"Fan Kuan Painting Landscape" Yuan Wang Meng
Fan Kuan's ink method is like a camp hill, scattered in the human world for two hundred autumns.
Drawing a thousand miles away, the mountains and rivers are full of sorrow.
Poetry: Fan Kuan's brushwork is like a hilly ups and downs step by step, his paintings have been circulating in the human world for hundreds of years, and the paintings can make people think of thousands of miles away, and the green mountains and clear waters he paints cannot contain the vicissitudes of the world and the joys and sorrows of the world.
Appreciation: This poem is written with scenes and scenes, filmed with emotions, where the poet first integrates his feelings and images of Fan Kuan's art, and then extracts the magnificent scenes and empty and endless rich connotations of Fan Kuan's paintings. In the last two sentences of the poem, the poet uses the scenery to push Fan Kuan's painting art to a fullest height, so that we can see the exquisite and profound art of Fan Kuan's painting.
The whole poem is lyrical and integrated, and the poet skillfully uses the height and depth of the scenery to strengthen Fan Kuan, a great artist, in the eyes of the poet, Fan Kuan's painting is not just a matter of artwork, but also a matter of the vicissitudes of the world and the world.
It is rare for a painter to have such a high and deep sense of responsibility. Therefore, the poet took the opportunity to render and bring Fan Kuan's character and artistic superiority to the reader, which is also the responsibility of the poet to society when writing this poem.