"Red Leaf Inscription Poem" Review: Singing a new meaning in the old way

Recently, sponsored by the Hainan Provincial Department of Tourism, Culture, Radio, Television and Sports, and jointly organized by the Hainan Provincial Art Research Institute, the Hainan Normal University Committee of the Communist Youth League, the Conservatory of Music of Hainan Normal University, and the Hainan Cultural and Tourism Channel, the fourth session of the "Art Lecture Hall" was held at the Tian Jia Ping Education College of Hainan Normal University. In the way of tasting the traditional Qiong opera "Red Leaf Inscription Poem", how to dig deep into and sort out the excellent traditional repertoire and traditional performance programs of Qiong opera; how to make a contemporary interpretation of the traditional repertoire in the process of inheriting treasures and keeping the integrity and innovation; and how to use the choreography and interpretation that conforms to the artistic characteristics of the Qiong opera to give this famous drama a new era connotation and aesthetic characteristics, and conducts all-round thinking and exploration.

Stay tuned for the highlights of this issue's experts today.

Guo Shaoming (Deputy Director of Hainan Qiong Opera Communication Research Center)

The literary color of the play "Red Leaf Inscription Poem" is quite strong, and it is a big challenge for the screenwriter to let the audience read its lyrics and white snow. The theme poem of the play was changed from the original five-character poem to a seven-word sentence after being polished by Mr. Tian Han - "Like a deep and timid Xiao Han, the warm wind blows dreaming of Lin'an." The flowers are soft and willowy like the sea, but they love the end of the world. The bones in the blood war are not cold, the poor lake is in love with peace, and the moth eyebrows promise frost leaves, and may the knot be one heart and one dan. "Jumping the ordinary love of the individual to the height of patriotism and concern for the people, sublimating the personal love and private feelings into a magnificent feeling of home and country, giving people a strong shock." The strong infection, encouragement, encouragement and encouragement are the finishing touches of the whole play.

Qiong opera "Red Leaf Inscription Poem" tasting scene.

Huang Liangdong (Famous Qiong Opera Director)

The rearrangement of "Red Leaf Inscription Poems" firmly grasps the three major characteristics. One is the character shaping, each actor's move and style in the play, a singing and a thought have shown the characteristics of the industry, Xiaosheng is dashing and handsome, Boudoir Dan is shy and subtle, Xiao Dan is lively and clever to be reflected one by one; the second is stage art, the whole play adopts an exaggerated romantic approach, especially the last one, with the red leaves on the stage highlighting the theme of the whole play, strengthening the visual impact and appeal at the same time, but also rendering the atmosphere, highlighting the characteristics of the opera virtual and freehand; the third is the musical singing voice, The re-arrangement retains the melody of the film version of the singing cavity, and only makes subtle adjustments in the effect music, atmosphere music, and emotional music, basically achieving "singing new ideas in the old cavity, and not losing the old rhyme in the new cavity", so that new and old opera fans can accept it.

Cai Bao (Vice Chairman of Hainan Provincial Federation of Literature and Literature, Chairman of Hainan Folk Writers Association)

"Red Leaf Inscription Poem" is a very important IP of Hainan culture, its literary imagery is particularly beautiful, it is not only filmed as the first Qiong opera movie, and more than 60 years later, this play is still being praised by people, in addition to the genius performance of our performing artists, there is also a very important factor, that is, its script lyrics are very beautiful, thanks to the dramatist Mr. Tian Han's modification and polishing, he distilled the story of a pure talent into a script that integrates ideology, artistry and ornamentation.

The most praiseworthy thing about the rearrangement of "Red Leaf Inscription Poems" is that it is divided into two groups of AB and rehearsed at the same time. Group A is starred by two Chinese drama plum blossom award winners, Fu Chuanjie and Lin Chuanmei, who can be seen that they are very careful to figure out the performing arts of their predecessors, and Group B is picked by a new generation of young actors. This kind of training mode that leads through the demonstration of famous artists and brings out the new generation of Qiong opera newcomers by hand does have many brilliant and surprising places, so that the audience can see the hope of Qiong opera.

Li Mingyu (famous Qiong Opera Director)

"Red Leaf Inscription Poem" is a rare Qiong opera masterpiece. The whole play revolves around the clever use of the prop "Red Leaves", which promotes the whole play, conveys the artistic creation of the director's ingenuity, so that the theme of the whole play can be more deeply and more vividly reflected, and the connotation and meaning of the play are greatly deepened.

In addition, it can be seen that the two main actors have worked hard to rearrange the play. Wen Dong and Wen Ya, played by Fu Chuanjie, are free and elegant, and show the protagonist's spirit of indomitable resistance to worrying about the country and the people; Jiang Yurui, played by Lin Chuanmei, sings and does a good job, showing the characteristics of boudoir Dan's shyness and grace, gentle and quiet, and is worthy of Wang Yingrong's beloved disciple. This play allows us to see the purpose of inheritance, and let us think about how to excavate tradition and how to pay tribute to tradition in the process of tasting and thinking. It is expected that more classic and excellent traditional Qiong opera repertoire will be put back on the stage. (Cher) (Cher)

Source: Hainan Daily