The goodness of fiction is to express things that are not real. However, an impossible future projection may be realized in a different way, and it can never be underestimated just because it is fiction. Episode 7 of "The Sinking of Japan - People of Hope" (TBS series) depicts allegations of fraud between Dr. Tatekoro (Teruyuki Kagawa) and D-Plans, negotiations and tactics between the major powers.
The advantage of fiction is that it can show things that don't exist in reality. That being said, impossible future predictions can also be fulfilled in other forms, so even fictional fantasies should not be underestimated. Episode 7 of "The True Face of Traitors" in Japan's Sinking - A Man of Hope (TBS) tells the story of Dr. Taso (Teruyuki Kagawa) and D PLAYS suspected of fraud, the Japanese government's secret immigration negotiations, and the game between the great powers.
The pree/ae to which Tadakoro ended in the scene of the shock that the arrest. Amami (Shun Oguri) also shouts instinctively, "What will you do this?" Tatakoro insisted on his innocence, but Tadakoro's cell phone revealed evidence of providing confidential information to D-Plans. As for Tadakoro, the doubt has been raised up to now by the credibility of the own theory, and the doubt has been raised many times. It will not be only the author who thought that Tadakoro is kuro this time in the appearance which talks about the conspiracy theory , saying that "Man who wants to believe in eternal prosperity of Japan has fallen me" ahead of the evidence which does not move though Amami defended every time and obtained the thing.
The previous episode ends with an onslaught scene of Tian Suo's arrest. Tenkai (Oguri Shun), who saw Tian Suo's arrest, couldn't help but yell, "What's the use of taking him away!" ”。 Although Tian suo claimed his innocence, police found evidence of providing confidential information to D PLAYS in his mobile phone. The reliability of Theoso's theory has therefore been questioned many times. Although it was not a big deal that he was under the maintenance of Tianhai every time, in the face of overwhelming evidence, he actually said conspiracy theories such as "those who believe that Japan will always prosper, who framed me", and when he saw Tian Suo's appearance, he felt that he was not the only one who was a bad person.
In order to predict the impending sinking of Japan, Sera (Hayabusa Kunimura) was entrusted with data analysis on behalf of Tadakoro, who is in custody. Sera, who was forced to take his place for tampering with data showing signs of the sinking of the Kanto region, returns to save the predicament of the tadakoro. As a result of the reexamination, the conclusion that Sera made was "all sinking". At the behest of Prime Minister Higashiyama (Toor Nakamura) in the face of the inevitable reality, amami and others take serious measures into immigration negotiations.
In order to predict the imminent sinking of Japan, Seiryo (Hayabusa Kunimura) is commissioned to replace the detained Tian Shou to perform data analysis. Seiryo, who was dismissed from his post for tampering with data that heralded the sinking of the Kanto, came back to save the troubled Tasho. After being re-verified, Seiryo concluded that "Japan will all sink." In the face of the unavoidable reality, Tianhai and the others accept the orders of Prime Minister Higashiyama (Nakamura Heng) and formally begin immigration negotiations.
However, there should be no country that accepts millions of immigrants, and while negotiations are expected to be difficult, one of japan's few negotiation cards is the transfer of companies overseas. Relocating companies with assets and international competitiveness to the country where they are immigrants will benefit the recipient, including tax revenues. However, the top of the large enterprise which queues up shows disappromps. Morio Kazama, chairman of Ikushima Motors, chairman of Keidanren, exclaimed, "Do you say that you sell our companies to other countries for immigrants?" and "The business of companies is not such an easy thing." Tokiwa's father, Tokiwa (Kenichi Matsuyama) and chairman of the Tokiwa Group, Unificationro (Takehiko Ono), also refused, saying, "We take a blasphemy against our companies." Amami's intentions were quickly derailed.
But no country should be able to accept millions of immigrants at once, and one of the few bargaining chips Japan holds in the face of a difficult negotiation scenario is to move companies overseas. Recipients also benefit from the transfer of businesses with certain assets and international competitiveness to the country of destination, including taxes. However, the top management of many large companies has a difficult face. Ishima Motors President and President of the Japan Federation of Economic Organizations Ikushima (Toshio Kazema) said, "Do you want to sell our company to other countries for the sake of immigration?" "It's so simple to run a business." Tokiwa (Kenichi Matsuyama) father, Tokiwa Group President Akiyoshiro (Takehiko Ono), also refuses on the grounds that "this is a blasphemy against our company." The plans of Tianhai and others were soon frustrated.
The drama version of "The Sinking of Japan" depicts the confrontation between imagination and reality
The TV drama version of "The Sinking of Japan" depicts the conflict between imagination and reality
In "Sinking Japan - People of Hope", the confrontation between the side which believes in the Sinking of Japan and the side which denies it has been consistently drawn. On one side are Amami, Tadakoro, and Shiina (An), and on the other side are Deputy Prime Minister's Sato castle (Renji Ishibashi), former Sera, and corporate tops. When both claims are compared, the argument of the denied side sounds realistic and really plausible while the former is based on the assumption. The sinking of Japan itself may be a fictional setting, which shows that the essence of the film lies in depicting the conflict between imagination and reality.
The Sinking of Japan – The Man of Hope is a consistent depiction of the conflict between those who believe in The Sinking of Japan and those who deny the sinking of Japan. On one side are Tenkai, Tianso, and Shiina (Apricot), and on the other side are Vice Prime Minister Satoshi (Renji Ishibashi), past Seiryo, and corporate executives. Comparing the two claims, the former is based on assumptions, while the latter's denial of Japan's sinking sounds realistic and makes sense. The sinking of Japan itself is also a fictional setting, which shows that the essence of this work is to depict the conflict between imagination and reality.
When reality becomes a wall of imagination. There are many cases where reality and common sense lead to delays in response to disasters and the expansion of damage. The cause of a disaster is that it is accompanied by unexpected uncertainty, and that is why assuming an unknown danger will minimize damage. The work set in the real world has the meaning of sounding the alarm alarm against possible disasters such as earthquakes and rising sea levels. On the other hand, it is a fiction to the last, and the sense of distance that can be seen with peace of mind is also important. The reason why this work attracts a lot of viewers is that the sense of distance is exquisite.
Sometimes reality becomes a hindrance to imagination. In many cases, reality and common sense lead to slow responses to disasters and the expansion of losses. A disaster is a disaster because it is accompanied by unexpected uncertainty, so imagining unknown dangers minimizes losses. Works set against the backdrop of the real world are a wake-up call for possible disasters such as earthquakes and sea level rise. On the other hand, after all, it is fictional, and it is important to have a sense of distance that makes people feel at ease to watch. The reason why this work can attract many audiences is probably because its sense of distance is just right.
The sinking of the country means the state of the sun of the country, and the bargaining over the overseas relocation of large companies overlaps with the current situation where the management rights of companies that have supported Japan have been foreign capital. The U.S.-China tug-of-war over the relocation of global companies caricatures international politics. Above all, in Amami's words that "Because it is a Japanese who has crawled up the bottom, I'm sure we can build the future again", and the uncertain present age with the original written seemed to be a double copy.
The sinking of the country means the demise of the state, and the strategy of moving large companies overseas overlaps with the transfer of management rights of the companies that support the Japanese economy to foreign investors. The tug-of-war between China and the United States over the relocation of multinational corporations is a satire of international politics. Most importantly, Tenkai's statement that "the Japanese climbed up from the bottom of the valley, so they should be able to build the future again" gives people a glimpse of the double reflection of the year in which the original work was born, 48 years ago, and the uncertain modern era.
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