And "horizontal eyebrows cold to the thousand fingers, bowing down to the cow, not erupting in silence, perishing in silence." This is the other side of Mr. Lu Xun's literary thought, and it is also an important reason for him to abandon medicine and follow the literature, with the intention of warning the world that when facing the oppression of the powerful, if they do not rise up and resist, they will fall victim to the dark feudal rule.
Born into a family of old bureaucrats who had fallen into decline, Lu Xun was intelligent and studious since childhood, and had a wide range of interests.
When he was a teenager, in addition to reading the Four Books and Five Classics in Shaoxing's Sanwei Bookstore, he was fond of folk arts with excellent traditions, such as drama, legends and stories.
In 1898, at the age of seventeen, Lu Xun studied at the Jiangnan Water Teacher's School and the LuShi School in Nanjing, and graduated with honors in 1902, giving him the opportunity to study in Japan at official expense.
After arriving in Japan, Lu Xun first chose to study medicine, but the "slide incident" of the Sendai Medical Academy made Lu Xun feel that "the disease of Chinese is not physical, but mental." Therefore, he resolutely chose to abandon medicine and follow literature, and Mr. Lu Xun's choice not only affected his life, but also affected the pattern and process of modern Chinese literary history.
In August 1909, Lu Xun returned from Japan, and after teaching for several years, in 1918, he officially published China's first vernacular novel "Diary of a Madman" in "New Youth", exposing and accusing China of thousands of years of "cannibalism" history, which can be called the strongest anti-feudal voice.
Since then, Mr. Lu Xun has been out of control, and works with the theme of exposing the darkness of feudal society and feudal etiquette and cannibalism have come out one after another, and "Kong Yiji", "Medicine", "A Small Thing", "Hometown", and "A Q Zheng biography" have been published one after another. It profoundly reveals the reasons for the failure of the Xinhai Revolution, and also reflects the inferior roots and ignorance of rural society under feudal rule.
In addition, Lu Xun also wrote a large number of essays, poems and essays, studied ancient culture, and wrote a "Historical Outline of chinese Novels" with great insight into historical value.
It was such a cultural giant, who died in Shanghai at the age of fifty-five.
He suffered from extreme pain and illness during his lifetime, weighing only 37 kg at his youngest, but he continued to write until two days before his death.
The cause of his death is also widely disputed, the most important of which is the following two theories.
The first is that he was victimized by the Japanese doctor Sudo, who was a friend that Lu Xun made when he was studying medicine in Japan, and later became his attending doctor when Lu Xun was seriously ill. Because Lu Xun left an X-ray, many experts believe that according to the light film, Lu Xun's disease is of moderate degree, not the main cause of death, the main reason is that the left side of the lung vesicle membrane rupture so that the gas enters the pleura, causing spontaneous pneumothorax.
However, this disease was not an incurable disease at that time, and it could be cured with more conditioning, and Suto only ended up simply dealing with Lu Xun. The day after he left, Lu Xun passed away.
The other is the death of natural diseases, Mr. Lu Xun has two bad habits, one is to stay up late for a long time, and the other is to love to smoke cigarettes. According to the data, mr. Lu Xun smoked hundreds of thousands of cigarettes in his lifetime, an average of dozens of cigarettes per day. He himself believes that cigarettes can give him inspiration for creation, which has a lot to do with his death.
His death also caused tens of thousands of people to spontaneously hold a solemn and solemn funeral for him, and the people's representatives covered his coffin with the banner of "national soul" to commemorate this "cultural giant who fought for the rebirth of the Chinese nation all his life".
With that heroic courage and indomitable spirit, Mr. Lu Xun blew the clarion call again and again, anti-feudalism and anti-darkness. The indomitable struggle waged against the Kuomintang authorities to carry forward the revolutionary culture has demonstrated our great national spirit.
It is accustomed to the gentleness of the wind and the roar of the wind, but its dreams have never been forgotten, and in your cry, even a weed in China will stand tall in the fierce wind, as great and strong as you.