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Learn the sixteen landscape painting techniques of the Ming and Qing dynasties, (sixteen) finished

The festival is lined with shitao landscape and water book

Shi Tao, painter of the early Qing Dynasty, original surname Zhu, name Ruoji, Law number YuanJi, Yizuo Yuanji, small character a long, character Shi Tao, alias small passenger, big polyester, bitter melon monk, Qingxiang old man, etc. People from Quanzhou (now part of Guilin, Guangxi Zhuang Autonomous Region). Descendant of Zhu Zanyi, King of Mingjingjiang. After the death of the Ming Dynasty, his father was killed, and he became a monk at the age of five. In the early years, roaming around, the landscape melted Dong Yuan, Mi Fu as a furnace, self-made, and then lived in Yangzhou, selling paintings for a living. Together with Hongren, Jia Ren and Zhu Yun, they are known as the "Four Monks", which has a great influence on the "Yangzhou School" and modern painting style.

Learn the sixteen landscape painting techniques of the Ming and Qing dynasties, (sixteen) finished

The festival is lined with shitao landscape album

The lower right corner of this figure is "up", there are large trees and stone slopes for "bearing", the left "turn" is the flowing spring, the small tree, the main mountain runs through the left and right, and the far mountain behind is "he".

Learn the sixteen landscape painting techniques of the Ming and Qing dynasties, (sixteen) finished

Coloring

Shi Tao's pen and ink are bold, imposing, and the composition is sometimes weird. This painting is a relatively stable person in Shi Tao's works.

Learn the sixteen landscape painting techniques of the Ming and Qing dynasties, (sixteen) finished

Spot dyeing

Most of this figure uses Phi Ma Chuan. Although Shi Tao and the "Four Kings" both use hemp, the former is wet and the latter is finely painted with a sharp pen, which has the same magic.

Learn the sixteen landscape painting techniques of the Ming and Qing dynasties, (sixteen) finished

Outline the rub

This line of hook, wrinkle, and dot pen ink is thick, and the brush is often passed by the pencil.

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