At the beginning of the opening of the Guo Zhongkui Memorial Hall, entrusted by Guo Li, deputy director of the Xinhai Research Center in Henan Province, to prepare for the opening of the museum to collect some relevant materials of Guo Zhongkui, I found Wang Yutang, former secretary general of the Chinese People's Political Consultative Conference, Chen Hong, editor-in-chief of Pingyuan University, and Pan Changshun, director of the Literature and History Committee. Wang Yutang dictated the days I and Guo Wenxuan worked together", Chen Hong wrote Guo Haichang and China Times, Pan Changshun editor-in-chief Shuai Liu Tiandiwai, during the visit I made recordings and videos one by one and sent them to The Oral Account of Henan, especially at the home of Pan Changshun, director of the Cultural and Historical Committee, after making a recording and giving a poem to the Guo Zhongkui Memorial Hall:
Water drought locust soup is evenly balanced
Who is it who asks for the people's life?
Cry Chen Min food Guan Yin soil
Angrily rebuked the arrogant soup for fear of the sun
The same summer hundred officials are very famous
There was frequent speech at the banquet
Zhongzhou Hairui appeared today
Chongqing newspaper documentary truth
At that time, I recorded the whole process with a recording recorder, and Director Pan said: "The father and son who have made the greatest contribution to Henan are Guo Zhongkui and Guo Haichang, so that the victims of Henan will starve to death."
Then he said that the epitaph of Guo Zhongkui's father in particular must be well found, it is a cultural relic, written by Li Minxiu, and asked me if I know Li Minxiu? Your father studied Li Minxiu all his life and was a big man. There are also Cao Sheng Yu You Ren Shu Dan, Ma Jizhang wrote cover, Beijing Chen Yunting Shuanggou Le stone inscription these characters are extraordinary. Later, I learned that the book "Outside the Heaven and Earth of the Wei River" edited by Director Pan at that time was a photo, and at that time, this set of epitaphs and covers had not yet been found, and later Guo Zhongkui's nephew Guo Wenxuan resumed his work, and when he went to the museum to inspect after serving as the vice chairman of the Chinese People's Political Consultative Conference, the museum staff also introduced that this was your family's epitaph. He also instructed Niu Zixiang to take a photo, and in the end, Guo Wenxuan died and did not see the original inscription and cover. His son found it and donated it to the Guo Zhongkui Memorial Hall.
After three years, together in the "rafting tea tasting" to talk about this epitaph, Guo Wenxuan's son Guo Gangqing said that the memory is still fresh, when he found this epitaph, he also said that it is really a cultural relics inheritance, if it were not for the establishment of the calligraphy and painting club in the big zhao camp, this epitaph does not know where it is now?
In this episode, you said that "Cultural Relics I Came to Shoot" was shared with us by Guo Gangqing, who witnessed the ins and outs of this epitaph and the story after the twists and turns.
Oral description: Guo Gangqing
Finishing: Plains Culture and Arts Center Liang Tao