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CCTV broadcast elder Li Ruiying calligraphy is rarely exposed, pen and ink handwriting is worlds apart, netizens: dare not believe

author:Squint at the world of flowers and flowers

In past articles, Xiaobian has introduced the connection between hard pen calligraphy and soft pen calligraphy, as well as the positioning between the two, and has also been recognized and encouraged by many calligraphy fans. Recently, there are also netizens private messages to Xiaobian, asking Xiaobian to talk about the calligraphy of Li Ruiying, a famous female anchor of CCTV, and netizen friends are very enthusiastic to send Li Ruiying's handwriting to Xiaobian. For soft pen calligraphy, we can evaluate the calligraphy level of calligraphy creators through one or two soft pen ink marks, but for hard pen handwriting, a few words are not good to deepen the discussion in the name of "calligraphy".

CCTV broadcast elder Li Ruiying calligraphy is rarely exposed, pen and ink handwriting is worlds apart, netizens: dare not believe

Li Ruiying after retirement

CCTV broadcast elder Li Ruiying calligraphy is rarely exposed, pen and ink handwriting is worlds apart, netizens: dare not believe

Li Ruiying's handwriting

Just like Li Ruiying's handwriting, if you talk about calligraphy, it is a bit of a fuss. However, in order not to live up to the enthusiasm of netizens, Xiaobian will temporarily talk about Li Ruiying's handwriting from the perspective of calligraphy. The level of Li Ruiying's calligraphy knots is completely different at the same level. I don't know if Li Ruiying's two calligraphy works were created in the same period, but in terms of the spatial construction of lines and knots, Ming Xian Tu II is better than Tu Yi.

CCTV broadcast elder Li Ruiying calligraphy is rarely exposed, pen and ink handwriting is worlds apart, netizens: dare not believe

Li Ruiying group photo

CCTV broadcast elder Li Ruiying calligraphy is rarely exposed, pen and ink handwriting is worlds apart, netizens: dare not believe

The knot in Figure 1 does not highlight the morphological beauty of the Chinese characters in the stroke structure, and the center of gravity is unstable. In the "Structure 36 Law", Ouyang Qing emphasized that the center of gravity of calligraphy should first remain stable, take zheng as the basic form of calligraphy structure, and then pursue oddness on the basis of positive. Looking at Li Ruiying's calligraphy knots, Li Ruiying did not deal with the positive situation, and it is difficult to extend the natural oddity, and sometimes because of the incorrect addition, the calligraphy knot shape is tight and not beautiful.

CCTV broadcast elder Li Ruiying calligraphy is rarely exposed, pen and ink handwriting is worlds apart, netizens: dare not believe
CCTV broadcast elder Li Ruiying calligraphy is rarely exposed, pen and ink handwriting is worlds apart, netizens: dare not believe

Li Ruiying's second calligraphy work is obviously better than the first. Netizens can see that Li Ruiying's lines are also smooth, and he can also handle the changes of the lines well in the turning button, and the positive and odd of the knot can also reflect each other in the situation, so that the basic beauty of the knot is highlighted. Of course, this is not perfect at this time, for example, the pen is still not well solved. These two pen and ink works, which are vastly different, also make netizens sigh: I can't believe that they are from the same person.

CCTV broadcast elder Li Ruiying calligraphy is rarely exposed, pen and ink handwriting is worlds apart, netizens: dare not believe

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