The Japanese version of "You from the Stars" first released the trailer on the street, and the casting value is comparable to the scene of the car accident - introduction.
On January 19, the Japanese version of "You from the Stars" released the first version of the trailer, and as soon as the trailer came out, it immediately attracted the attention of the fans of the original version and caused a lot of controversy.
The classic Korean drama "You from the Stars", which was launched in 2013, was once popular all over Asia, and now Professor Du from other planets and the proud and sand sculpture of the top female star Qian Songyi once again staged "planet love", this news makes many old fans feel entangled in their hearts.
"You from the Stars" has previously been remade in Thailand, Indonesia, the Philippines and other countries, and the effects presented are unbearable to look at, although Japan is rich in many high-quality dramas of healing, but in the remake, there have been no successful cases. Especially this time, "Star You" is really difficult to find two actors who are more suitable for the original work than Kim So-hyun and Jeon Ji-hyun.
General trailers play a role in allowing the audience to understand and trigger fantasies, but the Japanese version of the "Star You" trailer directly cut off the audience's fantasies. The plot is not discussed for the time being, and only the trailer does not dare to make a conclusion. Judging from the male and female protagonists officially determined by the Japanese side alone, the situation of this drama is unstable, and there is a great possibility of hitting the street and losing ratings.
Playing the role of Toshitoshi is the famous Japanese actor Fukushi Aoki, and Mizuki Yamamoto takes over the burden of playing Chisong-i. These two are well-known in Japan, one is a national male god, acting strength, high appearance, all the way red smoothly; one is a supermodel, the proportion of body is superior, which is similar to Quan Jixian, but also in line with the characteristics of the original character.
However, from the current trailer, the presentation effect of the male and female protagonists is far from the original version. The picture shows Mizuki Yamamoto herself, which is completely on the level of fashion magazines. Look at the characters in the play, first of all, her good figure is not displayed at all in the plot, and the dress can no longer be grounded, small floral pajamas, vertical striped housewear, going out with a professional outfit to carry a low-key bag, the stylist is not known if there is any misunderstanding of the female star.
In addition, Yamamoto Mizuki herself looks sweet, with a bent bangs, beautiful and cute, but there is no slightest "attack" gas, which and Qian Songyi pulled away from the distance of 108,000 miles. The film side is bright enough to work hard to remedy her hairstyle, but the hairstyle that has been "carefully" created is too ugly and too dirty, but it is more crotch-pulling, which is almost impossible to say.
The rustic hairstyle of the earth will "set off" a sweet face, which is not compatible with the proud female star, but it is quite similar to a down-and-out professional middle-aged woman who has been suppressed by her boss for many years and cannot be promoted and raised. I would like to ask, how does this kind of top actress with appearance and taste attract a large number of fans to pursue it? It can only be described as a "complete failure".
In contrast, the male protagonist Fu Shi Cang Ji is not so eye-catching, as long as the whole process of keeping no smile and no expression, it can also be said that his inner cold external performance, but Jin Xiuxian's face of absolute asceticism is really difficult to surpass, As long as Fu Shi Cang Ji accidentally smiles, he can see the cute tiger teeth, and the audience's thinking directly runs away.
Fushi Ishiki still follows the hairstyle and dressing style exclusive to Japanese teenagers, and this kind of appearance as a professor is very dramatic. However, the overall abruptness of the heroine snatched away the slot points, which seemed safer on the side of Foshi Cangji. In short, judging from the trailer, the image and temperament of the male and female protagonists are too crotch-pulling, and this drama is probably expected to become the next remake of bad drama.
In the final analysis, the positioning of male and female protagonists in Japanese film and television dramas does not seem to have broken through the shackles of sweet and cute, and it is no wonder that Japanese works for so many years have been dominated by cute winds. Whether it is Qian Songyi's domineering spirit or Du Minjun's cold asceticism, they are difficult to imitate.
The spell of the remake is still difficult to break, the original is difficult to surpass, but the remake is getting more and more intense, and the situation at home and abroad is invariably bad. This violent operation makes it more and more difficult for good works to appear, in fact, really good original works are what the public wants to see.