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According to statistics, between 2000 and 2014, a total of 224 war films were produced in the mainland, and 51% of the anti-war films were produced. The significance of the anti-war film is not only that it has become an important part of the development of Chinese cinema, but also that as a participant, narrator and reconstructor of the Chinese nation's war against Japanese fascist aggression, it has always been related to the continuation and reproduction of the historical narrative and historical significance of this war in a different situation. Today, together with Xiaobian, take stock of China's top 10 domestic classic anti-war movies with the highest rating and the best reputation, which one is the best in your heart? (Ranked according to douban score)
10. "Jinling Thirteen Chao"
Poster of "Jinling Thirteen Chao"
Release date: 2011
Douban score: 8.3
Jinling Thirteen Is a 2011 war epic film directed by Zhang Yimou, based on the novel of the same name by writer Yan Geling. Set against the backdrop of the Nanjing Massacre during the War of Resistance Against Japanese Aggression, the story revolves around the female students of the church, telling the story of the surviving soldiers, 14 Qinhuai women, an American mortician and a boy who taught how to protect these students with their lives.
Cardamom - fully in line with Lu Xun's definition of tragedy!
First, the simple and simple children's perspective clearly reflects the original face of the world
As a historical war film, "Jinling Thirteen Chao" does not use the perspective of an adult to tell a cruel fact, but looks at the whole event from the perspective of a child, reflecting the cruelty and indifference of this world's history from the side.
As at the beginning of the movie:
Introduce the story from the perspective of "Shu Juan" and record the development of the event step by step in the child's curiosity. They don't know if they can survive this catastrophe safely, and they don't know what awaits them ahead. Let the audience feel the heaviness of history more and meditate on this past history.
Second, the transformation of different characters reflects the compassion of human nature
In the film, many representative identities are rendered, such as John who does funerals, Qinhuai women in brothels, and female students in churches.
(1) John: "Priest" in general, becoming the hope in the film, transforming from a selfish drunkard into a responsible person;
(2) Qinhuai woman: originally a prostitute, she fled to the church in order to avoid war, and finally chose to sacrifice herself to save others;
Yu Mo (played by Ni Ni)
(3) Female students: from the prejudice against Qinhuai women and John, who later changed their attitudes.
The characters in the film have different positions and diametrically opposite identities, but in the face of great right and wrong, they show people's innermost goodwill, and they are also the only warmth in the cold reality, the dawn in despair. The emotional expression of the characters in the whole film is mostly forbearance, restraint and restraint.
9. "Shangganling"
Poster of "Shangganling"
Released: 1956
Shot by Changchun Film Studio, Shangganling is a classic black-and-white film set in the War to Resist US Aggression and Aid Korea. The film is adapted from the film literary screenplay "Twenty-Four Days", which mainly tells the story of the Eighth Company of a certain unit of the Volunteer Army, under the leadership of the company commander, held its position, overcame all difficulties, persisted in fighting bloody battles with the enemy on the front line, and finally won victory. The interlude "My Motherland" in the movie has been sung to this day and has been around for a long time.
The film uses songs to express the main line of ideas, and the mirror is also very exquisite:
(1) In the first paragraph, the camera shows the appearance of the soldiers in the tunnel and explains the war environment;
(2) In the second paragraph, the camera gives the great rivers and mountains of the motherland, the Great Wall, the Yellow River, the waterfall and the blue sky;
(3) In the third paragraph, the female hygienists and soldiers who sing in close-up, accompanied by melodious melodies, patriotic feelings arise spontaneously.
In addition, the film's portrayal of the Two Armies of China and the United States is also very vivid. When the US army occupied the main peak, several American soldiers were looking at the beautiful women's photos; the Commander of the Chinese Volunteer Army gave the company commander two apples, and the company commander was reluctant to eat them and wanted to give them to other soldiers to eat... A series of details vividly shape the image of the Chinese and American armies, while telling us that the victory of the volunteer army is inevitable.
This film from 66 years ago, even now, is also making people's blood boil, and the black and white pictures cannot stop the people's love for the motherland and the persistence of their lofty beliefs in that era, and there will always be light in their eyes.
8. "Tunnel Warfare"
Poster of Tunnel Warfare
Released: 1965
"Tunnel War" is produced by Bayi Film Studio, directed by Ren Dongxu and starring Zhu Guanglong. The film is the most printed black-and-white film in the world, as well as the most viewed feature film in the world, with nearly 4 billion people worldwide viewing it to date.
This is a traditional teaching film of the militia revolution on the theme of anti-Japanese resistance, and when the Central Military Commission issued the task, it was clearly pointed out that tunnel warfare should be made into a military story teaching film with a storyline and distinct characters. The main difference from other feature films is its strict scientific and historical authenticity.
The film mainly tells the story of the people of Jizhong, under the leadership of the Party Central Committee, in order to smash the enemy's "sweeping", during the War of Resistance Against Japan, they pioneered the use of tunnel warfare to fight against the Japanese aggressors.
As a military teaching film, the reason why "Tunnel Warfare" can be loved by the audience is that in addition to the realistic shots in the film, the actors' performances can be described as a great achievement. The actors in the film are selected from the professional actors of Bayi Factory, which makes the film have many commendable points in acting, especially Liu Jiang, who plays Commander Tang, is even more impressive to everyone, and he exposes commander Tang's slave face to the fullest. Zhu Longguang, who plays Gao Chuanbao in the film, went to Ran Zhuang to experience life in order to grasp the characters in the play.
7. "Purple Sun"
Poster of "Purple Sun"
Release date: 2001
Douban score: 8.4
This film is the finale of Feng Xiaoning's six-part "War and Peace" series, and it is also the culmination of Feng Xiaoning's artistic characteristics of anti-war films.
Set on the eve of the end of World War II, the film mainly tells the story of Chinese peasants, Japanese girls and Soviet female soldiers in the Daxing'an Mountains, who crossed the gap between identity and nationality and race after experiencing a life-and-death test, and became friends.
The production cost of "Purple Sun" was only five million, but the film was designed with a large number of tank battles and naval and air battles between the Soviet Union and Japan, the United States and Japan, and tried to restore the harsh environment of the era at that time, where corpses were everywhere. The director also revealed in a later interview that in a scene of burning Chinese, he personally played as a stand-in.
The Chinese film market has never lacked works with themes first, and every year we can see several main theme movies on the big screen, but most of them are seriously homogenized. But director Feng Xiaoning showed us a broader historical vision, a deep spirit of reflection and superb drama techniques in "Purple Sun".
People always say: "Don't test human nature", which really reflects people's distrust of human nature. The director asks a similar question in this film: Is human nature worth believing?
This is the brilliant idea of "Purple Sun", the three people in the film have their own metaphors and symbols, we can see the distinct personality, abundant flesh and blood, and the details of the interaction between them or warm pulses, sword-rattling, not only showing the complexity of human nature in extreme circumstances, but also reasonable and rigorous arguments for the truth of reality.
The sun was originally a symbol of human life, and once it was cast in the shadow of fascism, it would change color and bring disaster, and only by eliminating them would the bright red sun shine again on the earth.
6. "Red Sorghum"
Poster of "Red Sorghum"
Released: 1988
"Red Sorghum" is adapted from the early masterpiece of The Nobel Prize winner and famous writer Mr. Mo Yan. The film is the debut of director Zhang Yimou, starring Gong Li and Jiang Wen, Mo Yan himself as the screenwriter, Gu Changwei photography, Gu Changning recording, such a gorgeous lineup.
The film tells the story around a wild sorghum field in Gaomi Northeast Township, telling the story of the ups and downs of the older generation during the War of Resistance against Japanese Aggression in a "I" tone. Mo Yan said in the novel that this wild sorghum land "is undoubtedly the most beautiful and ugly, the most detached and the most worldly, the most holy and dirty, the most heroic and good man, the most king, the best place to drink and love."
The film focuses on the theme expression of life praise, the overall symbolic style is prominent, the "red sorghum" is hot and hot, is a typical symbolic carrier, plays an important symbolic role in the film, and director Zhang Yimou uses a large number of folk scenes to highlight the theme and tension of life.
The images are exquisite, the colors are vivid, and the soundtrack is unique
In terms of photography, the film pays attention to the realm of scene blending and situation encounter, and the spatial modeling elements are ritualized and allegorical. The driving force of life in the sorghum field and the protesting nature of the brewery to carry the national responsibility are created very well. A large number of highly saturated reds are used in the film, giving a strong visual impact, effectively highlighting national characteristics and character emotions.
The soundtrack is ingenious, "Sister You Boldly Go Forward" is used to express the mutual attraction of the two hearts, jiu'er's singing again after death, expressing her grandfather's thoughts about her and the remembrance of the past; "Good Wine Song" is to express contempt for the enemy. "Red Sorghum" is a film made with heart, reflecting the understanding of film by that generation and a kind of display of Chinese culture, which is very rare.
5. "Sanmao's Journey from the Army"
Poster of "Sanmao From the Army"
Released: 1992
Douban score: 8.5
This film can be said to be the highest peak of Chinese comedy films, a masterpiece of postmodernism, although its popularity is not low, and even the common memory of many post-80s generations, but the real meaning behind the film is "little known". Because in the past we always looked at it as a children's film, but in fact, it is a work that deserves to be re-recognized by everyone.
Although "Sanmao" was born in 1992, it has done a lot of innovation and exploration with advanced consciousness. The first is the "pseudo-documentary" shooting method. Secondly, director Zhang Jianya has a very wide field of vision, a wide range of subjects, and is good at "playing with terriers", and in "Sanmao", you can see "The Graduate", "Modern Apocalypse", and even the parody of the excerpts of the Peking Opera "Shajiabang" and so on.
"The Wanderings of Sanmao" represents Chinese cinema going to the world
On May 21, 1981, "The Wanderings of Sanmao" was screened at the Cannes Film Festival in France on "China Day", which immediately caused a sensation. Since then, major French newspapers and periodicals have commented, television stations have broadcast special programs, and large posters have been posted at airports, shops, restaurants and cafes. In Paris and other six major cities for nearly 60 consecutive days, the audience is still very enthusiastic.
Sanmao (played by Jia Lin)
In 1983, at the 12th Figuera Foz International Film Festival in Portugal, "The Wanderings of Sanmao" won the jury prize.
In 1984, at the 14th "Sofoni" International Youth Film Festival in Italy, "Sanmao Wanderer" won another honorary award.
In an article in Le Monde on May 25, 1981, France's most influential film critic, Jean-de-Baronse, wrote: "This film shows that There is also neorealism in China, and in the Chinese film industry where melodrama was prevalent at that time, the director of this film focused on harsh reality and naked witness, and the film contained bitter tears in laughter." ”
As a comedy film with historical themes, "Sanmao" spoofs the so-called spirit of the times and grand narratives, rather than the real history itself, and there is a proper relationship between fiction and reality.
4. "Blood Battle Taierzhuang"
Poster of "Blood Battle Taierzhuang"
Release date: 1986
As early as 34 years ago, a domestic film about World War II achieved a box office success of 270 million. At that time, according to the ticket price of 1 mao, this film drove 270 million people to watch the film, and the national population in 1986 was 1.075 billion, that is to say, it accounted for a quarter of the population at that time, which shows the popularity of the film, it is "Blood Battle Taierzhuang".
Realistic reproduction, strive to restore
In 1986, the war film "Blood Battle Taierzhuang" produced by Guangxi Film Studio was released. "Blood Battle taierzhuang" truly reproduces the cruelty and grandeur of the Taierzhuang Battle in the form of a documentary. From the film casting to the scene construction, the historical figures and scenes are highly restored. When selecting actors, the crew selects photos of historical figures, requiring both form and spirit, and being able to act.
The reason why "Blood Battle Taierzhuang" is good, first of all, is that the story is good, the screenwriter has interviewed many veterans and generals who participated in this battle, who were still alive at the time, so they got first-hand real information, in addition to the artistic treatment of a small number of bridge sections, there is no element of joke nonsense.
Impartial, objective and impartial
"Blood Battle Taierzhuang" adheres to the principle of objectivity and justice, whether it is the War of Resistance against the Nationalist Army or the depiction of the Japanese Army, it does not favor one side, does not distort history, has no mythological figures, and is not biased. Whether it is the restoration of history or the depiction of all parties, let us see a real anti-war film, but also effectively stimulate the audience's feelings of home and country, national self-esteem, sense of honor and disgrace, so it can also become a classic anti-war god film.
The film undoubtedly achieves the level of audiovisual feast in the war scenes, such as the scene shown in the following picture:
At the end of the film, this scene of corpse mountains and blood rivers can be listed as one of the most classic scenes of all war films in the world, which not only shows the cruelty of war, but also reflects the great spirit of my excellent Chinese sons and daughters who are not afraid of sacrifice and regard death as homecoming!
3. "The Great Victory"
Poster of The Great Victory
Released: 1995
Douban score: 8.6
The Great Victory is a drama film produced by Shanghai Film Studio, directed by Wu Tiange and starring Lei Kesheng and Yuan Yuan, released in 1995.
The film tells the story of the newly organized Third Regiment of the Kuomintang 23rd Route Army against the Japanese puppet army during the War of Resistance Against Japan. The biggest feature of the new three regiments carrying out this blockade mission is that this is a unit temporarily put together by a group of ordinary people and has not undergone systematic military training!
First of all, the content of the story is very different, neither describing the heroic resistance of the Kuomintang army, nor writing about the ferocity of the Japanese army, nor writing about the anti-Japanese and anti-Chiang Kai-shek deeds of the communist army. Instead, it is written about a group of local militia groups and ordinary people, soldiers and hooligans, patriotic soldiers, patriotic youth and kuomintang regular army, Japanese puppet army "double-front resistance" and died, survivors in the National Army commendation ceremony assassinated the commander of the group army who issued the order to avenge their fellow villagers.
Quietly, small to see the big
The things that someone is involved in reveal human nature, and the success story in any field is the success story of using human nature. Scheming, hearts and minds, scheming, tactics, strategies, tactics, tactics, etc. are all attempts to regularize and instrumentalize the ugliest things in human nature.
This film can be called a battlefield appearance. The commander-in-chief of the group army, Han, did not directly dispose of the local militia regiment in Jiadian because his artillery regiment was attacked, but used a more sophisticated method to let them act as cannon fodder and serve as a stepping stone for his meritorious medals.
The Japanese let the puppet army act as cannon fodder in the front, just as the 176th Regiment did to the New Third Regiment; Liu Taru thought of making the dead man's fortune; Ouyang Gui promoted the company commander in order to fight this battle well... Everyone and every force shows their own little calculation in the film. After watching the movie, we know what this victory is, why and how, but who does this victory belong to?
2. "Meridian of War"
War Meridian poster
Released: 1990
"Meridian of War" is an anti-Japanese theme work directed by Feng Xiaoning. He won the Special Director Award at the Golden Rooster Awards of Chinese Cinema in 1990, the Japanese Film Critic Award at the 4th Tokyo International Children's Film Festival, and the Gold Award at the 2nd Kyoto International Children's Film Festival in Japan.
The story takes place in the winter of November 1942, when the War of Resistance Against Japan entered its most critical and arduous period. In order to suppress the effective forces in the anti-Japanese base areas behind the enemy lines, the Japanese army launched the "51 Great Sweep" in North China. Due to the lack of medical personnel, the CCP recruited 13 patriotic young people to go to the Anti-Japanese Base Area in Pingxi, but they were ruthlessly bombed and strafed by Japanese fighters on the way, and only one female nurse survived.
Through the depiction of children directly involved in war, the film profoundly shows the cruelty of real war, sets off the tragic and high-spirited national spirit, and triggers people's deep thinking on the eternal theme of "war and peace" of human culture. Through the exposition of leaders and children, mothers and children, the film reveals the relationship between war and human nature, and gets rid of the previous children's characters in the creation of "revolutionary heroes" in war films, which is easier to understand and accept.
1. "Here Comes the Devil"
Poster of the international edition of "Here Comes the Devil"
Release date: 2000
Douban score: 9.3
"The Devil Is Coming" is adapted from You Fengwei's novel "Survival", director Jiang Wen selected several novels about the theme of the Sino-Japanese War of Resistance at that time, and the story core of "Survival" made him look at it at a glance, so he quickly bought the copyright and pulled the author and Shu Ping, the screenwriter of "Have Something to Say", into the group to shoot this movie together. The story takes place at the end of the Anti-Japanese War, the place is Tangshan City, Hebei Province, Jiang Wen is Tangshan shengren, the whole movie, except for "Nihon", everyone speaks fluent Tangshan dialect.
At the first meeting of the crew, Jiang Wen repeatedly said that everyone should learn French well, and our film must be sent to Cannes to win the award. In 2000, "Here Comes the Devil" won the Grand Jury Prize at the 53rd Cannes Film Festival. In 2001, because Jiang Wen participated in the Cannes Film Festival without passing the censorship, he was sentenced to the administrative punishment of "not being able to serve as a director for five years".
Jiang Wen said that this is an example of life imitating art: the Cannes Awards, like a prisoner in a movie, is something that can only bring trouble.
"Here Comes the Devil" has put the villagers of Panjiakou Reservoir on a road to prosperity:
Develop the filming location as a paid tourist attraction. Speaking of Jiang Wen, some people complained: I borrowed my tools and have not paid them back so far. Local teenage children explain to tourists that they can accurately quote the price of each prop and recite the censorship opinions that the film was banned, but they don't know what the film filmed here was.
summary
The above is the recommended domestic classic anti-war movie TOP10 for everyone, how many of the above films have you seen, and what are the classic anti-war movies that are worth recommending to watch, please leave a message to exchange and recommend each other, let's discuss it together! Sorting out is not easy, I hope you have a lot of praise, welcome to like + collect + pay attention!