I was impressed that this was the first rock music I had ever come into contact with.
At that time, Cui Jian's hoarse, desolate voice forcefully penetrated the high wall of the middle school campus, as if awakening a long-awaited nerve of the young and ignorant students like me, so the song grew wings and was widely sung among the young and flying crowd, and even at the school's big and small parties, the teachers did not check the content of the lyrics except forbid who went on stage to roar a song.
However, the most engaged in singing are often some characters who have early love tendencies or develop into early love elements, I am an exception, although I can't sing, but later I also vaguely had a relationship that is about equal to early love.
When I first listened to this song, I could only use two words to describe it: shock.
Yes, in that era, suddenly hearing such a song, the feeling in my heart can only be described as shock.
And listen to:
The ground under your feet is walking / The water around me is flowing / But you always laugh at me for having nothing / Why do you always laugh enough / Why do I always pursue / Is it in front of you / I will always have nothing.
The translation is to the effect that: pat your ass and you will follow me, I don't have anything that shouldn't be. This is completely in line with the proletarian concept of love, and it is very gratifying, can it not be widely circulated?
Since then, Master Cui has erected a monument to rock and roll leaders, and his name has moved the world, even if his eyes are covered with red cloth, he is invincible and invincible.
After many years, the single loop, that feeling, can only be summed up in a very popular sentence: the first time I don't know the music, and then listen to it is already a person in the song.
This series of essays was written by myself many years ago when I had some leisure and heart, and now I am slowly rearranging and sending it out. It is a pity that it is inconvenient to link the relevant songs to the article because of the fear of infringement. From childhood to adulthood, there are so many moving, aftersound songs that float into our ears and haunt our hearts, we are obsessed with it, obsessed with it, added our own thoughts to it, on different occasions, with their own voices or stories, interpreting it, but now, how many songs can we remember?
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