In front of the Japanese imperial family, there were the commoner empress Michiko, the current diplomat Empress Masako, and Princess Noriko, as Masako's concubine, who was able to compete with her sister-in-law for the position of empress, all because of a son, Yujin. The ancient Japanese imperial succession system has long been unsuitable for the development of modern civilized society, many Japanese people are opposed to the rule that Masako's daughter Princess Aiko has no inheritance rights, under the great influence of Empress Masako, her daughter Aiko has become the "uncrowned king", and has also become the highly anticipated future "hypothetical crown prince", which far overshadows the children of Princess Noriko.
Masako did not express an intuitive view on whether her daughter Princess Aiko had the right to inherit, but the coming-of-age ceremony of Princess Aiko had become a "king bomb" and the most influential thing in the Royal Family of Japan in the world. Compared to princess Makoko, the eldest daughter of Princess Kiko, who married, Princess Aiko fell in love with the crown and officially declared adulthood, which was a declaration with royal majesty. Much of Princess Mako's flow stems from a nature similar to Meghan Markle's, where outsiders are watching the new things of the Japanese imperial family, or "eating the melons of the Japanese royal family."
Under the rendering of this social influence, the Imperial Household Agency also attached more importance to Princess Aiko than several other princesses. Aiko's royal statue was framed against the wall, and she wore a long white dress and a crown on her head, which became a new event that the Japanese imperial family was proud of. Princess Kuko lined up to visit the crown statue of Masako's daughter, and in this exhibition, Princess Mako, the eldest daughter of Princess Noriko, left only a shadow on her back.
This exhibition features many memorable moments for the Japanese Imperial Family, and Princess Mako is no longer a member of the Imperial Family, so she will no longer be eligible to climb the Royal Exhibition Wall. Her back is only an exception because she is associated with her sister Princess Jiazi, reflecting the strong family affection of the royal family. This is like her marriage, which is a pain that is difficult to hide from the Japanese imperial family, and others seem to be her pursuit of freedom, while in the Japanese Palace Agency, it seems to be "marrying down".
Empress Masako didn't need to do anything, and her daughter became "Wang Bang", allowing her and Naruhito to prove their prestige once again. No matter how hard the Akishinobu family tried, no matter how hard they tried to cultivate their son Youren, it was difficult to have a mass base of Masako's daughter. After Princess Aizi, who has both talents, grows up, people also become beautiful, and many people treat her as a princess, she has no inheritance rights, but she is more popular than the future prince Youren, which is enough to make Princess Kiko envious.
Aiko had just turned 20 years old, and her marriage began to be taken seriously, and several sons of the old nobles were already lined up. Whether this was arranged by the Imperial Household Agency or by Empress Masako, it meant that Aiko was expected, and her marriage was like that of Prince Yujin, and there could be no deviation. The Inner Household Agency has always been strict with her, and the people have always been full of expectations for her, not giving up the day when the rules are broken, and looking forward to the day when Aiko has the right to inherit.
When Princess Aiko officially entered adulthood, Emperor Naruhito and his wife protected their daughter well. The little princess rarely attended public events, she continued to work hard in her studies and hobbies, she thought it was a low-key princess, but she did not expect that when Princess Aiko put on the crown, the people and the imperial family actually showed all their enthusiasm and completely forgot about Princess Zhenzi's sisters and brothers. This seems to reflect their relationship from the previous generation, with Empress Masako effortlessly becoming the center of gravity, while Princess Noriko needs to rack her brains if she wants to win attention.
Fortunately, Princess Mako was willing to leave a shadow, and she left the imperial family in a dashing manner, and has no relationship with the Imperial Household Agency from then on. Princess Aiko's marriage may be the key to saving face in the Japanese imperial family, but Empress Masako's daughter must also be a girl with an idea, and when her love affair first opens, she will not necessarily listen to the arrangements of outsiders, but will follow her own heart. But Princess Concubine is always noble, and after this king blows up, the eldest daughter of Princess Kiko is no longer so concerned in an instant, waiting for Princess Aiko's wonderful performance in her first official duties after adulthood.