Ever heard of picture distortion, but have you ever heard of "human distortion"? Even after watching several domestic dramas, I really felt what is called "human distortion".
Just like the "Lady Hu Zhu" starring Yang Mi and Chen Weiting, the combination of handsome men and beautiful women has aroused the expectations of many fans since this drama has not been broadcast, and it has attracted more attention after broadcasting.
But after watching a few episodes, you will find a serious problem, that is, the 35-year-old Yang Mi's skin can be broken, there is no Sichuan character pattern, head wrinkles, crow's feet, nasolabial wrinkles, neck lines, it can be said that there is no flaw on the face.
Although female artists know how to maintain themselves, and are willing to spend money on their faces to maintain and inject, it is rare for her to be able to carry high-definition lenses like her, and even the pores on her face cannot be seen. It is not difficult to suspect that the filter added in the later stage is too thick, and the skin is polished to distortion.
Interestingly, every time the camera captures Yang Mi, the picture seems to be covered with a layer of foggy film, the facial features can not be seen clearly, only white to glowing skin can be seen.
At first, I thought that I deliberately opened my beauty to the top to highlight Fang Haishi's young age and make Yang Mi closer to the role. But seeing that the back is about to end, the filter on Yang Mi's face has not changed, as long as it is cut to her face, it will always be white and silky without sweat pores.
Adding filters is common in domestic dramas, but the filters and skin grinding of "Lady Hu Zhu" are inevitably too strong. In order to pursue white skin and delicate skin, Yang Mi's nose bridge was repaired many times in post-production, leaving only two nostrils.
However, from a distance, looking at Yang Mi's side face, you can see that her high nose bridge is very three-dimensional. Obviously, in order to grind the skin in the later stage, Yang Mi's positive face was treated many times, so that it was distorted.
Such excessive skin grinding, leading to strange facial features are not few, in addition to Yang Mi's "disappeared" nose bridge, there are also people who "disappeared".
In the front shot, Yang Mi's nose bridge is worn away by the skin, and it is difficult to see clearly among people, and only the eyes, nostrils, and mouth of the whole face are the most obvious.
We all know that Yang Mi's nostrils are slightly larger, but some lenses have repaired Yang Mi's other nostrils in order to repair the wrinkles of the face, and even the other nostrils cannot be seen in the picture.
Even the acne marks on the side of her face were intermittent, sometimes worn by the skin to be invisible, and sometimes they appeared to be very obvious in the light.
Under the excessive skin grinding, Yang Mi's skin is indeed too good to be impeccable, and there is no trace of the years that she should have at this age. But at the same time, some sense of reality was lost, in addition to the facial features being repaired to the point of not being able to see clearly, Yang Mi's tears could not be seen.
One is when Di Xu tells Fang Haishi about the scene where he and Qing Hai Gong have performed Bai Xi, that is, all his pain is borne by Qing Hai Gong. After listening, Fang Haishi cried bitterly.
This scene Yang Mi acted very well, tears came and went, and emotions were expressed in place. But the light could not see Yang Mi's tears at all from the picture, and if he did not see the tears falling from his face, he thought it was a fake cry.
Tears can't be seen flowing down the face, which shows how much the skin is worn and the distortion of the skin.
You know, facial expression is the actor's most important emotional expression and transmission outlet, if the five facial features are grinded out can not be seen clearly, how to convey real emotions to the audience, how to make the audience empathetic?
The facial features are distorted, the tears disappear, Yang Mi's filter makes people powerless to complain, it is difficult not to suspect that "Lady Huozhu" is filmed for the face value powder.
The terrible thing is that "top- and"top-notch" filters like "Lady Hu Zhu" have become a phenomenon in domestic dramas. For example, in "The Sea of Stars" starring Liu Tao and Lin Feng, Liu Tao enjoyed the "exclusive filter" of the crew.
Every time the lens reaches Liu Tao's face, you can clearly see the sense of blurring, like the effect of opening a beautiful face in normal days. Under such a skin grinding, 43-year-old Liu Tao, like Yang Mi, did not have head wrinkles, Sichuan character patterns, wrinkles, and neck lines, but blew bullets to break the skin without pores.
Due to the excessive force of the grinding skin, Liu Tao's high cheekbones were flattened, and her porcelain teeth were not so protruding.
Interestingly, even if Liu Tao shouted and roared, the muscles of his face could not see that he was exerting force, and the folds on his face were quite small. As a 43-year-old female artist, the audience allowed her to show the state she should be in at this age, but in the later stage, she exerted too much force and lost her sense of reality.
In "Lady Hu Zhu", although Yang Mi's filter is very thick, other actresses are also skinned along with it, so the whole is not obtrusive. However, in "The Sea of Stars", Liu Tao enjoys an exclusive filter, and it is very obvious.
In the play, with Liu Tao playing the opposite role are Ajiao actor He Fei and Wen Xin actor Chai Biyun, these two actresses are younger than Liu Tao, but each time they appear in front of the camera is the most real state, there is no trace of being polished, especially compared with Liu Tao, who grinds to the blur of his facial features.
The 34-year-old He Fei is 9 years younger than Liu Tao, but her skin in front of the camera is loose, wrinkled, and her neck lines are obvious, so it is obvious that this skin condition has not been specially taken care of.
The same is true of 32-year-old Chai Biyun, who has enlarged pores under the lens, the wrinkles at the corners of her eyes are obvious when she laughs, and the wrinkles on her head are also obvious.
Both actresses are smaller than Liu Tao, but Liu Tao under the lens is quite finely groomed, and the sense of reality is missing.
In order to highlight the beauty, the actresses were specially cared for in the later stages, and finally presented the audience with "a smooth skin", like a "plastic dummy". Such a phenomenon is undoubtedly the sadness of domestic dramas, and it is an undoubted "deformed aesthetic".
As the film critic Tan Fei said, everyone's face is only left with a "white", which is very frightening, and this aesthetic is both false and artificial, and must be discarded.
However, it turns out that the appeal of people in the industry is useless, and in domestic dramas, there are more and more such "plastic dummies".
For example, Ju Jingyi's "semi-permanent face", no matter what kind of work she plays, what kind of story occurs, she is a look. There is no improvement in acting skills, and I am even more reluctant to play ugly, known for "beauty", and also spit on with "beauty".
Not only does she have a "semi-permanent face," but she also has a three-hundred-and-sixty-degree milling and thick filter that she's never erased. Under the lens, she always can't see the pores and skin texture on her face, and she is always white to glow.
In the variety show "Detective Detective Detective", Zhao Yazhi, who is seventy years old, was also given special care and covered with a large filter. The wrinkles on the face are not visible at all, and they are completely anti-human skin grinding.
It is not denied that Zhao Yazhi is well maintained, but in the original picture, her skin state is not so smooth and delicate, and the traces of age are still obvious.
Like this big grinding skin, I have also patronized the powerful Jiang Wenli, in the filming of "The Little Woman Under the Gate of Zhengyang", in order to reflect Jiang Wenli's youth to match the age of the character, the later stage in her face can not be less effort.
A large filter visible to the naked eye, although it erased Jiang Wenli's wrinkles, but also let her facial features "flutter" on the face, speaking strangely, the emotions conveyed by the expression were covered up by the filter and the skin.
Not only are people out of shape, but even people are worn out, which lowers the grade of the whole drama.
In this drama, not only Jiang Wenli was skin-polished, Ni Dahong was also polished to the point of losing her iconic eye bags. At first glance, it does look a lot younger, but it's also a lot weirder.
Similarly, the supporting characters in this play are blurred by the filter, as if there is a layer of fog covering the face.
For this phenomenon, not only Tan Fei has complained, but actor Li Jiahang and actor Zhong Lili have also publicly complained.
Li Jiahang made a cameo appearance in "Witty First Half", but later fixed his eye bags, resulting in a misunderstanding by the audience for plastic surgery. Therefore, he openly shouted late.
The same is true of actress Zhong Lili, who polished her skin later, but polished off the silkworm. Can only shout the later stage, the crouching silkworm repair back.
"Face trimming" is prevalent, and actresses' faces have no pores and can be broken, but can this "exclusive filter" be faked? Isn't there an aesthetic in the later period? Incredibly, these strange and awkward-looking filters and skin grinding are not a small expense.
It has been revealed that the professional post-production team to serve these artists is not calculated according to the package price of how many episodes of the work, but is calculated by seconds, and the price ranges from 3,000 to 8,000 yuan a second.
There have also been senior post-production personnel to reveal to the media that today's software is more and more advanced, you can directly format the actor's face, not only can remove the wrinkles on the face to make the face smooth and white, but also put makeup on the actor.
But if you need to fix every shot of the lead actor, you need to repair it frame by frame more carefully, removing wrinkles, wrinkles, eye bags, and scars. At the same time, in the later stage, according to the requirements of the actor, slimming down, slimming the face, and enlarging the eyes until the other party is satisfied.
Some special effects artists once complained that in order to repair the face of the female number one of a fairy tale drama, he watched the face of this actor for 10 hours, which is only a day's workload.
Of course, the late division pays more and earns more, and two or three months of retouching can earn millions.
The prevalence of "plastic dummies" and the common phenomenon of face repair are not the sadness of domestic dramas and audiences?
Artists do not cultivate their own artistic ethics and acting skills, but think of spending money to repair their faces. The producer does not strictly require the acting skills of the actors, but always wants to ask the traffic artists to circle the money, preferring to invest a large amount of money to repair the face and add filters, which shows where their minds are placed.
Looking back at the popular screen of "Latent", what filters and skin grinding does the lead actor Yao Chen have? The rough skin condition is completely exposed to the camera, but who says she is ugly? Aren't they all praising her good acting skills?
Therefore, don't let domestic dramas be ruined on the "exclusive filter" of female stars, instead of spending time and money to repair their faces, it is better to study acting skills. It is better to convince people with their faces than with their abilities.