One of the local fist species in Hunan, it belongs to the southern fist category. It was created by Wu Bida (1751-1812), a native of Tingzhou, Fujian Province, and later generations ordered him to use the surname of the originator of this fist. When Wu Bida was young, he traveled widely, first learning Shaolin boxing, and then learning Wudang boxing, absorbing the essence of the two schools, and creating boxing techniques such as "avoiding the real and the virtual, avoiding the strong and attacking the weak, attacking with force, and returning to the surprise attack", which became one in its own right. In the sixty years of the Qianlong Dynasty (1795), Wu settled in Xiangtan, Hunan, and successively passed on li Weitan and the brothers Feng Nanshan and Feng Lianshan. Later, the Li family was known for palladium; the Feng family was famous for stick skills. Wujiaquan has been passed down from generation to generation, with a history of nearly 200 years, and has been handed down for seven generations so far.
The founder of the boxing, Wu Bida, learned Southern Shaolin Boxing in his youth, and when he was young, he went south to the north, sought a teacher to learn the art, and deeply understood the subtlety of wudang neijia boxing. In the last year of the Qianlong Dynasty, he settled in the family of Li Dakui in Leidashi Township, Zhuzhou, and received apprenticeships to teach fists; later, he went to Majiahe in Xiangtan to teach his disciples Feng Nanshan and Feng Lianshan brothers. So far, the fist has been passed down for 7 generations, and there are tens of thousands of disciples. Huang Xing, one of the leaders of the Xinhai Revolution, and Qiu Jin, the 'Jianhu Woman', have both practiced Wujiaquan successively. In 1931, tang huidian was awarded the first national art examination championship in Hunan Province.
commandment. The loose hand of wujiaquan circulating in Hunan is characterized by close attack, short strike, and combos, paying attention to static braking, waiting for work, soft kegang, and attacking people from behind. When dealing with hands, it is required to be at a high level of energy, and the movement is light and stable. 'Wu Jia Quan' was created by Wu Bida of Yangdi Village, Gutian Town, Liancheng City. His grandfather Wu Yingshou was proficient in Shaolin boxing and moved here from Ningshi during the Qing Yongzheng period. Bida learned martial arts from an early age, mastered Shaolin martial arts, and through diligent study and hard training, achieved the realm of proficiency in martial arts and free wielding. In his youth, he left home to travel to the ancient temples of mountains and rivers, visited his teachers and friends, humbly sought advice from various famous boxers, went to rough and refined, and combined the various offensive and defensive strength techniques of Fujian Shaolin Fist with the solid and strong bone methods of Inner Family Fist's Tibetan essence, qi storage, and god cultivation, and created the 'Foreign Witch Family Fist'. In the last years of Qianlong, Wu Bi reached Zhuzhou, Hunan, Xiangtan and other places to teach boxing. The fist has been widely spread in Xiangtan, Zhuzhou, Changsha, Yueyang and other places in Hunan.
At the end of Qianlong, there was a boxer named Wu Bida in Tingzhou, Fujian Province, who broke into the rivers and lakes at an early age, and widely worshiped martial arts masters as his teachers, and after decades of hard drilling and hard training, combined the masculine, strong, strong, and bone-strengthening characteristics of Fujian Shaolin foreign boxing with the secret purpose of Hiding Essence, Storing Qi, Cultivating Gods, and Consolidating The Essence of Hubei Wudang Inner Family Boxing, forming a kind of Wujia Fist that has the softness of the clouds and flowing water on the outside and the rigidity of the Five Mountains and Three Rivers on the inside. Wu Bida later taught Li Dakui in Xiangtan, and later passed on to the brothers Feng Nanshan and Feng Lianshan, and was buried in Xiangtan after his death, and the Li and Feng families erected monuments. Wujiaquan is widely spread in the south, but the real mystery is the Li and Feng families. Wujia fist to Xiangtan, not three years, and Xiangtan original Longmen family of Qilin Bagua and other fists, all eliminated, Wujia fist is also one of the yin strength, and Jiangxi zimen fist, there is no advantage or disadvantage to speak of, Longmen family fist flow in Xiangtan, although the age can not be examined, but there are hundreds of decades of history, then believe and have a sign, Xiangtan old and young men and women, all know the art of boxing, there are so-called Longmen family, its artistic strength can be known, witch general power can even use the monkey chest short rib yin strength fist, instead, less than ten years, Xiangtan people have not practiced, practice will be for the witch family boxing, Wang Chunlin's skills were inferior to those of witches, so he assimilated, but the witches could not learn their fists, and they would become wasted after learning for a long time, because the witches got their name after their feet were broken (the Longmen family was afraid of witches, and they were powerless to create them, so they set up a banquet to recruit witches, witches lived across the river, feasted on the five fathers and sons of the Longmen family, sent by the boats, and the middle stream, the group threw the witches, the boats could not turn sideways, and they were not good at swimming, so they were embarrassed, cut off their feet, the witches begged to go home, the father and son of the Longmen family, said that their feet were abolished, when there was no more action, Xu Zhi, only and Lu, the witches both hands, the two of them fell to the ground and died, One of the footers was also seriously injured, the remaining two fled away, although the wu foot was abolished, and the apprentice was self-reliant, the skill taught, turned more poisonous than before) from relying on Ding bu to magpie step, relying on Ding bu is no longer beneficial to sports, and there is no change of magpie buzai, (in the past years, those who used rattan cards in the army, they must magpie joy step, with left and right feet overlapping and leaping forward, so there is a transformation) The use of Wu Jia fist is passed down by Ding Bu in the early Xiang Dynasty, Xu Eighty-one hands, and the rare fist style in yin strength.
The main routines of Wujiaquan are: Plum Blossom Fist, Prince Golden Fist, Detective Heart Fist, Tan pile Heart Fist, Qilin Six Elbows, Tian Zi Six Elbows, Zhengping Six Elbows, Swing Door Six Cubits, Single Hanging Six Cubits, Seven Stars Six Elbows, Cross Six Cubits, Three Piles and Six Cubits 12 sets, and six cubits. The six cubits are gold, wood, water, fire, earth, and god fists, of which the plum blossom fist, zhengping six cubits, and the probing pile heart fist have been lost. The wujia apparatus includes a single knife, a green dragon double hammer, a seven-step needle stick, a four-door stool, and a six-palladium.
The characteristics of Wujiaquan are: the combination of qigong and martial arts, with the intention of qi, with the qi on the force, so that the "strength" on the hands and feet or hands and feet outside; the layout of boxing is reasonable, the structure is strict, the straight line back and forth runs, the pile posture is peculiar, and the blade shear pile is the basic pile potential so that it can advance and retreat freely in actual combat. The punch is good at fighting, and is characterized by close attacks, short strikes, and combos. Fighting with people, stressing "calling God in disguise", that is, the spirit is concentrated, changing the face with the trend, and the strength is like "the wind is quenched".
Wu Jia Quan requires the body to be in the right way, the heavens are aimed at the earth needle, the heart is humble and the abdomen is solid, the shoulders are hanging from the elbows, the top head is hanging from the crotch, and the qi is sinking into the Dantian. With the intention as God, with the force of the qi. Its strength can be summarized as the four forces of 'shock, pull, bounce and tremble'. There is a saying that the punch is measured, and the stick is beaten in the slightest. It is required to 'hide the chest and hide the blade, and the hole is closed', the hand is not away from the chest, and the elbow is not separated from the elbow. The front hand is closed, the back hand is the photo, the elbow is guarded, and it is sent to meet and send. If there is a door, enter, and if there is no door, you will keep. Every time the air must enter, the gap must be attacked, the body is the mainstay, and the waist and hips are flexible. All around, the strength is smooth and energetic. To meridian opposite, the spirit through. Light and powerful like a wicker. Therefore, it is said that 'three punches are punched, seven feet are hit, and the body method hits manpower incomparable'. When dealing with the enemy, it is often used to lead first and strike later, avoid the real and the virtual, and use the force to fight. 'There is a bridge on the bridge, no bridge on the bridge', it seems to be real and virtual, like virtual and real. In the three sets of upper and lower plates, Hong Xiao's side of the three doors continuously attacked, and in the change of head, elbow, shoulder, crotch, knee and technique, everywhere reflected the technical characteristics of Wu Jia Fist's 'one out and three no return', making people invincible.