"Even if we are afraid and afraid, we must strive to overcome the difficult movements at high altitudes, which is the highest respect for acrobatics." Pan Yueyan, a 16-year-old actor from the Guizhou Provincial Acrobatic Troupe, said. On April 25, at the final examination site of the 2020-2021 annual business assessment of the Guizhou Acrobatic Troupe, Pan Yueyan and five other acrobats not only completed the business assessment with a wonderful talent display, but also surprised the audience with their super-standard completion degree and exquisite acrobatic artistic expression. The leaders of Guizhou Culture and Performing Arts Group and the expert judges gave high praise to the 6 actors.
As the so-called "one minute on stage, ten years off stage", the wonderful performance of acrobats on stage must be inseparable from their love for acrobatic art and the day-to-day, perseverance and hard training behind them, as well as unremitting efforts and persistence and firm belief in the excellence of the work.
Today, Xiaobian takes you close to the lives of the 6 actors of the Guizhou Acrobatic Troupe and listens to their voices behind the stage.
Actor No. 1 · Xiao Jihao
Forge ahead, use acrobatic art to build dreams of youth
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The dancers' day-to-day efforts, only for the beauty that blooms on the stage, may only be as short as a flash in the pan, but it is also the most brilliant fireworks.
In the view of actor Xiao Jihao, the dedication and persistence of acrobatic art began with the initial dream and persistence. He said "I can dedicate everything for the sake of acrobatic art". In order to pursue his artistic dream, this young actor who is "cheerful, virtuous, and hard-working" in the eyes of everyone has been working hard and moving forward, even if he is injured all over the body, he still strives to be reborn.
Acrobatics are not only difficult, strange and dangerous, but also beautiful, warm and affectionate.
When it comes to the understanding of acrobatic art, Xiao Jihao said: "The acrobatic art in the new era is not only a comprehensive expression that integrates dance, music and other elements, but also needs to integrate emotions", he said that the acrobatics that integrate emotions and stories can present life and convey diversified value expressions, so that the audience can see that Guizhou acrobatics are not only innovative expressions that integrate music, dance, skills and other comprehensive arts, but also convey warmth and world beauty through acrobatic performances.
As one of the outstanding actors of the Guizhou Acrobatic Troupe, Xiao Jihao not only strictly demanded himself in training, but also did not slacken off in life. In addition to the basic skills training day after day, he insisted on getting up early every morning to run and exercise, and constantly strengthened his physical fitness training.
Since joining the provincial acrobatic troupe, Xiao Jihao has been in the spirit of loving his post and dedicating himself to his work, constantly seeking advice from the teachers, strictly requiring himself to train hard and constantly enriching his performance experience in order to break through the difficulty and skills in acrobatic performance. Xiao Jihao said: "As a young generation of literary and art workers, in addition to looking up to the outstanding literary and art workers of the older generation, we need to struggle hard and promote our own all-round development. ”
Through this assessment, Xiao Jihao deeply understands his shortcomings and shortcomings in performance, and then he will find his artistic positioning, continue to forge ahead, and use acrobatic art to build his youth dream.
Actor No. 2 · Pan Yueyan
Water the art with sweat, from fear to overcoming difficult movements at high altitudes
Above the stage, the exquisite performances are stunning; and below the stage, the hard stories of acrobats are even more impressive.
"At the beginning of the training, it was very hard, very afraid and afraid of high-altitude movements, and in the end, I slowly overcame my fear in training again and again, and thus strengthened my belief that I wanted to take the art of acrobatics well," said Pan Yueyan, 16.
This little girl from Guangxi, who joined the Guizhou Provincial Acrobatic Troupe at the age of 14, enjoyed the wine of love in the midst of bitterness and tiredness. At a young age and away from home, she not only had to endure the pain and tiredness of training, but also learned to constantly adapt to the new challenges brought by the unfamiliar environment.
Pan Yueyan, who first came to Guizhou, is not particularly adapted to the eating habits of Guizhou, she said, "At the beginning, I couldn't eat peppers, a little bit will not be able to stand, but the meals on this side will be a little spicy, I can only overcome myself to adapt to the living environment here, and slowly I will get used to it." In the two years of training, in the face of Pan Yueyan, only day after day, constantly repeating the polishing of the action training, the process is tired, no matter how arduous she is not afraid, the only fear is to complete the extremely challenging, super difficult high-altitude work. "Once in a drum training, due to an operation error, my upper eyelid was hit by the drum, stitched 6 stitches, at that time I was very scared, and I wanted to give up going back to my hometown for a while, but under the love and support of the teachers and teammates, I felt very warm, I could not live up to their expectations of me, nor could I give up my initial love," Pan Yueyan said.
Pan Yueyan said: "When the training was the most bitter, I was too tired to eat, I cried and tired in the middle of the way, and I also wavered my original intention, but after surviving the most bitter stage, I was more determined in my choice and insisted on going on."
For Pan Yueyan, two years of training and life, from the beginning of the fear to the final continuous efforts to overcome, overcome the fear. During this period, there are boring and sweaty, but also interesting and lively, full of joy. In her tight training, she is not only holding on to difficult challenges and improvements, but also a life of careful containment and careful care.
Pan Yueyan's wonderful performance is behind the hard practice again and again. For Pan Yueyan, this assessment can be recognized by the leaders, expert judges and on-site guests, and all the hardships and pains are worth it! She will continue to forge ahead and strive to win more honors for the Guizhou Acrobatic Troupe.
Actor No. 3 · Wu Haixiang
"Training" is like eating and sleeping, deeply integrated into life
Acrobatics have been passed down in China for 2,500 years, and everything is changing in the new era, only the tenacity of acrobats will not change.
Wu Haixiang, at the age of 11, began to join the Guizhou Provincial Acrobatic Troupe. In the past 6 years, she has faced thousands of times of practice day after day, she is not afraid of pain, not afraid of tiredness, insisting on practicing every day, even if she is tired and sweaty, her whole body is sore and she grits her teeth and insists. "Other girls' bags are often prepared with lipstick, hand cream and other skin care products, while we often have bruises and bruises, and a piece of indigo and a piece of purple on the body are very common," Wu Haixiang said with a smile.
In this 17-year-old girl, people can see her strong and optimistic side, and his "harshness" of his artistic life. Behind her, the strength that supports her is not only derived from the pursuit of self-art, but also the tenacious perseverance of acrobats and the literary and artistic spirit of not giving up lightly.
Behind the one-minute wonderful acrobatic art performance on the stage must be separated from the repeated training of "thousands of hundreds of minutes". Wu Haixiang said: "Training has become a part of our lives, as simple as eating and sleeping, and has been deeply integrated into our souls."
In Wu Haixiang's view, acrobatics are not like other performing arts of dance, which can be performed on stage through several rehearsals and one or two months, but must be repeatedly polished and accumulated through a long period of time and day after day, in order to be put on the stage. Create an acrobatic show, as fast as half a year, as slow as a year or two. During this period, it is not only necessary for the actors to fall silent and train hard, but also to overcome boring and tedious repeated practice. "As acrobats, only when we can endure loneliness, guard against impatience and impatience, can we devote ourselves to acrobatic art and create artistic achievements," Wu Haixiang said.
Wu Haixiang said that the final examination of this business examination is not only an affirmation of her training results, but also a qualitative improvement in her acrobatic performance art, which greatly enhances her performance confidence. Next, while strengthening her training skills, she intends to enhance her consciousness and firmness in learning, constantly strive to learn more theoretical and cultural knowledge, strive to achieve all-round development, and enhance the potential and confidence of "literary and artistic warriors" in the new situation.
Actor No. 4 · Sim Quan Bo
Strive to forge yourself, improve yourself, and become a good actor
Literature and art is the mirror of the times, is the spiritual outlook of the times, as a literary and artistic workers in the new era, acrobats in addition to having excellent professional skills, but also focus on personal cultural accomplishment and comprehensive quality of the comprehensive development and improvement.
"Every night our actors train until 12 o'clock, very hard, very hard," Xin Quanbo said. When he saw the hardships of his team's partners training day and night, Xin Quanbo was deeply touched, he said, "Everyone here pays attention to their own growth and improvement, and everyone constantly enhances their trust and encouragement to each other in training and rehearsals".
"Take the team as the core, and then improve yourself" Xin Quanbo said that in the training, not only enhanced the cohesion and sense of belonging between brothers and sisters, but also showed the positive energy of the Guizhou Acrobatic Troupe's upward, hard work and hard work, and passed on the beauty of Guizhou acrobatic art and the beauty of thought to more people, and passed on the vigorous and upward literary and artistic strength.
As a literary and art worker in the new era, Xin Quanbo said: "He will continue to learn and take the initiative to forge himself. By calming down and calming down, we reflect on our shortcomings in technical training, learning and life, and through reflection, we can discover our own problems in a timely manner, and then improve and enhance our own artistic and cultural level.
This business assessment has gained a lot for Xin Quanbo and has a deep feeling. He said that the suggestions of the leaders and judges and experts made him realize the gaps and deficiencies in his theoretical quality, artistic ability, and ideological concepts. He said, "In the future, I will seize various learning opportunities, learn from team members in a serious manner, constantly enrich my knowledge, train hard, and strive to be an actor and an actor."
Actor No. 5 · Stone self-faced
"Minor injuries" do not go down the stage line, and transform in hardship and pain
For acrobats, no matter what kind of training, maintaining the flexibility of the body is the most basic. The pain of tearing the heart and lungs again and again, sweating again and again, soaking wet, day after day, in exchange for the wonderful "bloom" on the stage
On the day of the examination, Shi Ziyan impressed the judges with a beautiful dance posture, and even played with a guzheng of "Fishing Boat Singing Evening", which was unanimously praised by the judges. Referring to Shi Ziyan, the training teachers praised it one after another, "This is a very strong and brave girl, for the sake of performance, endure the pain that ordinary people can't stand."
"I've been practicing acrobatics for 10 years." Shi Ziyan said that to become an acrobat, hard work is essential, but in years of training, she never wanted to give up. "I always learn something new, and it works well, so I'm always interested." Shi Ziyan believes that art is connected, she follows the video to learn dance, while integrating her own acrobatic basic skills, more able to show the combination of classical and feminine.
In order to be able to present the most perfect performing art in this business assessment, Shi Ziyan constantly practiced at a high level, from jumping, rotating and other actions and skills, constantly repeating training, and striving to master the strength and angle to achieve the ultimate in details, so that the body can produce memory, so as to present the most perfect posture on the stage. However, just the day before the test, high-intensity, high-intensity training made her waist injury recur, and her waist was injured again. In order not to affect the effect of the assessment and performance, she said to the teacher, "No problem, I can go on"
On the day of the examination, Shi Ziyan endured waist pain and completed the examination performance with a wonderful program performance. On the stage, she sparkled, so that the audience on the stage could not see a trace of injury. Her wonderful performance was highly praised by the leaders of the group and the expert teachers.
In the words of the teacher of the provincial acrobatic troupe: "Crying because of the pain of training for a second, once the performance begins, immediately show a beautiful smile", which makes people see the dedication and firmness of an acrobat in Shi Ziyan, even if it is tired, bitter and painful, once on the stage, it is necessary to face the audience with full enthusiasm and smile, bringing them the aesthetic experience of art.
Behind every action on the scene is the choice, love, frustration and perseverance of actor Shi Ziyan in acrobatic art, it is her fighting spirit of working day and night, constantly working hard, strictly demanding herself, and bravely chasing dreams, which is the love and literary responsibility of a professional acrobat.
In Shi Ziyan's world, "slight injuries" cannot go down to the stage, and the pain and frustration are her perfect transformation after suffering. I believe that on the next stage, we will definitely see the more beautiful figure of this excellent actor and the rebirth of nirvana after the transformation.
No. 6 actor Wu Shangwei
Because I like and love, I do not regret choosing to "dedicate myself" to the art of acrobatics
Acrobatics are called "accidents" in life, and all rhapsody and delusions can be realized on the stage of acrobatics, which is an art that makes people a little heart-wrenching and admired.
Wu Shangwei, a boy from Longli, Guizhou, made the guests bright with the refreshing "Baisha Boy" as soon as he appeared, so that the audience could see the strong, heroic and mighty side of the Baisha boy in his performance, and see the distinctive Culture and National Characteristics of Guizhou.
Talking about his artistic experience, Wu Shangwei said that he took the initiative to ask his parents to send him to the provincial acrobatic troupe to practice acrobatics. The reason for this was that he once saw an acrobatic art performance on TV, and he thought acrobatics were cool and fun, and he liked it. When he was 12 years old, after communicating with his family, he began to go to the Guizhou Acrobatic Troupe to start his own art path.
This study and practice is six years. For six years, he has been constantly precipitating and forging himself on the road of acrobatic art. When he first came into contact with acrobatic training, the hardships and pains in between were far more difficult than he had imagined. Wu Shangwei said: "Usually, in addition to normal performance rehearsals, it is constantly practicing basic skills such as tumbling and handstanding, and we must also endure all kinds of pain and tiredness brought about by training. During this period, bruises and injuries are also very common, but these do not affect my love of acrobatics" But when asked if he regretted it, he replied without the slightest hesitation: "No", and after that, he would laugh and say: "The road I chose, even if the process is difficult and difficult, I will finish it, I have no regrets about choosing acrobatics."
Because of love, so insist. For Wu Shangwei, "you must adjust your body to the best state at any time," in order to better present the charm of acrobatic art on the stage.
Perhaps only real love can make Wu Shangwei passionately on the road of acrobatics to the present, and will continue to go on. ( Text / Liu Jing )