Finger painting is a strange flower in the Chinese painting world, and most people's attention and research on it before was mostly limited to Gao Qipei, a figure of the Kaizong Founding School. With the expansion of research horizons, Zhu Lunhan, the second marshal of the painting school, a finger painter other than Gao's family, has also attracted more and more attention. Liaoning Provincial Museum's "Landscape Miscellaneous Album", silk, twelve open, each opening 29.9 × 25.1 cm, comprehensively showing the artistic style of Zhu Lunhan's small frame works. (The First Six Of the "Landscape Miscellaneous Albums": Zhu Lunhan's Finger Paintings Appreciation (Part 1))
Figure 7 View of the Creekbank Grass Hall
"View of the Grass Hall on the CreekBank" (Figure 7). This picture depicts the strange peaks and miscellaneous trees next to the banks of the stream, and the people of the mountain dock are placed among the grass and trees of the mountains, and the artistic conception is quiet. On the left side of the picture there is the inscription of the painter's book: "Gengji Summer Finger Ink Imitation Yuanren Method, Lun Han." "Plutonium Seal" Han Dao Ren "White Text Square Seal" Cheng Yuanzhang corrected the question: "The distant god travels like Waiqing, the smoke cloud monster is born one by one, the oblique horizontal knot is more than a thousand miles, and the pavilion of the spring tree is not named." Cheng Yuanzhang. "钤" □□ characters", "Cheng Yuanzhang Seal", "Tan Zhai" three seals.
Figure 8 Valley Stone Map
"Valley Stone Map" (Figure 8). The picture only refers to a huge rock with ink painting, the ink color is muddy, and the background is empty, which makes people think about it. In the upper part of the picture, there is the inscription of the painter's book: "My family's western mountain is in the valley of the stone valley." The squat distance is like a tiger, and it is clear and green. The moss hair is scattered, and the sound of the spring is swinging on the chest and abdomen. Thirty years apart, when will the ghost be revealed. Now on the finger, trance meets God. Even the wind and rain are cold, and the green is like a glittering. Han Jaihan. The four seals of "Binghui", "Han zhai", "Chapter of Lun Han" and "Yuansi". There is a collection seal "to appreciate this embrace, Tao Ran happy temperament" side. Cheng Yuanzhang corrected the question: "The spring eye is half dry moss and half yellow, and the cloud root is still wet and fragrant." Whoever painted this round of heaping, Wang Zai was also strong for five days. Mid-autumn day. The three seals of "钤" Qinyou, "YuanZhang" and "Guanwen".
Figure 9 Twilight clouds are far away
"Twilight Clouds Distant Map" (Figure 9). This picture depicts the dusk waterside of the smoke and lan, the smoke waves of thousands of miles, the twilight mist, the towering clouds of the mountains, and the upper part of the picture has the inscription of the painter's book: "Xiangyang, Lunhan." The three seals of "钤", "Lunhan", "Han Zhai" and "Finger Fun". Cheng Yuanzhang corrected the question: "Distant mountains are more common twilight clouds, QingLai is born from ten thousand valleys, ten thousand trees are green to cover the old house, can allow Gao Toyin to escape from drunkenness, YuanZhang question." "钤" moon to Wutong Shang", "Cheng Yuanzhang Seal", "Character Guanwen Number Tan zhai" three seals.
Figure 10 Old wooden pavilion
"Old Wooden Lonely Pavilion" (Figure 10). It depicts the Autumn Mountains and Wild Ridges, the isolated ancient pavilions, the withering of several old trees, and the dangerous bridge on one side will not be broken, and there will be no Chen Zhou or any trace. On the right side of the picture there is the inscription of the painter's book: "Lun Han." The fingers of "钤" are dipped in ink, "Han Zhai", and "Yuansi" three seals. Cheng Yuanzhang corrected the question: "The mountain sky tree is old and looks at the autumn, and the stone broken bridge is dangerous and several miles are flowing." Only the lonely pavilion cloud outside the knot, Tiannan more inserted a number of peaks and shadows. Settlers. "钤" □□ characters", "Cheng Yuanzhang Seal", "Tan Zhai" three seals.
Figure 11 Coats Tour of the Mountains
Gauss's Mountain Tour (Figure 11). It depicts a remote and clear wild mountain valley, sparse clouds and obstacles, distant mountains and hidden mountains, near the barren grass, two or three boulders lying horizontally, and the path winding in between. On the right side of the picture, there is the inscription of the painter's book: "Han." "钤" Han Zhai "finger dipped in ink" two seals. Cheng Yuanzhang corrected the question: "Slowly walking Qiushan can be used as a car, and the light cloud barrier moon is lost." I want to go back to the mountain after a trip, but I still read the house beam and smile and read the book. Shang Cai Cheng Yuanzhang. "钤" □□ characters", "Cheng Yuanzhang Seal", "Tan Zhai" three seals.
Dead Wood Jackdaw (Figure 12). It depicts the twilight and dreary, the old trees with dead branches looming, the jackdaws perched on the branches, and a dozen are about to fly away, and the mood is lonely. At the bottom right of the picture, there is the inscription of the painter's book: "The finger of the late autumn of his own unitary is painted in the ancient xiang book house, Zhu Lunhan." "钤" Han", "refers to" two seals. Cheng Yuanzhang corrected the question: "Who clouds and good birds do not return to the mountain, countless jackdaws return to the twilight, fluttering like a sound, sporadic points to get idle." Tanzai Yuanzhang. "Plutonium" piano friend", "peaceful residence" two seals.
Figure 12 Dead wood jackdaw diagram
The inscription "Dead Wood Jackdaw Diagram" is "Self-Unitary Twilight Autumn", and the "Xi'an Caotang Map" is inscribed "Gengjiao Summer", from which it can be judged that this volume was written around 1729-1730, the author was about 50 years old, and was then serving as a grain storage taoist in Zhejiang. The poem "Quasi-Ancient Waiting for Crossing" is signed with the inscription "He has not yet been in June", that is, Cheng Yuanzhang's inscription was written in 1739, nearly ten years after the painter painted it. Cheng Yuanzhang was born in 1683, only three years old Zhu Lunhan, and the two were officials in the same dynasty. Cheng Yuanzhang's inscriptions on all the works in the miscellaneous albums show his attention and love for them. The Kangxi Emperor also wrote a poem for Zhu Lunhan's finger painting fan, and gave this fan to the King of Goryeo, who loved it so much that he asked for his finger painting with heavy money, which was a good story. Zhu Lunhan's finger paintings were highly sought after at the time, and they were praised by Shangze, and most of them were collected as treasures.
These twelve works are rigorous in fingering, and the painting style is delicate and simple, elegant and beautiful, representing Zhu Lunhan's outstanding finger painting achievements and unique finger ink style.
Original author: Wang Zhonghua
Original source: "Collector" July 2015 issue "Zhu Lunhan Finger Painting Landscape Miscellaneous Album Appreciation"
(Due to space limitations, the original text has been deleted)
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