Bland is not necessarily unremarkable, but there is a wonderful sound outside the string!
Zhu Qizhan
Writing rain scenes by splashing ink can best exert the effect of dripping changes in ink. A painting with only lines and no ink rhyme lacks spirit and is easy to become "dry"!
Morning glory, I seek its simplicity, the flower is a circle, the leaves are not hooked, but there must be endless changes. Doesn't the morning glory in life give people this impression? Delicate flowers, standing on the vine leaves, distinct, simple, from a distance, like a simple and varied pattern. I changed its shape, changed its color, and was trying to express this feeling!
The imaginary valley painting goldfish is famous, and I also feel that the goldfish has a pleasant and self-satisfied interest, try to exaggerate its body shape, change its shape, enlarge its eyes, the belly is painted swollen, the tail is drawn loosely, and the color of red and green is applied, in order to seek the childishness of its children. playful! playful!
"Borrowing scenery" is one of the layout aids. That is to say, not limited to the real scene in front of you, you should summon the impressions that are usually stored in your mind and participate in creative activities together.
Black ink and white paper are two polar colors, which have a harmonious effect in themselves, these two colors can be coordinated with any color, if between the two contrasting colors to leave a white line (the natural color of white paper) or hook the ink line, it can play the same role. White lines should be avoided "plates", which must be left natural and varied.
The painting has an exaggerated method, and it is not necessary to be limited to the hue of the original object. Painting a flower can be more vivid and intense than the original, and it can also be more beautiful and gentle than the original. This is also an exaggeration, just an exaggeration on the other side. So is the color, and so is the shape.
Zhu Qizhan Dianshan Lake salvage ore iron map
Painting landscapes has a realm, painting flowers and feathers, why not? It must be painted with vitality, with natural interest, and with a realm. None of this is superior.
Painting flowers should avoid "board", painting fish and birds should not be "dull", and must be painted "vividly". "Moving" is an opportunity, and only by "moving" can we "live". The living, the living are also interesting.
Old friend Zhang Dazhuang makes a peony, and its fragrance is full; watermelon, tomato, and its juice want to flow, fish wants to swim, shrimp want to jump, and get the three tastes of the word "moving".
There are ups and downs, weights, and urgencies with the pen, which is called "rhythm". Dance with the pen, skate, pitch and tilt, rotate left and right, and change without losing its "balance".
Get its rhythm, control its balance, this is the big rule, and it doesn't have to be too restrictive. This is also the meaning of renyun "from the heart to do what it wants". There are these two points, that is, the "law", there is no need to be preoccupied with the antique, and it is not necessary to communicate with the ancients, the so-called tacit understanding is also.
A moment of hesitation in my chest inevitably frustrated the power of my pen, but I can be determined by God, and if I can't be frustrated, I can still turn the momentum of my pen into strength. It must be known that the hesitation of the moment is, after all, the truth of the heart at that time, and it is impossible to act with the truth. If you can be frank, there is no obstacle, in the final analysis, the word "true" comes first.
Painting must have pen and ink, pen and ink must be generous, and there is popularity. My self-rope approach is to be humble and to avoid floating.
Out of the pen strange, not really able to be strange, evil its intentions also. What is strange is really strange. Strangeness and blandness are indistinguishable. "Cool wind geese crying in the water" strange sentence also, but also plain.
Zhu Qizhan Narcissus Spirit Stone
Blandness is not necessarily unremarkable. To be bland and to stop at bland, nothing outside of blandness. There must be something outside the blandness, and the so-called sound outside the string is bland and not bland. "Picking chrysanthemums under the eastern fence, leisurely seeing the South Mountain" sentence is also.
Predecessors talked about painting clouds, "Adding too much stroke, missing too little stroke." "The works of the Bada Shanren are powerful at this point, and the pen and brush come in handy. He lived between mountains and rivers, and he could meditate and meditate, and at the same time, with sorrow and anger, he felt desolate, which tempered his pen, like a skynet, and did not leak.
Shi Tao, Shi Xi, and Gradual Jiang are all troubled by heavy pen and ink and troubles. I also learned Shi Tao by chance, but I didn't learn it like it, and I couldn't use the pen smoothly. Stony Brook is too complicated to suit my wishes. The older you get, the more you feel that "jane" is not easy, it is difficult to neglect and not leak, just right.
A few freehand writers, not in their simplicity. You are outside of Jane, writing out infinite cosmic matters and human affairs. This kind of simplicity is the most difficult. Writing simplicity for the sake of simplicity is not enough to stand in the forest of painting.
Lines are not only outlined flat, but most importantly show a three-dimensional sense. The line must have "force", and the point must produce "God". Points bring the thread to life. The line stands on its body, and the point lifts its god.
Sometimes I paint large blocks of color and then line, sometimes I draw lines first, then add color blocks, and sometimes mix them. A variety of techniques can be used flexibly, and there is no need to be tied to one law.
In Chinese painting, only the point is the most difficult, "painting the finishing touch", relying on the point to convey the gods. The point must be just right, on a painting, more points, less points, where the points are, all exquisite, properly used, you can reveal the charm of the painting, shake and eye-catching. If you don't do it right, you can mess up a good painting.
The water is clear and fishless, and the pen is neat and unpainted. The pen is sometimes sloppy and three points, and the posture is wonderful. The most taboo when writing is most restrained. One must not see the pen, and the other must forget the law. Then you can feel at ease. The pen is for me, and the law is for me.
Chinese ink color, the most fun to enjoy. The ancients cloud "ink has five colors", saying this flavor.
Chinese painting relies on pen and ink, and the ancients had the saying that "ink is meat". But ink also has bones. Ink can show iron light, which is unattainable in color.
When you get home with ink experience, you can be black and not black. Huang Binhong had an eye disease in his later years, and although he added ink, he could be black but not black, and he still felt comfortable looking. On the contrary, beginners use ink, although light and black. The so-called black and black, hard to see.
Painting is not photography, not limited to the shape of the original object, there must be a trade-off for the scenery, the scene in front of me to my pen, it is up to me to decide, break its shape, change its color to suit the emotional requirements in my chest, of course, this requirement is not a disorderly arbitrary nonsense, but with all my "beauty" feelings, the law of "beauty" that I pay attention to, appropriately express the objective scenery, "beauty" one way, and finally require "god-like". Being able to "look like a god" can attract the viewer to the painting.
If painting is only realistic as photography, then why paint, painting must be painted beyond the reach of photography, this is the reason for the existence of painting. When I saw the beautiful scenery of Huangshan Mountain, I felt that many colors and lines were not possible with the existing photography techniques, and that they had to be painted by the painter's wise eyes.
However, these are subsections. Painting is a painting, and with the input of the painter's spirit, the painting permeates the author's unique mood and unique technique, and photography cannot achieve this.