"Shark Beach" is a small-budget film model, and he has made small-budget movies refreshing
Find the big beauty Blake Lively to be the protagonist, play the man-shark war, and the unreleased has already gained attention. After its release in the United States in June this year, the box office results and word-of-mouth were good, and the film's praise rate on Rotten Tomatoes reached 76%, which was better than DC's two comic book blockbusters this year. The film, which cost only $17 million, has so far grossed $54.52 million in the United States and $84.52 million worldwide. This beauty and beast configuration is the most perfect, do not like the beauty can see the shark, do not like the shark can see the beauty, plus the beautiful scenery of The Lord Howe Island beach in Australia, do not look at the beauty shark, when the scenery film is very good!
How swimsuit beauties get out of the shark siege at sea, the goal is clear, the plot is simple, and the mud is dragged with water. There are no excessive character and scene transitions, basically a one-man show of the heroine
A beach, a reef, a floating tower, that's all the props in the film. In an open space, Nancy dedicates an escape show. The first half of the film has been using warm colors to show the beautiful scenery of the beach, the appearance and figure of the big show Blake Lively, and then the style of painting has changed, the original warm tone has been replaced by cool tone, and the great white shark has appeared. Long-legged big-breasted bikinis, against the fierce great white shark, the huge gap between the two images can form a strong contrast, and they can also stimulate the audience's hormones and curiosity.
The first half of the film is a sunny coastline, turquoise waters, golden sands, bikinis, surfing, wheat-colored skin and sporty music BGM. The second half of the camera turns to haze and silence, turning the picturesque beach into a hunting ground, shaping the shark into a perverted serial killer lurking around the heroine, spying on the heroine's every move, waiting for the opportunity.

After using her medical knowledge to save herself, Nancy began to move between the reef and the buoy, picking up new equipment by opening the treasure chest, so she switched to a female gun, followed by the blubber on the sea, and fought back to burn off a piece of shark blood. After showing off her figure in the first half, Nancy added points to her intelligence in the second half, using the buoy chain and thinking of a counter-killing plan. A Happy ending makes the beautiful woman live to the end, and the ups and downs of the plot finally make the audience's hanging hearts fall to the ground.
The film's lens language, without the special effects shots and blood plasma of shark bites, can convey the suffocating tension and horror to the audience. For example, the film began to show the surfing MV, with a dynamic BGM, wanton youth all kinds of flying, suddenly the camera turned underwater to shoot upwards, the background music suddenly stopped, turned into silence, the sound of the tide gradually increased, and suddenly a sense of voyeurism struck, and the audience could immediately feel a feeling of being targeted by the killer. In addition, the director also places the lens on the horizontal plane from time to time, and the parallel perspective plus the undulations of the waves make people feel suffocated, just like they are soaking in the water, although they can't see the shark, they can still feel the shark's desire to move. The treatment of blood in this film is still relatively restrained, there is no blurred performance of a large amount of flesh and blood, but through the transformation of the color of the sea, it reflects the ferocity of human and animal tearing