Jiao Bingzhen was a famous court painter in the Qing Dynasty, and his painting history did not highly value him, mentioning that he liked to paint pictures of ladies full of fat and powder. The three words "fat powder gas" make people feel tacky in the subconscious. In fact, he is an all-rounder in the field of painting, and the other types of works he creates are at best full of decorative beauty, and almost no fat powder is felt.
"Crane Painting" is Jiao Bingzhen's work, who can feel the fat powder. It can be seen that the statements in the history of painting should be fully understood and not misunderstood. "Crane Painting" looks solemn and elegant, obviously a fresh and elegant subject, so that Jiao Bingzhen painted a strong and gorgeous beauty. Of course, this kind of beauty is not annoying, but it feels popular. Some people call this aesthetic "aristocratic aesthetic".
Jiao Bingzhen Put the crane diagram
There is a story of "releasing cranes" in the "New Language of the World", and the Eastern Jin Dynasty monk Zhi Yu was proficient in Buddhism and loved poetry. He has a compassionate heart, compassion for all things in the world. He liked the white crane and preferred to let the white crane have freedom, so he released the two white cranes he had raised. Poets of the Tang and Song dynasties liked to use this allusion in their creations, such as Lu Lun said, "Let go of the crane linshan pavilion, and descend the dragon step stone bridge." ”
Su Dongpo, a scholar of the Northern Song Dynasty, wrote a "Record of the Crane Pavilion" that explained the joy of seclusion. Later generations used "crane release" to describe a self-satisfied and self-sufficient hermitage. Understanding these knowledge points, it is more intimate to look at this "Crane Painting" again. Jiao Bingzhen adopts a "flattering" technique in her creation, using allusions that are familiar to readers to close the relationship between paintings and viewers. This is also a common expression method of aristocratic aesthetics, paying attention to the popularity of the content.
Jiao Bingzhen Put the crane figure partially
Jiao Bingzhen is quite solid in his creative techniques, and from the perspective of picture composition and pen and ink programs, he has copied a large number of Song Dynasty courtyard works. The pen is stable, the structure is accurate, the composition is balanced, and which one of the kung fu must be honed for several years. At the same time, he also shows the beauty of perspective in his paintings. In the middle of the picture, there is the meeting point of mountain stones and flowing water, and it is also the point where the line of sight disappears. He works according to the law of parallel perspective, so that the "centerline" and "horizon" intersect in the middle of the picture. This is the second characteristic of aristocratic aesthetics, which emphasizes the balance and symmetry of composition.
Although he is very blunt in the use of methods, after all, there are some differences with the traditional landscape composition of the three-distance method. His painting method is known as "Western Painting and Eastern Gradually", and people praise his painting technique as "adaptable to its own intentions". Not total acceptance, but dialectical absorption. Judging from this creative concept, he is already the ideological realm of a top painter.
Traditional themes, new painting methods, the two are intertwined, there is no sense of violation. He solved the problem of "foreign use for Chinese use" more skillfully than Lang Shining, and felt the charm of traditional culture in his paintings. "Crane Painting" aims to express the pursuit of inner tranquility, gorgeous visual effects, realistic sense of space, bright and full of colors, depicting the aristocratic class's reasonable imagination of secluded life. This is the third characteristic of aristocratic aesthetics, with a strong subjectivity.
Jiao Bingzhen's creative position is to "speak" for the aesthetics of the Manchu Qing nobility, and from this point of view, he has nothing wrong with his paintings. When admiring a painting, it is difficult to put aside factors such as the background of the times and the identity of the painter. Therefore, for Jiao Bingzhen's painting style, we cannot blame too much.
He was a court painter who depicted the endless charm of traditional culture. He uses fresh techniques to express existing themes. Remember his name, Jiao Bingzhen, a representative painter of the Western painting and Eastern gradual styles.