habit of painters, and the works are deliberately depicted in a plot and lack of timeless meaning, sometimes excessively exquisite and gorgeous, and the pen and ink flow in the delicate and delicate carving, weakening the charm of the pen and ink. Dong Qichang despised Qiu Ying for his craftsmanship, but once he saw Qiu Ying's works, he had to be impressed. Qiu Ying's paintings are diverse and varied, forming a distinct main body style, and the influence on future generations is undeniable.