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Luo Yunxi's "Long Moon Ember Ming" and Chen Feiyu's "Typewriter": The difference between the rich and the moneyless version of Huang Wei

author:Leave people in tears

Starring Luo Yunxi and Bai Lu, "Long Moon Ember Ming" is in full swing. Before it was broadcast, "Long Moon Ember Ming" has long been out of the circle with its shape.

Luo Yunxi's "Long Moon Ember Ming" and Chen Feiyu's "Typewriter": The difference between the rich and the moneyless version of Huang Wei

Due to the explosion of "Three Lives and Three Worlds and Ten Miles of Peach Blossoms", the Xian Xia drama "Following the Wind" in recent years has blown a simple wind.

In the early years, the popularity of fairy tale dramas such as "Immortal Sword 1" and "Immortal Sword 3" has become gone. Black and white gray has become the main color of today's fairy dramas.

It seems that only pure white can show the immortal's "fairy wind Dao bone".

Luo Yunxi's "Long Moon Ember Ming" and Chen Feiyu's "Typewriter": The difference between the rich and the moneyless version of Huang Wei

Accustomed to seeing such a dullness, people really feel aesthetic fatigue, and they can't help but start to miss the former "Zi Yan Hong".

In this way, the arrival of "Long Moon Ember Ming" seems to make people see "vitality". Only because even the black has become so colorful in "Long Moon Ember Ming".

After the deep digging of netizens, the costumes of the male and female protagonists in the play, including the supporting characters, are expensive.

Luo Yunxi's "Long Moon Ember Ming" and Chen Feiyu's "Typewriter": The difference between the rich and the moneyless version of Huang Wei

Take the example of a gray dress played by Luo Yunxi. When you walk around, this dress is quite ethereal, with a sense of flow and layering.

Under the main tone of the Mogao Cave mural rubbing pattern, the silk fabric is used from the inside to the outside. This shows how expensive it is.

And this is just a set of costumes for Luo Yunxi in the play. It is still the most "shabby" costume when I am a proton play. It is evident that "Long Moon Ember Ming" is a sufficient bloody book in the costume modeling.

Luo Yunxi's "Long Moon Ember Ming" and Chen Feiyu's "Typewriter": The difference between the rich and the moneyless version of Huang Wei

On the other hand, with the blessing of the "out of the circle" clothing style, Youku's p-mapper seems to be online in an instant. The official announcement stills alone are enough to ignite the expectations of netizens.

Naturally, after not seeing a satisfactory shape for a long time, the stylist of "Long Moon Ember Ming" has become the "talking point" in the mouths of netizens.

Luo Yunxi's "Long Moon Ember Ming" and Chen Feiyu's "Typewriter": The difference between the rich and the moneyless version of Huang Wei

Most netizens expressed satisfaction with the shape of "Long Moon Ember Ming", and once again affirmed the "aesthetic" of stylist Huang Wei.

However, Huang Wei's "aesthetic" is that after looking at the money under the dish, netizens also found a significant difference between "Huang Wei with money" and "Huang Wei without money".

Focusing on fashion styling for decades, Huang Wei has always had her own unique "insights" in clothing styling.

A former editor-in-chief of VOGUE, she resigned as editor-in-chief in 2013. Choosing to create his own studio also focuses on the development of the film and television industry.

Luo Yunxi's "Long Moon Ember Ming" and Chen Feiyu's "Typewriter": The difference between the rich and the moneyless version of Huang Wei

Asked why she chose the clothing style, Huang Wei said:

"Costume is a silent language, through which actors can build up the image of the character and reveal the personality of the character."

The news of Huang Wei's single-handedness soon reached Guo Jingming's ears. On the stall of filming "Little Times", Guo Jingming threw an olive branch to Huang Wei.

In this way, Huang Wei accepted Guo Jingming's invitation and became the artistic director of the "Little Times" series of films. While fully controlling the costume styling, it also laid the "aesthetic" foundation of the film.

Luo Yunxi's "Long Moon Ember Ming" and Chen Feiyu's "Typewriter": The difference between the rich and the moneyless version of Huang Wei

Undoubtedly, the success of "Little Times" proves that Guo Jingming's choice is correct. And Huang Wei also used "Small Times" to start her "first bullet" on the screen.

It is worth mentioning that in the movie "Little Times", Gu Li's enviable luxury cloakroom. Many of the clothing decorations are Huang Wei's private collection, which shows that Huang Wei is "Gu Li Benli"!

Luo Yunxi's "Long Moon Ember Ming" and Chen Feiyu's "Typewriter": The difference between the rich and the moneyless version of Huang Wei

With the "masterpiece", Huang Wei's reputation is naturally getting louder and louder in the circle.

And "Little Times" is obviously "huang wei with money", or even "huang wei who gives enough money".

Everything is easy to discuss with money, but where the production is large, willing to pay the cost, Huang Wei will bring visual enjoyment to the audience in terms of clothing style.

"The Tale of the Sea Muyun"

Although the "Sea Muyun Chronicle" broadcast in 2017 did not explode, it left a deep "memory point" for the audience with its out-of-the-circle shape.

Luo Yunxi's "Long Moon Ember Ming" and Chen Feiyu's "Typewriter": The difference between the rich and the moneyless version of Huang Wei

Zhang Junning did not appear much in the play. But just a few short shots are enough to make the audience remember her beauty. It is not an exaggeration to call it the "peak of its appearance". Among them, the clothing style adds a lot of points.

Luo Yunxi's "Long Moon Ember Ming" and Chen Feiyu's "Typewriter": The difference between the rich and the moneyless version of Huang Wei

Jiang Qinqin calls himself "old in appearance" in the play, but the Chinese costume is still an indispensable object of beauty.

The Biography of Chu Qiao

"The Biography of Chu Qiao" starring Zhao Liying is undoubtedly a blockbuster drama in 2017. At the same time as igniting the ratings frenzy, Zhao Liying, Lin Xinxin, Dou Xiao, Li Qin and others are also countless fans.

Luo Yunxi's "Long Moon Ember Ming" and Chen Feiyu's "Typewriter": The difference between the rich and the moneyless version of Huang Wei

Among them, Yuwen Yue, played by Lin Xinxin, has a simple but perfect interpretation of what is meant by "strangers like jade, and the prince is unparalleled in the world".

Luo Yunxi's "Long Moon Ember Ming" and Chen Feiyu's "Typewriter": The difference between the rich and the moneyless version of Huang Wei

And Li Qin's princess style is even more remarkable. A blue wedding dress, elegant and generous. The red costume is even more beautiful. Chinese clothes with beautiful women, it seems to complement each other.

《Hao Yi Xing》

Due to the delay in reform, the broadcast of "Hao Yi Xing" was hopeless, which made many netizens deeply regretful. The costumes in his play are also from Huang Wei's hand.

Luo Yunxi's "Long Moon Ember Ming" and Chen Feiyu's "Typewriter": The difference between the rich and the moneyless version of Huang Wei

Before "Long Moon Ember Ming", the clothing style of "Hao Yi Xing" has long been amazing to netizens.

Whether it is Luo Yunxi, or Chen Feiyu, or Chen Yao, there are many styles flowing out, making netizens feel "amazed" by this exquisite shape.

Unfortunately, there was no chance to come out, and this exquisite shape was buried. Let's hope it can be seen again soon!

Luo Yunxi's "Long Moon Ember Ming" and Chen Feiyu's "Typewriter": The difference between the rich and the moneyless version of Huang Wei

In addition to the above three more out-of-the-loop works, film and television dramas such as "Yan Yuntai" and "Qingya Collection" are also written by Huang Wei.

As long as she has the "ability to pay money", Huang Wei can create a visual enjoyment of beauty.

Coincidentally, when Luo Yunxi was busy filming "Long Moon Ember Ming", his old partner Chen Feiyu and Zhang Jingyi were also busy shooting "Lighter and Princess Skirt".

Coincidentally, the stylist of the play also happens to be Huang Wei.

Luo Yunxi's "Long Moon Ember Ming" and Chen Feiyu's "Typewriter": The difference between the rich and the moneyless version of Huang Wei

However, if "Long Moon Ember Ming" is Huang Wei's aesthetic line, then in "Lighter and Princess Skirt", Huang Wei's aesthetic will undoubtedly gradually go offline.

A Reuters outflow, the female advocate Jingyi white coat plus a canopy skirt and black Martin boots, provoked a lot of netizens to complain.

The shape of the male protagonist Chen Feiyu's white shirt with jeans is simple and sees the cheapness of the clothing. Even netizens complained that they had already worn the pulp.

Luo Yunxi's "Long Moon Ember Ming" and Chen Feiyu's "Typewriter": The difference between the rich and the moneyless version of Huang Wei

It can be seen that with the exposure of Reuters, netizens are obviously not satisfied with the shape of the play "Lighter and Princess Skirt".

"Soil" and "cheap" have become the complaints of netizens, and they have "begged" Huang Wei to make a little good-looking shape.

After all, "Embers of the Long Moon" has a significant difference from "Lighter and Princess Skirt" before.

Luo Yunxi's "Long Moon Ember Ming" and Chen Feiyu's "Typewriter": The difference between the rich and the moneyless version of Huang Wei

The former can see the "grade" and can see the texture. The latter only has a strong "stall" atmosphere.

At the same time that such a world difference makes it difficult for netizens to adapt, many people have also "transferred" their anger to Huang Wei.

However, "one piece of money and one share of goods" is in front of the famous saying, and many netizens also refute Huang Wei.

Luo Yunxi's "Long Moon Ember Ming" and Chen Feiyu's "Typewriter": The difference between the rich and the moneyless version of Huang Wei

The "poor" crew is not willing to pay blood, how can the stylist "aesthetically on the line"?

After all, Huang Wei has already proved herself with "Little Times". As long as enough money is given, even if it is a modern model, Huang Wei can also give the results of "Little Times".

To this end, netizens concluded that the crew of "Lighter and Princess Skirt" is too "poor".

Luo Yunxi's "Long Moon Ember Ming" and Chen Feiyu's "Typewriter": The difference between the rich and the moneyless version of Huang Wei

In addition to "Lighter and Princess Skirt", "Protecting the Heart", "Zhou Sheng Ru Gu" and other dramas, Huang Wei is still the "Huang Wei without money".

Luo Yunxi's "Long Moon Ember Ming" and Chen Feiyu's "Typewriter": The difference between the rich and the moneyless version of Huang Wei

"Huang Wei without money" and "Huang Wei with money" are obviously very different.

"Banknote ability" on the line, Huang Wei aesthetic followed the line, how gorgeous how to come, how exquisite how to come!

Luo Yunxi's "Long Moon Ember Ming" and Chen Feiyu's "Typewriter": The difference between the rich and the moneyless version of Huang Wei

Have you ever seen the "colorful" black? This is the visual enjoyment brought by "Rich Huang Wei".

Luo Yunxi's "Long Moon Ember Ming" and Chen Feiyu's "Typewriter": The difference between the rich and the moneyless version of Huang Wei

What do you think about that? Did "Rich Huang Wei" surprise you? Which of Huang Wei's designs has surprised you?

Welcome to share!

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