Yunnan Theory Network Geng Jia Wen /Figure
Years and years of heavy yang, now heavy yang.
The drizzle of rain for several days coincided with what Li Qingzhao sang in "Xingxiangzi":
Gradually a wind,
Rainiest,
A bit cool.
However, in the spring city for several days, the fifteenth meeting of the conference of the parties to the Convention on Biological Diversity, a world-class biodiversity event, is being held, and the media is competing to present the vitality of Yunling Land that "everything has its own harmony to live, and each has its own nourishment to grow". In order to welcome the grand event, the Yunnan Academy of Social Sciences compiled and published a monograph showing the beauty of biodiversity species, the beauty of heaven and earth, and the protection and construction of Yunnan, which is named "World Garden Colorful Yunnan". The prologue to the book, "Colorful Yunnan World Garden", says:
Yunnan is the "mother of the world's gardens". In Yunnan, all year round, thousands of purple and thousands of red flowers are not thankful, and the fragrance of flowers floats all over the hall in all seasons. The superior climatic conditions make more than 400 kinds of flowers bloom in Kunming... Many well-known flower species around the world originate from Yunnan, such as almost all horticultural flowers in Europe. ”
In fact, Colorful Yunnan can win the reputation of "World Garden", which not only stems from the geographical climate of heaven, but also benefits from the wisdom of respecting nature, conforming to nature, protecting nature, and harmonious coexistence between man and nature for thousands of years. And in the case of today's Chongyang, flipping through the poems of this period, such as flowers, the poets of the north and south of the Tang, Song, Yuan, Ming, and Qing dynasties sang, almost only chrysanthemums, and there were also chrysanthemums and osmanthus flowers that should be festivald. Bai Juyi lamented in the poem "Giving Bai Ju on the Chongyang Mat":
Full of flowers and chrysanthemums golden yellow,
There is a lonely color like frost.
It is also like the song and banquet of this dynasty,
The bald man enters the juvenile field.
Zhao Gao's poem "Chongyang" also writes:
Outside the Gate of the Nine Seas,
Home in the Five Lakes Smoke Water East.
And looking for verses from Akiyama,
Accompanied by monk chanting to chrysanthemum wind.
By the Song Dynasty, Lu You's "Chongyang" could only be sung:
ZhaoJiang Danye a forest cream,
Folded yellow flowers more broken intestines.
Shang Luo must drink bitterly at this time,
The thin waist palace is over the heavy sun.
In another poem written by Yi Anjushi on the occasion of "festive season and heavy yang", let us see that only chrysanthemums accompany her to drink "drunken flower yin" alone:
Mist thick clouds worry about eternal day, Rui brain pin golden beast. Festive and heavy sun, jade pillow yarn kitchen, cool in the middle of the night.
After the east hedge put the wine at dusk, there is a dark fragrance full of sleeves. Mo Dao does not lose his soul, the curtain rolls in the west wind, and people are thinner than yellow flowers.
Liu Chenweng's "Chongyang" poem has increased, but it is also in addition to Huang Ju that he talks about Zhu Yu and Osmanthus Flowers:
Wind and current nine days to win the early stage,
Who put the cocoon against the laurel branch.
Heaven and earth are from the old country,
The wind and smoke are like Jiang Lingshi.
The old man knows who is healthy,
White-haired yellow flowers are always blown.
Full of clothes and far away,
Next year I will recall last year's poem.
Ming Dynasty Zhao Wanbi's "Chongyang", or chrysanthemums are still:
Festive Chongyang,
West wind wild sun yellow.
Minghong Cloud Outer Degree,
Fine chrysanthemums are fragrant.
The poetry of ShuXing from humble,
Rushing wine is crazy.
Awake alone and drunk alone,
The earthliness is low.
In modern times, Qiu Jin's "Sense of Chongyang Zhi" can only start from Ju:
Easy east hedge chrysanthemum yellow,
But he taught the wind and rain to be mistaken for the sun.
Gratuitous sense of vastness,
Climb up the tall building alone.
Today's spring city of Kunming, all kinds of chrysanthemums, is just one of the thousand purple and red flowers in the golden autumn season. Just like the small garden in front of Runcheng on Rixin Middle Road, the flowers are continuous at four o'clock, and they are often renovated every festival. Recently, several kinds of flowers have piled up and competed with each other. Among them, the heavy-petaled hibiscus, although it is also a hibiscus, is not at all the "hibiscus also, falling towards the flowers" ("Shuowen"), "it is a flower, the color is very bright, it is morning and glory, the day is fading, and the sunset is zero" (Jin Suyan's poem sequence), but "from February to bloom, to the middle of winter." Its flowers are dark red, five out, as large as hollyhocks, with a bud, longer than the flowers and leaves, embellished with gold shavings, and the sun is shoveled, and it is suspected of being like a flame" (Quanfang Beizu). Stopping in the small garden to admire the "hibiscus blooming and shining red" grandeur of "not like spring light, better than spring light", you can only sigh the heavy petal of "red peony, green leaf stem" at the same time as sighing the "red peony" alias:
The flames increase autumn,
Red-lipped green leaves.
Peonies should be ashamed of themselves,
Did not dare to laugh at the west wind.