Zhang Haoran, male, pen name Mo Xuan, Sanhe Xuan Lord, Mo Hai Yu, a member of the Communist Party of China, college diploma, retired cadre, from Chang'an District, Xi'an, Shaanxi Province. He is a member of the Chinese Poetry Society, a director of the World Chinese Literature Writers Association and the vice chairman of the Xi'an Branch. He is a member of Yanjing Culture and Art Exchange Association, a contracted poet and writer of Yanjing Culture and Dingyuan Literature. He is an academician of calligraphy of the Chinese Academy of Chinese Painting, a member of the Shaanxi Calligraphers Association, the Provincial Association of Calligraphers, and the Provincial Folk Writers Association. He is a member of the Writers Association and the Calligraphers Association of Xixian New District. He is a member of Xi'an Book Association, Qu Association and Poetry Society. After more than 30 years of engaging in mass cultural work and retiring, calligraphy works have been exhibited more than 120 times in provinces, cities and counties, and have won different rankings and exhibition awards. He has created more than 1,500 poems (pieces) of poetry, music art, prose and other works, more than 800 works (pieces) have been published in newspapers and periodicals at all levels and WeChat platforms, and 27 ancient poems have been selected into classic books such as "Dictionary of Contemporary Chinese Poetry", "Classic Poetry and Songs of World Chinese Literature", "Essence of Contemporary Chinese Poetry", etc., and have been awarded the title of Top Ten Gelu Poets and Famous Poets by the World Association of Chinese Literature Writers.
People often say that "words are like their people" because a person's calligraphy is directly constrained by his aesthetic taste, and the formation of aesthetic taste is often closely related to his thoughts, feelings, and personality. Therefore, in the art of calligraphy, there is often some form of expression of the author's ideological character.
The Qing Dynasty painter Yun Ge said, "The pen and ink book is ruthless, and the author of luck should not be ruthless." Only by paying attention to the cultivation and nurturing of "heart" and "love" can calligraphy have all the forms and forms outside, and can be obtained from the heart and should be in the hand, so that it is poor and perverted, and it is reasonable on the paper.
What a work leaves the deepest for the viewer is often its infectious spiritual expression, which can arouse the reader's memory resonance and touch on life, and only the art that can touch the human spiritual world is the real art, and it is also the eternal art pursued by the artist.
He was optimistic, open-minded, and generous. Just like his temperament, his calligraphy and painting art is also rigorous and pragmatic, meticulous. His calligraphy is exquisite and skilled, and his writing is bold and unrestrained, majestic, elegant and handsome, vivid and lively. He wields ink freely and vigorously. It's mesmerizing and appropriate. It is not only the result of several years of hard work, but also his pursuit of art, understanding and understanding of life.
His work is both traditional and modern, and he has successfully integrated traditional painting programs with modern brush and ink. His works have a deep traditional skill in the use of pen and ink, and are well versed in the magic of traditional pen and ink. At the same time, he is not bound by traditional pen and ink programs, but forges ahead and constantly innovates.