These two days, Douban deliberately made an explanation for the rating of some episodes, whether it has been maliciously suppressed, I will not comment.
From the perspective of the audience alone, it feels like the score of "Who is the Murderer" can indeed rise again.
She's crazy, I like it so much
"Who is the Murderer" is a suspense drama with a more typical structure, and the protagonists are respectively
Dong Zijian plays Natsuki, who was fostered in the teacher's house when he was a child (the teacher is likely to be his mother), and because he played with the temper of a child, he did not stay with the teacher, and missed the only opportunity to face the murderer directly.
The teacher was in his home one floor away from him, and was first anesthetized by the murderer, then cut his wrist, and watched as he ran out of blood. I have to say that Gao Lu is really amazing, the deceased has a smiling face because of muscle relaxants, beautiful and weird.
After growing up, Dong Zijian was admitted to the police academy and entered the police force again. In the police force, he re-encountered the criminal police officer who failed to arrest the murderer when he was a child, and the cold team played by Xiao Yang.
When the cold team was just a novice who had just transferred from logistics to the major crime team, the first time he went to the police, he encountered an experienced serial killer, and as a result, he did not dare to directly kill the suspect with the first gun, which indirectly led to the death of a colleague who went out of the police.
Although the cold team man looked a little anxious, his promotion was slow. After 17 years, he still stayed in the criminal police team, and met the heroine of the play, Shen Yu, a psychologist played by Zhao Liying, in a dog abuse case.
Shen Yu is a more dangerous environment, the more calm the character, when taken to the police station for questioning, her face is cooperative and obedient, but her eyes use the afterglow to observe whether the police officer who asks her question is there any mental opportunity.
Shen Yu's calmness is not out of professional need, but out of a strong sense of self-preservation.
Shen Yu belongs to the kind of person who uses attack to protect herself, and in her safe state, she will exercise her means of manipulating the patient's psychology, excavating the hidden vulnerability of the other party, tearing and expanding.
One of her underage patients, under her suggestion, has successively gone to the end of suspected father killing and suicide.
When she encounters danger, she wants to use her professional skills to create a sick adult and to blame herself and the people she wants to protect.
Shen Yu belongs to the wise people who at first glance are harmless to people and animals, and are willing to go to the mysterious fairyland with you, heal all the pain in your heart for you, and take you away from the worldly affairs, in fact, take you to the place where the clouds are shrouded, and then put a whip to congratulate you——
You see, do you have to thank me for finding you a good place, and you will have to bring someone to live here for a while
Dong Zijian, Xiao Yang and Zhao Liying's patients are all to a certain extent, psychologically unable to pass the threshold: some people are heart knots, some people are self-controlling ptsd, and some people are stressed to jump off the building.
So far in the plot, Shen Yu, played by Zhao Liying, is obviously also a psychologically problematic being, and she cannot self-medicate, and she is too sick to leave a trace.
Similar to some people who are happy and bad and want to cry, Shen Yu is also emotional and psychologically reversed. She repeatedly appeared in various murders, but again and again she escaped, and the sophisticated criminal police officers were very alert: a beautiful and intelligent woman who wants to deceive people may be some big thunder.
The reason why Shen Yu wants to deceive people is because she thinks that her father is the murderer of the serial murder case 17 years ago.
First of all, give the girlfriends who did not see here a spoiler, in fact, her father has long been dead, so her father is definitely not a murderer.
A review of the school bully
Zhao Liying can be red, in addition to good looks, there is another important factor is to act more. Flipping through her resume, she has participated in 29 TV series and 9 movies in the past 10 years.
Zhao Liying, who came to the various strange costumes in the way of various strange costumes, did not have the sequelae of conditioning, and as soon as she saw the outrageous plot, her facial features were exaggerated, and she forced herself to hold her tears when she saw the emotional drama of loving life and death (not to say unreasonable).
Often people complain, how some popular artists have acted in so many plays, or not good!
This also depends on which stage the actor is spent in the film and television industry, set aside twenty or thirty years ago, when every link in the industry had a strong benchmark, in the current environment, whether you can practice art, the probability depends on your own resilience.
At this point, Zhao Liying's path has not yet been qualitatively different from other actors with similar fates.
But from the film and television works more and more performances, presumably the audience who has seen her plays will know that the direction of her efforts has changed.
Zhao Liying is undoubtedly an experiential actor, and Huang Lan, the producer of "Rouge", has said that she has to believe every line before she goes to the performance. When she first debuted, you could see her hard work, but the effort may not necessarily work.
Later, Zhao Liying was obviously trying a less "free-travel" performance method, so that when playing Minglan, some people felt that her emotions were "not enough", rather than the previous evaluation of "it is silly and sweet at first sight".
In "Who is the Murderer", Zhao Liying can finally do how to make a design based on the character to "make the audience believe what kind of person this character will be".
In "Who is the Murderer", Shen Yu's third episode was only launched (a total of 16 episodes), and the appearance time of each episode was not very long. Based on the needs of human design, there are not many lines in the early stage, and many times they rely on expressions to convey information to the view.
There is a scene that fully shows the characteristics of the character, when Shen Yu faces Liu Lin playing a patient with Stockholm syndrome in marriage, she just sees the patient's unconscious state, and she will have a hint of joy.
When she confirmed her prejudgment and determined through the content of the text message that the housewife who killed her husband was indeed a long-term husband who had been dressed as a beast, Shen Yu had a relatively restrained sense of satisfaction that was not revealed as much as possible - and my analysis was indeed correct, creating such a sick number, there should be such a prerequisite.
She didn't dare to show her emotions too obviously. At this time, we must not be too arrogant, because the command here is not yet their own.
Seeing that the patient resisted, she wanted to prove that she was right, and compared with the initial orders, she was a little more urgent.
At the heart of her therapy is the control of her personality. Using "conventional treatment" as a means, from the hands of the cold team to reasonably briefly have the ringtone of the mobile phone that makes the patient collapse, her stealing joy turns into success, she knows that no one here is her opponent in psychological warfare.
When the patient was completely out of control, she finally showed her true emotions: she was excited about her ability to manipulate other people's minds, excited about putting a piece of cheese under the clip, and the mouse would really be caught.
Zhao Liying has no clinical medical background, of course, there is no experience in torturing others, playing this kind of role, you need to design a set of physical performances that conform to the character on the basis of doing homework, relying on the intention alone will not work.
Similar treatment methods have also been used by many predecessors in "Rouge" and "Know It or Not", and Zhao Liying picked the strengths of other teachers in the three-person teacher, and learned quite well.
White cut black is the method, not the goal
Internal entertainment now many actors are experience school, there is no other reason, because there are some can not understand the courses of other genres, so they can only choose the experience school, resulting in the experience of the three words are always in the back pot: is not the level of the experience school, that is, playing who is like themselves?
Breaking this problem, in addition to their own empathy ability, there is also a sense of faith that many artists repeatedly emphasize. The sense of faith is also a word that has been used by various drafts, because there are very few talented actors, and most people have to go through the acquired learning how to substitute.
In "Who is the Murderer", Zhao Liying is trying to find a way to make herself Shen Yu and create a person with a dark side in her heart, but because she is a person who treats the psychology of others, she must always maintain her consistency with others.
Black Lotus characters like Shen Yu are not unique in Chinese suspense dramas, and there is still a problem with jumping words in the lines, and sometimes the emotional and physical connections are not in place. But I still think she deserves to be praised this time, because she is personally distinguished, and acting very hard and acting with her own thought output are two different things.
The staff of Zhao Liying's studio once said that she developed some habits unique to Shen Yu in the process of "making Shen Yu": eating chocolate, and consciously frowning when reading books and thinking.
Eating to relieve pressure and thinking in a daze is a habit that many ordinary people in life have, which is the consistency of Shen Yu and others.
Zhao Liying definitely had a lot of pondering like the above, and finally presented the current Shen Yu. The audience is far more picky than everyone thinks, acting very hard, but it can be seen that there is no design that matches the role, and there is no trace of too much effort in acting, but with the actor's own thinking, the latter must be more actor-like than the former.
Shen Yu definitely needs some dramatic settings, the series is about to end, and most of the story lines that are mainly about Shen Yu have been told:
Shen Yu mistakenly believes that her father is the murderer, so she has been constantly creating a "disappeared" blindfold for her father since she was a child, destroying evidence for him, until the police find the door, and she dares to use the method of playing emotional cards to wash her suspicions.
And what continues to manipulate Shen Yu is the real culprit of the Haizhou case, Shen Yu is at the mercy of the murderer, falling into a deeper hint but not knowing it. Shen Yu had approached the pathological state visible on the surface at this stage, and Zhao Liying was stunned to have the effect of losing her cute face and losing her cheeks.
There is no update yet, I guess here, because the murderer is very familiar with the environment when Shen Yu was a child, it is most likely her father's colleague and has a hobby of photography.
In the final cast list, only 4 people have the plot of childhood, and only "Young Hu Shanquan" has not yet appeared, so this person is very suspicious. But as for who he disguised himself as a grown up, and whose identity he used, there is no obvious clue.
Next, whether Shen Yu is completely out of control with self-abandonment, or whether he is in the same vendetta as the police, or uses his own unique methods to take revenge, then he still has to squat in the finale.
Sister E concluded
"Who's the Murderer" is not a very unexpected play, and when you first watch it, perhaps the first reaction is "yes, but not unexpected". It is precisely because this work is a very common structure that Zhao Liying, who has become familiar to the point that she can no longer be familiar, shows a different side.
Famous artists often encounter a problem when trying new directions, that is, the audience is too familiar with ta, even if the roles are different, the impression will inevitably stop in the atmosphere of the previous works. In order to avoid this possibility, many actors deliberately choose a very different style when choosing a new play, or the gimmick is greater than the actual script.
"Who is the Murderer" used a national volume to test whether a special test such as Zhao Liying was partial or all-rounder. Zhao Liying dared to go to the national examination, which was enough to show that she did have two brushes.
In addition to Zhao Liying herself, but also have to praise the director Sun Hao knows how to use Zhao Liying, in the corridor of the interrogation room, Shen Yu is in the light on one side, backlit on the other side, hair covers his face, behind him is "cliff horse back to the shore", a model.
The three actors who play Shen Yu's patients: Bian Tianyang, Hao Ping and Liu Lin, are also the existence of each other, and Liu Lin and Hao Ping's non-physical performances are too stated.
The cooperation between Misty Theater and popular artists, I think it should be opened in this way:
The platform needs the traffic of the artist, but it is not superstitious that the protagonist can take on the ratings alone, and it is still stable and steady in each link; the artist can try new themes, but does not take the new theme as a test field, damages the signboard of others, but is prepared, I came, that is, to go hand in hand with other veterans.
If Zhao Liying can stabilize this rhythm, then she does not need to jump out of the comfort zone next. She plays a puppet, the current doll is a comfort zone, playing an ancient doll, the ancient doll is also a comfort circle. To play the blackened white flower, the blackened white flower can also be her comfort zone.
Doing a good job in a problem is not a skill, mastering the method of doing a good question is a skill. Having a comfort zone is not terrible, it depends on whether you are trapped in the comfort zone or make a comfort zone.
Today's late-night topic is:
Do you think actors should step out of their comfort zone?
Let's talk about it in the comments section