Around the warm healing story of the two brothers, the family love is very warm, and the career line is inspiring.
The theme presents the condition of people with mental illness and those around them.
The style is more literary, everyday, bgm is good.
A particularly touching, deep and shocking drama that can make people cry for a while and laugh for a while.
Joey Yung Fung De Lun Meng Jiahui, are the first time to shoot dramas, do you dare to believe?
Coupled with The always stable Norma Lin, the actors make this plain and warm story more vivid.
Unfortunately, the millennial market is not very friendly to this type of subject, especially TV series. So not many people have seen this film.
There is a picture of a cut from a child to an adult.
The brothers made the same tacit little gesture, and the love has never changed.
The two men squinted and smiled, and the world became pure, as if only two brothers were left.
The brother Jiahui, played by Norma Lin, has feelings and righteousness, confidence, ability, and the feeling of being able to shoulder everything.
The mantra is "Nothing is uncertain." ”
Every time I hear this sentence, I feel very powerful.
The younger brother's family is smart and hardworking, filial and friendly, gentle and courteous, and always has a trademark smile on his face.
He suffers from mental illness. Not only to fight the disease, but also to fight against external interference.
It was difficult to control the disease, and it was pit by bad colleagues and drug-addicted mothers, and relapsed.
The normal life is gone, and the musical dream has become a bubble.
In the play, a group of patients in Jiaqian are particularly playful and cute.
Zi Cong (played by Gu Dezhao) likes to tell and record bad jokes
Li Chun has persecution paranoia and often nags the FBI to arrest people
Hao Hao always shouted "Princess" to go out on the expedition, like to be a big sister
Suffering from theft, Qianjin Ruan Ying lacks love, willfulness and directness
They suffer from varying degrees of mental illness and appear abnormal from time to time.
But they were simple and friendly, much cuter than people as indifferent as Wei Quan.
One of the good things about this drama is that it does not treat vulnerable groups with a condescending posture.
Instead, from their point of view, it shows the happiness and unhappiness of this group of people.
There are some subjective shots of family humility in the play, which is very substitutionary.
It is because of this drama that I have an intuitive feeling for the pain of mentally ill patients.
The formation of mental patients in the play has more or less family reasons. The play also spends a lot of time showing the situation of the family.
Take the protagonist as an example: when they were young, the brothers were separated because their parents divorced, and they were reunited when they grew up. It was only then that the older brother discovered his younger brother's illness. It was the brother's unconscious wrong decision that made the younger brother follow his drug-addicted mother, so he was particularly guilty.
When the younger brother could not control his illness, the older brother hugged him and looked particularly uncomfortable.
Despite the good feelings, the decision to take care of the younger brother was made, and the brother still struggled.
Because of many practical factors to consider, including career sacrifices, his wife did not support inconsiderate, and later divorced him.
Even doctors and professionals advised him to give up, because he might not be able to take care of himself.
But Jiahui still believes that his brother can recover, and this talented teenager will become a dazzling star.
There are hesitations, there are trade-offs, and the feelings that are set off are more precious.
In addition to brotherhood, the love line is also very interesting. Warm and healing, but also contracted part of the laughter (the other part is the lovely patients and Grandma Lihua). In this way, the whole drama will not go to dull and depressed.
Lihua, played by Meng Jiahui, is a al-Hai Alzheimer's patient.
Her parents died early, her two sisters were unreliable, and Lihua took care of her grandmother alone for more than ten years, sacrificing her youth and career, and her heart was exhausted. But it was her relative, and she was reluctant to let go.
Jiahui and Lihua have a lot in common.
They are all strong, life has given them tribulations, but they will never be broken.
They are all honest and kind, good to their loved ones, and good to others.
Truly achieve "my old and the old, the young, and the young." ”
Lihua's experience of caring for her grandmother inspired Jiahui and taught him what true empathy is.
So Jiahui let his ears fill with noise and try to get as close as possible to his brother's world. This paragraph is also particularly moving.
On the other hand, Jiahui started out as Lihua's boss and later started a business together. Jiahui's successful experience in life and career has also helped Lihua.
Wei Wen, played by Joey Yung, is very cute and often probes his brain to peek at Jia Qian.
For love, he occasionally plays the little girl's heart, and then he is very guilty.
They will be afraid of integrating into the world of not entering the family, and feel inferior, and feel that the family will not like themselves.
In fact, JiaQian had put her in his heart early on, but he would not express it.
The love of these two pairs, both of which heal each other, is warm and the interaction is fun.
The career line is also inspiring, and the process is touching and inspiring.
The brothers and Lihua started a business together and overcame many difficulties.
Start a company one by one, and start from scratch. Being banned, being targeted, and surviving.
JiaQian overcame the disease and regained his musical dream, which was even more difficult to overcome.
This play vividly explains the preciousness of not giving up.
Whether it's for loved ones, loved ones, or careers.
What a desperate situation, as long as you are willing to persevere, there will always be a day to see the dawn.
And what supports people to go on is never responsibility, but love.