Tonggutang | Ten Thousand Volumes: The world's best books, when reading with the world's readers

▲ "Ten Thousand Volumes of Library Old Collection" topic

Art Self Media / Tong Gu Tang, Contributor / Lin Sister, Photo / Tai and Jia Cheng Auction

"Read thousands of books, travel thousands of miles"

10,000 volumes of the old collection

Literati have long had a tradition of bibliophilia. Top library buildings, such as Gui'an Lu's "Song Dynasty Building", Changshu Qu's "Tieqin Bronze Sword Building", Qiantang Ding's "Eight Thousand Scrolls Building", Ningbo Fan's "Tianyi Pavilion" and Huzhou Liu's "Jiayetang", etc., the wealth of the collection of books, needless to say.

However, the books that are limited by financial resources, such as Huang Shaoji's "Wugui Pavilion", Huang Chengliang's "Wugui Lou", Zhao Yongxian's "Pulse Lookout Hall", Pan Boshan, Pan Jing Zheng Kunzhong's "Baoshan Lou", etc., are gathered into a qiu, and although the scale of its library is not extremely magnificent, it can also be called The Treasure House.

However, the meaning of book collection, "more and less" is important, but if it is only "secret and not announced", it is ultimately "hidden for the sake of hiding". As the saying goes, there are clouds

During the Southern and Northern Dynasties of the Wei and Jin Dynasties, the bibliophile Cui Weizu, the five generations of Shi Ang, the Song people Song Minqiu, etc., that is, rich in books, but also for people to understand, ask for things, never be stingy, let alone sloppy, it is really rare.

For example, the "Southern Qi Book, Literary Biography, Cui Weizu" chapter, contained, can peek at the true meaning of the book.

Privately, if bibliophiles can "store books for the public, borrow and read together", or "pass the mirror school, publish and circulate", it is the blessing of the cold soldiers, and the merit is immeasurable. And the difficulty of visiting books suddenly turned into smoke.

▼ "Ten Thousand Volumes of Library Old Collection" topic ▼

Taihe Jiacheng Spring Auction 2021

The 2021 spring auction of Beijing Taihe Jiacheng, the special session of "Ancient Books and Rare Books and Golden Stone Tablet Editions", of which the topic of "Ten Thousand Volumes of Old Books" is full of ancient meanings and categories. It includes rare books of ancient books, Fang Zhiyutu, Buddhist scriptures, inscription rubbings, golden stone stone platforms, study room utensils, picture books, etc., which is quite spectacular. The author also selects some of the parts according to personal preferences, and takes a look at the Fang family.

Rare books of ancient books

lot4024 collection of ancient prints on paper

The Qing Dynasty Plutonium Tuoben was folded into 1 letter and 1 volume

30×26cm 11 3/4×10 1/4in

This volume is a copy of the ancient seal of Xu Naichang's collection of former sages such as Zhang Tingji, Wang Yirong, Chen Jieqi, Wu Yun, Liu Tizhi, etc. A total of nearly 100 stamps were obtained. Well-selected. Among them are the ink inscriptions and collection seals of predecessors Zhang Tingji, Wang Yirong, Chen Jieqi, Wu Yun, Liu Tizhi, Zhou Yi, Jiang Zuyi, Xu Naichang and others. It's a rare thing.

part

Xu Naichang was the eldest son-in-law of the diplomat Guichi Liu Ruifen in the late Qing Dynasty, and was close to the bibliophile Liu Shiheng as Lang's uncle. In the nineteenth year of Guangxu (1893), dengxian shu, the official went to Jiangnan Salt Patrol Road, with a reputation for new learning, talent, and salt affairs. After xinhai, he lived in Shanghai, engaged in industry and commerce, and his old friends Jiangyin Miao Tsuen Sun, Changzhou Ye Changchi, Wucheng Liu Chenghui and Liu Shiheng went back to the collection of ancient books and school journals.

Liang Qichao's "Introduction to Qing Dynasty Scholarship" claims that the late Qing Dynasty epigraphy was "after daoxian" Yisheng, while Zhang Tingji, Wang Yirong, Chen Jieqi, Wu Yun, Liu Tizhi and others were all fascinated by epigraphy, such as Chen Jieqi, and the Qing History Manuscript praised his "collection of Zhong Yi jinshi as the crown of modern times". This volume can be called the epitome of the top golden stone circle at that time.

lot4023 Fei Hung Tang Print biography on paper

Qingqianlong Wang's publication line bound 1 letter 2 volumes on paper

27.5×18cm 10 7/8×7 1/8in

As a derivative of the Feihong Tang Seal Genealogy, many of the Indians and Wang Qishu have made friends with each other, and they have traveled back and forth for decades without vain days, which is of great significance for examining the life of the Yin Dynasty, and can also glimpse the beginning of the formation of the Zhejiang School. The versions seen so far are the Qianlong self-engraving and the Seal Study Locked Edition. Among them, the former has a total of 112 biographies, involving 114 Indians, while the latter has 126 biographies and 129 Indians.

This book was first printed, the ink nails still exist, and the two thick volumes were original. Guan Qi's seal is a collection of 8,000 volumes of Ding Bing, which was later donated to Zhang Lu'an by Ding Fuzhi, and an inscription is written after the prologue. There are only four original qianlong engravings in the national public collection, and folk circulation is rare.

Hangzhou's "Eight Thousand Volumes Building" is a well-known library building in recent times, its owner Ding Bing has been eager to learn since childhood, his life is indifferent to fame and fortune, his life is not shi, he is enthusiastic about public welfare undertakings, he loves to collect local literature, and together with Qu Yong, Lu Xinyuan and Yang Yizeng, he is called the four major bibliophiles of the late Qing Dynasty. His family had a habit of collecting books, and his grandfather Ding Zhao had built a building in Meidong, Hangzhou, to store books at six o'clock.

Ding Fuzhi was Ding Bing's grandson, seal engraver, calligrapher and painter. His love of oracle bones, taste of the oracle bones to write books and compile into a book, but also like seal carving, the name of the golden stone, there is a collection, especially the Xiling Eight Seals as more. Zhang Lu'an, Zi Yanfu, Trumpet Young Banana. People from Cixi, Zhejiang. Member of Xiling Printing Society.

Wang Qishu (1728-1799) was a native of Shexian County, Anhui Province. Overseas Chinese live in Hangzhou. Officers and soldiers in langzhong. The family has open ten thousand buildings, thousands of kinds of books, especially cool seals, collecting from Zhou, Qin to Yuan, Ming yin to tens of thousands of buttons. Try to engrave a seal on a giant bead to make up for what is not available. Died at the age of seventy-two.

lot4112 Twenty-four histories of Bai Na Ben on paper

The Commercial Press of the Republic of China printed 821 volumes in line binding

20×13cm 7 7/8×5 1/8in

The "Twenty-Four Histories" is derived from the correct history set by the Qianlong Dynasty of the Qing Dynasty, and the Fu Wuying Hall of the Qing Dynasty was engraved and printed in the world, and the late Qing Dynasty reproduction and the same document bureau were all based on this, but the base book used by the temple was mostly derived from errors and simplifications, and because of the political needs of the time, the content of some of the correct history was deliberately tampered with, making it quite harmful.

Hosted by the Commercial Press, Zhang Yuanji was both a scholar of literature and history and an expert on editions, and he deeply resented this drawback, so he aspired to publish a complete and superior version of the "Twenty-Four Histories", and since then Zhang Shi has widely engraved the Song Yuanjia, selecting the best among the best, from 1930 to 1937, which lasted for eight years, and finally published this book, which caused a great sensation in the academic circles at that time.

For example, the "Records of History" uses the Song Huang Shanfu inscription, and its annotations are more than a hundred more than the temple texts. The errors, omissions and changes in the "History of the Yuan" of the Temple book use the original Hongwu engraving to restore the old appearance. The above examples are difficult to enumerate. This book is not only of high historical value, but also because each history is composed of different Song and Yuan carved books, and with detailed explanations, this book has become a research version of ancient books.

lot4025 Xiyuan Printing Sheet Flowering Paper

27.5×18.5cm 10 7/8×7 1/4in

Qing Kangxi Fifty-five Years Plutonium Printed Book Line Bound 1 Letter 2 Volumes

This is a collection of Zhang Quail's self-engraved seals, which were printed into a score at the expense of Prince Xian, and Li Zhao was ordered to also engrave and attach it. The former has a preface to Qianhuang. This Prince Xian, the sixth son of Dan Zhen the Prince of Xianmi, was born in the 30th year of Kangxi, and kangxi attacked the Prince of Heshuo Xian in the 41st year, yan huang was the great-grandson of Hauge the Prince of Suwu, and was the fourth prince of Su. In March of the eighth year of Yongzheng, he managed the affairs of the Lama Temple, and in February of the first year of Qianlong, he was in charge of the White Banner Jueluo Xue.

Due to the royal family's funding, this score is well-made with flowering paper, and the printing and rubbing are exquisite and abnormal. This spectrum is rarely preserved.

lot4095 Imperial Sanshido Dharma On Paper

Qingtuo ben 4 boxes folded 32 volumes

Originally known as the "Greenhouse", Sanxitang was originally a place for the Qianlong Emperor to study. Therefore, the room treasured wang Xizhi's "Qing Tian at the Time of Fast Snow", Wang Xianzhi's "Mid-Autumn Festival" and Wang Xun's "Boyuan Ti" three rare ink treasures, so it was renamed.

Later, the Qianlong Emperor ordered his courtiers to compile and engrave the Sanxitang Fa Ti, which included these three rare treasures. This Fa Ti was engraved in the fifteenth year of Qianlong, and the Qianlong Emperor personally selected the inner province to hide the wei and Jin famous relics and ordered the good work to engrave stones, a total of 495 pieces, to build and read the ancient building. The meaning of the book is completely ancient, and the authentic handwriting is first-class. And its well-carved, voluminous volume, can be called a huge work in the series of posts. After completion, only a few dozen copies were given to the favored subjects. This lot is beautiful and good, and the knower is precious.

lot4105 Hou Han Shu on paper

The Republic of China Jiayetang Jing Song Magazine is 92 volumes in the line

28×19cm 11 ×7 1/2in

The Book of the Later Han Dynasty, one of the "Twenty-Four Histories", is a chronicle of the history of the Eastern Han Dynasty and the Eastern Han Dynasty, compiled by Fan Ye, a historian of the Southern Dynasty and Song Dynasties of China. Together with the "Records of History", "Book of Han", and "Chronicle of the Three Kingdoms", it is called "The First Four Histories".

This lot has a grand folio, a very fine engraving, a very elegant font, and a reproduction of the suspected Song Ben, which can be called the white eyebrow in the song book of the film journal.

The owner of Jiayetang, Liu Chenggan, was a prominent figure in modern bibliophiles, his grandfather Liu Yong, a giant businessman, his father Liu Jinzao, and a bachelor's degree attendant in the official cabinet. The Book of the Later Han Dynasty is one of the most famous first four histories of the Song Dynasty in Liu Chenggan's collection, and in order to be widely circulated, Liu Shi spent a huge amount of money to print this book.

Its "Four Histories", one of the Song Dynasty Four Histories, is named after the Tibetan Song Dynasty "History", "Book of Han", "Book of Later Han", and "History of Tang".

lot4104 Sui'an Complete Collection on Paper

Between the Republic of China, The Southern Tombs of Xu's Water Sandalwood Room Shadow Song Periodicals this line is loaded with 1 splint and 23 volumes

30×18cm 11 3/8×7 1/8in

This book is a series of books edited by the famous modern bibliophile Xu Naichang, and is famous for its exquisite base, realistic imitation, and knife technique. In the five years after the Republic of China, ten kinds of books were compiled as continuations, and the original version was also the old version of the Song and Yuan Dynasties, which was borrowed by Xu Shi from the Jiangnan collection of books "Qu's Iron Qin Copper Qin Lou", this book is a white paper print, the engraving of the famous book maker Tao Zilin is skillful, the engraving is exquisite, quite a Song version style.

The lots include the main and the continuation, and the main compilation includes "Zi Lin Yun Interpretation", "Yangchun White Snow", "Zhenzhong Ji", "Wu Yue Chunqiu", "Jin Shi Case", "Yunxian Sanlu", "Shu Yi Ji", "Departure from Sorrow", "Yu Xuan Ji Poem". The sequels include "Bing Zhi", "Lü's Township Covenant", "Ghost Relic", "Summary of the Three Calendars", "Wine Classic", "White Tiger Tongde Theory", "Customs and Customs", "Continuation of ghosts", "Yuhan Jing", "Forget Worry Qingle Collection".

Sui'an is the name of Xu Naichang, Xu Naichang Zi Jiyu, Anhui Nanling people, Miao Quansun called him "knowledgeable, rich in collection, crowned Anhui South".

lot4100 Imperial Scenery Sketch on paper

Ming Chongzhen Eight-Year Magazine is bound in 1 letter and 6 volumes

24.5×15cm 9 5/8×5 7/8in

The book was co-written by Ming Liu Tong and Yu Yizheng. Dong character tongren, Macheng people. Chongzhen Jia Jinshi. Yu Yizheng Ishiji Straight, Wanping Ren. Chongzhen zhongsheng. It is a compilation of Beijing scenery. Yi Zheng asked for deeds, and Dong Pai compiled the text. It is divided into eight volumes, including the divisions of the Division, east, west, south, and north, and the West Mountain and Kifu.

There are quite a few articles in the book about private gardens. Such as Dingguo Park, British Gongxin Garden, British Park, Chengguo Park, Yi Garden, Qushui Garden, Li Huangqin New Garden, Baishizhuang, Hui'an Bo Garden, Haidian and other places, not only can know the distribution of private gardens at that time, but also glimpse the general appearance of garden architecture at that time.

"Imperial Scenery and Materials" set historical geography, culture and literary works in one, in terms of historical geography works, it details the scenic spots, customs and folk customs of Beijing City in the Ming Dynasty, which is a rare urban material; secondly, in terms of cultural works, it has a more specific description of Beijing's garden culture, folk customs, and the spread of foreign religions in Beijing at that time; in terms of literary works, it is the specific application of the elegant and elegant style of the Jingling School in geographical travel works, so it is a specific application of the elegant and elegant style of the Jingling School in geographical travel works, therefore, It can be read and appreciated as a model of the late Ming dynasty essay.

lot4099 Matsuyuki Jai collection on paper

Qing Kangxi Qing De Tang wrote an engraving book with 1 letter and 6 volumes

28×18cm 11 ×7 1/8in

The Songxue Zhai Collection was first published in the Yuan Dynasty, and the last people compiled the posthumous texts into a foreign collection, and there was no other publication in youming, until the beginning of the Qing Dynasty, there was a Shanghai Cao Peilian Hui as a compilation, in the name of Qing De Tang, and published in the original base of the Shen clan in Huaxi, Yuanhu Prefecture, and the later Cao Shi's supplementary testament was compiled into a sequel volume, and the old text was republished, and there was a later city library book. Therefore, it is actually compiled as the earliest Songxue zhai collection of the Mongolian Yuan. This edition is rare, far from the city's ordinary city library instincts. And the layout is sparse, the font is elegant, and it is good to be good, and it is true to the name.

The SongXuezhai Collection is a collection of essays by the famous calligrapher and painter and poet Zhao Mengfu of the Yuan Dynasty. The anthology was not published during Zhao Mengfu's lifetime, but was re-classified by his son Zhao Yong, corrected by Shen Boyu and published in the Outer Collection.

lot4029 Chengqiu Hall printed on paper

In 1925, the plutonium printing book was bound in 1 letter and 10 volumes

26×13.5cm 10 1/8×5 3/8in

This score is the ancient seal of the last emperor Chen Baochen compiled by his ancestor Zi Lianggong from Guanzhong and the ancient seal of tibet for decades. More than 700 bronze seals were collected, and in 1924, he was ordered to wash and print, select clay, and expand the spectrum. Luo Zhenyu spoke highly of this seal spectrum. It is said that it can be compared with the "Ten Bells Mountain House Seal" and "Double Yu Ju Zhai Seal".

This genealogy contains many official seals such as "Law Enforcement Straight Twenty-Two", "Great Official Supervisor", "Xiuhe County Zai", etc. are extremely rare, and the Thorn History Seal has never been recorded since the Song Dynasty, especially the "Jizhou Thorn History" as the Yinlin Hongbao. Therefore, this deposit has both academic and historical value. The front of the lot is marked with a Bao Xi inscription and a preface to Luo Zhenyu's book plate. Ten volumes of one letter are not divided into volumes. One print per page, blank back page, printed with print quality and button description. This spectrum is quite fine and the quality is intact.

Chen Baochen (1848~1935), Zi Boqian, Was a native of Minhou, Fujian. Tongzhi seven years into the soldier, teaching editing. He was a scholar of Jiangxi, a cabinet scholar, an inspector of Shanxi, a master of Emperor Xuantong (Puyi), and an advisor to the Bow Dynasty. Gong calligraphy, learnEd Huang Tingjian, and good at painting pine. It is a collection of Rongcheng Wang, Xijinshi, and has books such as "ChengqiuGuan Seal" and "ChengqiuGuan Collection of Ancient Sealed Mud".

lot4028 蜨芜斋 homemade printing is stored annually on paper

Republic of China Plutonium Tuo line binding 1 letter 9 volumes

20×10cm 7 7/8×3 7/8in

Shou Mason (1885-1950) Name Seal, Character Wu Xi, No. Yin Kuo, Jue An, Sorrowful Wind, Jue Gong, Gardener, Don't Sign Shi Gong, Shuo Gong, etc. The names of the zhai are Butterfly Wu Zhai, Zhu Menglu, Pei Zhi Tang, Green Sky Jingshe, Xuanshang Jinglu and so on. A native of Shaoxing, he settled in Beijing. Gong poetry, calligraphy, and seal engraving are all in their own right. He has taught at Beijing Women's College of Arts and Sciences and Beijing Academy of Arts.

He has been teaching in the United States for decades, and his disciples include Qi Yanming, Jin Yumin, Wen Tingkuan, Qi Shuyu, Zhang Mushi, etc., all of whom are well-known in the seal altar. Under the influence of the successor Song Junfang, he was also good at painting and engraving flowers and birds. This print is rare. Inscription Shou clan special invitation friendly Zhang Daqian, Zhang Hairou, Xiang Di Chun and other inscriptions.

lot4026 is available in the Bamboo Treasure Print on paper

The manuscript of the Qing Dynasty Printing line is bound in 1 letter and 3 volumes

31×18cm 12 1/8×7 1/8in

Aritakesai is the founder and collector of Japan's Asahi Shimbun, Seiichi no Uenodo, whose collection of Chinese paintings and calligraphy is extremely well-known.

This book has a printed copy, and this lot is its printed base. Inscriptions are in ink. That is, the manuscript of the official publication of "There is a Bamboo Zhai Tibetan Seal", which is particularly rare.

It is a sealed manuscript of Aino Rishi, with a large folio and exquisite plutonium, in front of the book there is a Luo Zhenyu seal book inscription, a well-known Japanese scholar and collector Naito Tiger, Long Tail Armor, isono Yuaki preface. It contains ancient seals, official seals, private seals, Ji and Xiao Sheng seals, and Song and Yuan miscellaneous seals. Later, there is a title of Ueno Ritsugu. And there is a Zhu Wen rectangular seal of "there are only fifty copies of the Bamboo Zhai Even Magazine" Zhu Wenchang square seal. Attached is a copy of Naito Tiger's preface, which is slightly different from the actual printing.

"There are three volumes of the Manuscript of the Seal of the Bamboo Zhai Tibetan Seal", which is inscribed by the Yamamoto Jingshan Lishu, and after the title page there is a large character of Luo Zhenyu's small seal on each page with a word "there is a bamboo Zhai Tibetan seal seal" inscription, which belongs to the paragraph

Naito Hunan (1866-1934) was known as Tiger Jiro, the character Bingqing, Hunan for its number, and other names and black-headed Venerables. A native of Akita Prefecture, Japan. Naito Hunan was a great fighter in Japanese oriental historiography and sinology at that time, and was friendly with his classmates luo Zhenyu and Wang Guowei who were stranded in Kyoto, Japan, during which he trained a large number of latecomer scholars, and his school still dominates the Japanese academic circles. At that time, publications related to sinology, calligraphy and painting were extended to Hunan for prefaces and inscriptions.

As a journalist, he worked for the Osaka Asahi Shimbun, and it is most appropriate for him to preface this score. After the death of Ueno Riichi, his heir Seiichi Ueno sorted out the old collection, edited and published the "Qing Liu Great Painting Genealogy" and also asked Hunan to sign the preface, which can see one of the origins of the relationship between Naito Hunan and the Ueno family.

Nagao Jia (1864-1942) also known as Mo Taro, Zi Sheng, Yu Shan, also known as Shi Yin, Sleeping Dao Ren, Wu Bored Dao Ren, Shu Zhai named Cao Shengtang, Han Brick Zhai and so on. A native of Takamatsu, Sanuki, Japan. Sinologist, early overseas member of xiling printing society. He is knowledgeable and heroic, and has studied many fields of Sinology in gong poetry, calligraphy and painting, and seal engraving. In the 29th year of the Qing Dynasty (1903), he moved to Shanghai and worked in the compilation room of the Commercial Press. In the third year of the Republic of China (1914), he returned to Japan and lived in Kyoto, where he spent his life lecturing, writing, painting and calligraphy. He once wrote the word "Yinquan" for the Xiling Printing Society, which was stored on the cliff.

Isono Mikaki (1862-1933), also known as Susuke, was a native of Iga (Zizhong Prefecture), Japan. Modern Japanese Han poet and reporter of Osaka Asahi Shimbun.

lot4098 bamboo cloud inscription on paper

The cleansing journal is bound in 1 letter and 1 volume

28×17.5cm 11 ×6 7/8in

This book is a work of Wang Shu's calligraphy and has profound insights. The content is copied from the ancient inscription, and the compilation is synthesized. Shu Ben Gongshu, so it is good at identification, and the source is the same, and the examination is particularly detailed.

Wang Shu, Jin Tanren, Zi Ruolin, Xu Zhou, Zhu Yun, Kangxi Jinshi. Good letters, Fa Ouyang inquiry, steady and skilled. Familiar with various fonts, the name is more important than the time. Among them, the self-described copying experience is especially exquisite and is cherished by scholars. For example, Ouyang Ouyang rate is even more "Liquan Ming" Cloud: "Bones and bones, flesh and blood, spirit, qi pulse, all eight, and then can be written for people." This book is of great benefit to the study of the art of calligraphy. It is beautifully written and engraved, and there are ink pen comments inside.

lot4022 Yan Spectrum White Cotton Paper

Akihiroji magazine is bound in 1 letter and 1 volume

Seal: Red Bean Bookstore, Sanshan Chen's Jujingtang Books

29.5×17.5cm 11 5/8×6 7/8in

It is a fine print of white cotton paper, which is a zero kind of Ming journal "Baichuan Xuehai", and collects "Yan Spectrum", "Duanxi Yan Spectrum", "Fa Ti Genealogy" and so on. The Duanxi Yan Spectrum is a banknote. There are Zhu pen batch points.

lot4102 Book history will be on paper

In the eighteenth year of the Republic of China, Wujin Tao's Yiyuan was printed in 1 letter and 4 volumes according to ming hongwu's book

31.5×20.5cm 12 3/8×8 1/8in

It is a collection of more than 400 calligraphers from ancient times to the Yuan Dynasty to comment on the transmissions and techniques, combing them properly and concisely. Harvested to prosperity. The writing is concise, with comments and comments, and the praise and criticism are quite flat. It is also a bibliographer in the Yuan Liaojin Foreign Regions, and the details and its country-specific writings are sufficient for examination. Originally carved in the Ming Hongwu Dynasty, it is very rare and rare in the world. Tao Jue of the Republic of China obtained a fragment of it, and borrowed two old Tibetan Hongwu initial prints from Luo Zhenyu and Fu Zengxiang to participate in the school, and then completed the book. This engraving is exquisite and exquisitely engraved, which is a good first print.

lot4101 Yan Tan essay on paper

The blue print of the five-year magazine of the Republic of China is bound in 1 volume

30×20.5cm 11 3/8×8 1/8in

Why this book is a righteous essay, emotionally sincere and sophisticated. Well-written, well-conceived, elegant fonts, generous opening. There are nine characters and scene prints such as "Flower Market Spring Map" and "Six Dynasties Statues with Book Diagrams". And there is an inscription of Yi Zhongzhen, and there are annotations in the volume.

lot4097 Huangshan Ji travel poem on paper

Qingqianlong magazine this line contains 1 letter and 1 volume

26.5×16.5cm 10 3/8×6 1/2in

Written by Qing Cao Wen (曹文埴), Cao Wen (1735-1798) character near Wei, number bamboo virtual, alias 荠原. A native of Shexian County, Anhui Province. Qianlong twenty-four years into the soldier, the official to the Hubu Shangshu. Yuwen Min. Work book. Unwilling to be with Hezhen, after returning to his hometown, he swam in the Huangshan Mountains and wrote about the clarity of the landscape, which became this collection. One of the chief executives of the Four Libraries. Died Wen Min.

His collection of rich armor, the famous works "Orchid Pavilion Preface" and Li Bai's "Upper Balcony Sticker" were once owned by the Cao clan, and there is also a stone drum name Yan, so the name of the stone drum is the stone drum Yan Zhai.

lot4096 Trade-off measurement lab test on paper

The Republic of China Shangyu Luo Zhenyu Magazine is bound in 1 volume

36×25cm 14 1/8×9 7/8in

It is a book containing many ancient artifact graphics. This book is a multi-stone print, this is a publication. The books are large and the paper is thick. It is collected by Liu Pansui, professor of ancient philology at Beijing Normal University.

Liu Panxuan (1896-1966), also known as Mingzhi, was a native of Huaibin, Henan. The first graduate of the Institute of Chinese Studies of Tsinghua University studied under Wang Guowei, Liang Qichao, Chen Yinke, etc. It is known as a "living dictionary". Gongshu, simple and stable.

lot4031 Forbidden City Treasure Book Episode 1 On Paper

In the fifteenth year of the Republic of China, the Library literature department of the Palace Museum printed this book in 1 volume

35×29cm 13 3/8×11 3/8in

Collect dozens of seals and seals in the Forbidden City, print explanatory texts on the side, and interpret the form system under the lower part. Printed as the original plutonium, the folio is large, the original white paper, and the preservation is in good condition. Such rubbings are rare.

lot4030 two Xuan Xuan Yin Kao Man Save on paper

Qing Guangxu magazine this line contains 1 letter and 4 volumes

30×17.5cm 11 3/8×6 7/8in

This seal is a compilation of some of the bronze official private seals of Wu Yun's "Two Hundred Lanting Zhai Bronze Seals" copied by Zhang Yu axe. Each page is printed with a stamp, the right side is painted with a button style, and the back of the page is annotated and verified. Wu Yun's self-title and self-prologue are extremely finely engraved, and the artistic value and historical value are very high.

Editor Wu Yun (1811-1883), Zi Shaofu, Pingzhai, Evening No. Shu Lou, Yue Ting, Beizhuo Lan Tingzhai, Liang Xuanxuan, Tingfengshan Pavilion. Zhejiang Gui'an people. Clear people. He was appointed to the prefect of Suzhou, and after his dismissal in 1862, he lived in Wuxia. He is good at printing and painting, immersed in the examination of Jinshi calligraphy and painting, and focuses on academics. Sex xi collection, the collection of gold stone calligraphy and paintings rich jia Wumen, in addition to the three generations of Yi ware, only the Qin, Han, Wei and Jin ancient seals reached more than a thousand buttons, as well as the famous paintings of the French book, Song and Yuan rare books, its collection is rich and refined, enough to dominate the southeast and south, famous in the north and south of the great river.

Fang Zhiyu map

lot4088 Yuanmingyuan Diagram on paper

1977 French production 20 single pages

The Yuanmingyuan was founded in the 46th year of the Qing Kangxi Dynasty (1707), and after more than 150 years of construction by many emperors of the Qing Dynasty, it became a representative of the Qing Dynasty imperial gardens in the western suburbs of Beijing, and is also a miracle in the history of world garden construction. In the 19th century, the Great French writer Victor Hugo called the Old Summer Palace "a model of ideals and art."

These twenty copperplate engravings were painted by Yilantai and carved by Chinese craftsmen in accordance with the Qing Dynasty in the fifty-first year of Qianlong, and sent to France to make copperplate plates, and were displayed in the Western-style Building of the Yuanmingyuan. In addition to the 200 copies of the paper drawings, which were displayed in the Western-style Building of the Yuanmingyuan and the palaces such as Rehe and Panshan, as well as the drawing rooms of the building office, they were also rewarded to some princes, princes, ministers and overseers.

The painting depicts the scenery of the Changchun Yuan Western-style Building, in order: two paintings of harmony and curiosity, two paintings of water storage building and garden gate, two paintings of raising birds and dragons, four paintings of square appearance, bamboo pavilion and Haiyan Hall, three paintings of Yuanhaoguan, Guanshui method and line method of mountain gate, and two paintings of Hudong Line.

Qianlong wrote with great ambition in the "Afterword to the Yuanmingyuan":

In these twenty copper plate paintings, you can also see the grand scene of one of the corners of the three gardens of the Yuanming Dynasty. This set of prints was reproduced in 1977 by the Bibliothèque Nationale de France in 1786 with a limited edition of 1:1, this set of prints is No. 268, excellent clarity, good quality, is a national museum collection.

lot4089 Map of waterways in Beijing and Tianjin on paper

From the Qing Dynasty to the Republic of China, there are 30 single pages

Most of the layout drawings of this batch of Beijing and Tianjin waterways are colored by sketches. It mainly includes two major categories: the waterway map of Beijing and the surrounding areas, and the architectural distribution map of the Japanese exclusively managed residence in Tianjin, and there is still a map of Yuhang County. The period of this batch of drawings is around the Guangxu period. The Beijing part should be painted Chinese.

Among them, the "Full Map of the Rivers of the Twenty-Four Prefectures and Counties of Suncheon Province" is particularly detailed. There is a clear producer and year: Guangxu Xin Qiu Qiu August, Qian Jinsheng draws. The seventeenth year of Guangxu is 1891. Due to the age of the old map of the waterway and the change of the river channel, the organization personnel repainted it.

The other part of Beijing, the stone embankment project in the upper part of the Yongding River, is the last year of Guangxu, in view of the aging of the stone embankment, organized personnel to strengthen it to prevent the flooding of the Yongding River. The Tianjin section details the layout of the building infrastructure of the Japanese Tianjin Concession.

This batch of data is of great significance for the study of the evolution of rivers in modern Beijing and the construction and layout of Tianjin's modern city.

lot4087 Pingding Gorko Victory Diagram of the Capture of the Reso Bridge diagram on paper

From the 60th year of the Qianlong Dynasty to the first year of Jiaqing, the copperplate plate of the government was printed 1 single page

50×87cm 19 5/8×34 1/4in

"Pingding Gorkha Victory Map", painted by Qing Jia Shiqiu, Li Ming, Feng Ning, etc., Qing Qianlong 60 years to The first year of Jiaqing (1795-1796) Inner Province copper plate print. A total of 8 plates are printed. At the top of the picture there is a poem written by the Qianlong Emperor. Gorkha (present-day Nepal), in the last years of the Qianlong Dynasty, the Gurkha forces rose up, encroached on neighboring countries, unified Nepal, and attacked Shigatse, disturbing Tashilhunpo and wantonly looting. Fifty-three years after Qianlong, Emperor Gaozong of the Qing Dynasty sent troops to expel them, and the Kho army retreated without a fight. In the 56th year of Qianlong, the Gurkha army invaded again and occupied Jilong and other places, and Emperor Gaozong ordered Fu Ankang to fight it. In the fifty-seventh year of Qianlong, the general Fu Ankang led his troops to defeat the Gurkha army and regain the lost land, and the Kou army withdrew. In May of the same year, Fu Ankang continued to lead troops into the territory of Gorkha, conquering Xiebulu (northwest of present-day Kathmandu) and other places, and then approached the Gurkha capital kathmandu, and Gorkha was asked to surrender to become a vassal of the Qing Dynasty.

The "Victory Map of Pacifying Gorkha" depicts the scene of several important battles in the last years of the Qianlong Dynasty. This lot is a map of the Battle of the Reso Bridge. Although the Victory Map of Pingding Gorkha also draws on the craft technology of Western painting and copperplate engraving, its makers are almost all domestic painters and craftsmen, and basically completed the transformation from Chinese independent production of copperplate engravings. However, they did not have a comprehensive grasp of western painting methods and copperplate engraving engraving techniques, so the combination of Western techniques and traditional Chinese painting methods was relatively jerky, but as one of the representative works of Qing Dynasty copperplate engraving battle maps, it still has very valuable historical value.

lot4086 Pingding Liangjinchuan Victory Map Conquer Yixi Jia suo and other places Diaokatu paper

During the 42-46th century of the Qianlong Dynasty, the copperplate plate of the Qing Dynasty was printed on 1 single page

53.5×91cm 21 1/8×35 7/8in

This is painted by the French people Ai Qimeng and He Qingtai, and the copper plate of the Inner House in the 42nd to 46th years of the Qianlong Dynasty (1777-1781). A total of 16 plates are printed. It depicts the record of the Qing government's two dispatches of troops to quell the Rebellion of Jinchuan in Sichuan from the twelfth to the forty-first year of the Qianlong Dynasty.

The lot was to conquer the Yixi Jiasuo and other places of the Diaokatu. Compared with the "Pingding Dzungar Victory Map", the group of copperplate battle maps is more deeply influenced by traditional Chinese painting methods in terms of modeling, perspective, composition, etc., and the whole picture uses the method of scattered perspective to remove shadows and chiaroscuro contrasts, so the picture presents a flat effect. Trees and rocks are carved by line etching. A masterpiece of large-scale copperplate engravings independently completed for the Qing Palace.

lot4085 Pingding Dzungar Huibu Victory Chart one on paper

From the 33rd to the 39th year of the Qianlong Dynasty, the Qing Dynasty commissioned the French copperplate plate to print 1 single page

51.5×91cm 20 1/4×35 7/8in

The Victory Map of the Pingding Dzungar Huibu was instructed by the Qianlong Emperor and painted by Lang Shining, Wang Zhicheng, Ai Qimeng, and An Deyi. A total of 16 plates are engraved in French. It took 11 years from the draft to the completion of the printing, which comprehensively reflects the major war scenes of the Davachi Rebellion of the Dzungars of the Erut Mongol Dzungars during the Qianlong Period of the Qing Dynasty and the Uyghur Rebellion of the Huibu Huibu on the South Tianshan Road, and is actually a celebration of the Western Regions.

The work is pure Western painting style, the picture adopts panoramic composition, the scene is broad and vast, the structure is complex, the character plot is numerous, but it can be portrayed in detail, whether it is the composition method, character modeling, scenery description and chiaroscuro convexity, projection perspective and other techniques, all reflect the highest level of European copperplate engraving production at that time, and it is a masterpiece of the integration and exchange of Chinese and Western cultures. This is one of them.

lot4084 Pacification of Taiwan Battle Map of Fu Kang An An Bao Sheng Capture Zhuang Datian on paper

Qianlong commissioned a French copperplate plate printing in the 33rd to 39th centuries

50×86.5cm 19 5/8×34 in

This is a copperplate edition of the Qianlong Inner Province, depicting the Qing government sending troops to quell the uprising of Lin Shuangwen, the leader of the Taiwan Heaven and Earth Association, and the Dangzhuang Datian Uprising of the South Road Association. The manuscript was drawn by Yang Dazhang, Jia Quan, Xie Sui, Zhuang Yude, Li Ming, Yao Wenhan, etc., and was printed by the Copper Plate Brushing Office of the Ministry of Internal Affairs, and the Qianlong Imperial Inscription Poem on the picture was a woodblock brush print, which was very exquisite.

sutra

lot4080 Da Fang Guang Yuan Jue Sutra slightly sparse paper

The Ninth Year of Qing Shunzhi was folded into 1 letter and 10 volumes

The lots are folded and beautifully woven. Each edition has the "Seal of the King of Dingnan", and the last of the volume records "Dingnan King Kong Youde, Princess Bai, Shizi Kong Tingxun GongZhuan Zun Jing Yizang (Omitted) Great Qing Shunzhi Ninth Year Nongchen Year August Auspicious Day Print". As far as this line is concerned, it shall be a copy of the Yongle Nanzang publication.

Kong Youde (孔有德), courtesy name Ruitu, was a native of Gaizhou Wei, Liaodong (present-day Gai County, Liaoning Province), originally from Shandong, and a general in the late Ming and early Qing dynasties. In the sixth year of Shunzhi (1649), he changed his title to Dingnan Wang, conquered Nanming, and fought in Guangxi. In the ninth year of Shunzhi (1652), Kong Youdezhan died in Guilin, and the Qing court buried him with a thick burial and posthumously honored him as Wu Zhuang.

This Kong you have the so-called Dazang magazine, which was printed in the same year and is extremely special. Kong Youde was one of the early kings of the Four Domains of the early Qing Dynasty, and it is rare to have his explicit publication of buddhist scriptures (please sutras).

lot4082 The Dzundrani Sutra spoken by the Seven Noble Buddhas on paper

Yuan Puning Collection Folding 1 Letter 1 Volume

30.5×11.5cm 12 ×4 1/2in

The lot is a puning collection of zero kinds, the engraving is extremely sophisticated, the strokes are also very clear and smooth, and it is a single scripture, which is very rare, when it is a treasure.

A volume of the Sutra of the Seven Noble Buddhas. Don not empty translation. Collected in the twentieth volume of the Taisho Collection. This sutra belongs to the miscellaneous tantric teachings, which is the essence of the Mother's Dharma of the Quasi-Buddha. The translation of the Buddha's Sayings of the Seven Clubs of the Buddha's Mother's Heart, the Great Sutra of the Great Dhidharani, and the Vajrayogini translation of the Buddha's Sayings of the Seven Clubs of the Buddha's Mother, the Great Sutra of the Great Yunroni Sutra, are both identical translations of this sutra; however, compared with the Di Bhagavata, the mantras of this sutra are about thirty kinds, and there are additional recitations, four kinds of dharma protectors, and portraits, etc.; and because the Vajrapani lineage has not cured the root cause, the meaning of the text is often inconsistent, so this sutra is actually the top of the three books.

lot4081 No.100 No.1 Divine Transformation Mantra Sutra Volume III On Paper

The Song edition of the Moraine Sand Hidden Ming Hongwu Seal is folded into 1 volume

28.5×11cm 11 1/4×4 3/8in

At the end of the lot volume, there is Hongwu Twenty-four Years December 18th Please Print, when the Song carved Ben Ming Hongwu Seal, the chronology is clear, quite rare. Moraine sand is hidden from the Song seal to the beginning of the Ming Dynasty, and most common people have no annual model, all called Song and Yuan seals. Those who have a clear early Ming Dynasty are rare.

Lot4083 The Buddha Mother was born in the 15th volume of the Three Dharma Tibetan Prajnaparamita Sutras

The Yuan Puning Collection is folded into 1 volume on paper

"Puning Zang" is "Original Collection", carved and sealed by the Great Puning Temple in Yuhang Nanshan, Hangzhou in the Yuan Dynasty, presided over by the abbot Dao'an and others. Song Sixi and Fuzhou Erzang School. The engraving is exquisite.

Tablet rubbings

lot4090 Wang Yirong Tibetan Song Tuoben Fengle Ting Ji Tuoben on paper

Song Tuoben Album 1

41×30.5cm 16 1/8×12 in

The "Fengle Pavilion Record" stele Ouyang Xiu wrote an article, Su Shizheng book, carved as three stones, the first two stones each eight lines, the last stone five lines, the lines are twenty-two characters. The original stone was carved in the sixth year of the Northern Song Dynasty, and the stele was in Chuzhou, Anhui Province. Ming Jiajing re-engraved. The inscription is knotted with Wei Wei Junmai.

This lot examines its ink color, which is an early extension of the original carving of the Northern Song Dynasty. There are stamps "Fushan Wang Clan Treasures" and "Leng Cui Wei Museum", which should be Wang Yirong's old collection.

Wang Yirong (1845-1900), also known as Zhengru, was a native of Fushan, Shandong. In the late Qing Dynasty, Hanlin served three times as the overseer of the state. In the Battle of the Eight-Nation Alliance, he was a minister of the Shuntian Regiment of the Beijing Division, unwilling to surrender to the foreigners, and committed suicide and martyrdom. Posthumously presented to Shi Lang, Rong Lu Doctor, and Yu Wenmin.

Wang Yirong was proficient in epigraphy and is widely regarded as the earliest discoverer of oracle bones. He is also good at calligraphy, and has a lot of gold and stone collections, and his collection of inscriptions can often be seen in the "old collection of the inner house", which may be obtained from his office, precisely because his gold stone is highly knowledgeable, and when he sees the oracle bone, he can recognize its value and promote oracle bone science.

lot4020 Ye Mingfeng Old Collection Gao Feng Han Yan History on paper

Qing Tuo Ben Folded 4 volumes

29×24cm 11 3/8×9 1/2in

Seal of Plutonium: Ye Ming Feng RunChen Seal, Tun Su Hao Zhai, Tiecheng Zangji

This is a genealogy of the stones collected by Gao Fenghan, a famous calligrapher and painter of the Qing Dynasty in Ye Mingfeng's old collection. It is also known as the "History of West Garden Yan". The cover of this book has a "Jiuhua" ink pen inscription. The old framed book is in perfect condition.

Ye Mingfeng (1812-1859) was a native of Hanyang, Hubei Province, with the character Hanyuan and a character runchen. Daoguang seventeen years of raising people. Ye Mingchen brother. Cabinet of Ministers. Erudite, especially poetry. Traveled everywhere, all with poetry. There are "DunSu Good Zhai Poetry Collection" and "Qiaoxi Miscellaneous Records".

Gao Fenghan (1863-1742), a native of Jiaoxian County, Shandong Province. He is good at gold stone calligraphy and painting, and has a penchant for collecting stones, and is said to have reached more than a thousand squares at most. In addition, he also selected his best works to engrave inscriptions, collected the beloved stones signed by the inscription, and wrote four volumes of the "History of Yan".

The whole book contains 165 square stones, and the 112 drawings of the stones are said to have been originally printed with color ink and filled in with pens in the blur. The original book is set in light colors, and with zhu ink, garcinia, ochre and other colors, plutonium with zhu seal, the color is quaint and lovely.

lot4019 Yi Zhongzhen and other inscriptions Tibetan Yan Shuying on paper

The old taupe book was folded into 2 letters and 2 volumes

Seal: Lingrui Chuangu, Qingfen Pavilion, Jinshi Fetish, Shucheng Institute Topography Stone Text

50×35cm 19 5/8×13 3/4in

This lot contains more than 90 ancient Yan rubbings, which are hand-expanded by Yi Zhongzhen and Wanling Rui.

Yi Zhongzhen (1886-1969) Hubei Qianjiang people, character jun room, number of the garden, good calligraphy and painting, gong seal line, fine gold stone science. Wan Lingrui (1906-1975), wife of Yi Zhongzhen. Noh Wen Shan Shu, Xiao Kai Youjia, chuantuo skilled, once learned to print from Wang Fu'an.

According to the plutonium printing "Recitation of QingFenGe", "Shucheng Institute Offidel Stone Script", etc., it can be known that the spreaders were also Wang Shucheng, a Collector of Sichuan during the Republic of China. Wang Yinlong, Zi Shucheng, Xindu people. He loves felt ink in his lifetime, and his extension is pure and elegant, and the magic of the cultural relics is perfect. He died in Chengdu in 1948, more than 50 years old. His posthumous works include more than ten huge volumes of "Ode to the Qing Dynasty", which are now returned to Sichuan University.

lot4018 Shao Zhang and other titles Zhou Zhaoxiang Tibetan Tuo Gu Yan Juying on paper

Old Takumoto Hand-scrolled 1 volume

31×1230cm 12 1/4×484 1/4in 31×61cm 12 1/4×24in

This lot has a Shao Zhang inscription, collecting nearly thirty squares of Zhou Zhaoxiang's Hidden Stones, most of which are recorded in the "Miscellaneous Records of Liulichang".

For example, "Liulichang Miscellaneous Notes XV":

"Liulichang Miscellaneous Notes XVIII":

Zhou Zhaoxiang (1880-1954) was a native of Shaoxing, Zhejiang. At the end of the Qing Dynasty, Min initially served as the governor of Hunan Province and the director of the Antiquities Exhibition Center. Later, he hosted the Chinese Painting Research Association in Beijing.

Shao Zhang (1874-1935) zi Bo jiong, number Ofan, a native of Hangxian County, Zhejiang. Guangxu Jinshi. The collection is very rich, and the inscriptions and calligraphy are studied.

lot4094 Yunfeng Mountain Full Tuo on paper

At the end of the Qing Dynasty, the Tuoben was folded into 8 volumes

37.5×22.5cm 14 3/4×8 7/8in

This post includes thirty-eight kinds: 1. Zheng Wengong's upper and lower stele. 2. Tianzhu Mountain Inscription. 3. Children's poems about the sea. 4. Stonemason Yu Xian inscription. 5. Inscription of the Palace of XuanLing. 6. An Qizi drives the Mountain of Penglai in longqi. 7. Nanshan Gate inscription. 8, the age of the inscription in the nongchen. 9. Baiyuntang inscription. 10. Inscription of Yunfeng under the upstream pillar. 11. Re-ascend to the Taiji Mountain Poem. 12. Dongkan Stone Room Inscription. 13. Right inscription. 14. Inscription of the Mountain of Yunfeng. 14. The inscription of the mountain of this pillar of heaven. 16. Zheng Dao Zhaoshan Gate inscription. 17. Inscription on the mountain gate of Yunjuguan. 18. Inscription on the altar of the Middle Ming Dynasty. 19, GengFunu from the driving inscription. 20. Red pine nut inscription. 21. Floating mound inscription. 22. Tianzhu Mountain Inscription (Seal Forehead). 23, when the door stone sits on the inscription. 24. Dongkan Stone Room Inscription. 25. Dengyun Peak Mountain Chronicle. 26. Nine Immortals inscription. 27. Guo Jinghe inscription. 28. The inscription of the North Mountain Gate of this Immortal Temple. 29. Stone man inscription. 30. Inscription of the Temple of Green Smoke. 31. The inscription on the left side of Yunfeng Mountain. 32. The inscription of the envy door. 33. Inscription on the altar of the Middle Ming Dynasty. 34. The inscription of the Hall of White Clouds. 35. The Edict of the Immortal Altar. 36. Inscription in the green smoke. 37. Inscription of the Wing Fei Immortal Room. 38. On the Scriptures and Poems.

lot4093 Imperial book of Empress Xiao Zhaoren, great-grandfather of Emperor Qingrenzong, on paper

Kiyonaifu Takumoto Folded 1 volume

28×12.5cm 11 ×4 7/8in

It is a book cast and engraved for the fourth year of Jiaqing. It was an extension of the supplementary number book for the second empress of the Kangxi Emperor, Niu Hulu, and the Manchu and Han dynasties. Jingtuo, for the palace to leave a file.

Empress Xiaozhaoren was the second empress of the Kangxi Emperor. She was the daughter of the first-class Duke Bilong of the Auxiliary Chancellor and the granddaughter of the founding general of the Qing Dynasty, Er Yidu.

lot4092 German-style Topography on paper

Old Topography 1 single page

68×34cm 26 3/4×13 3/8in

This is the German Fangding full-angle extension. Jinwen, King of the Western Zhou Dynasty, is now in the Shanghai Museum. The inscription on the inner wall records that the king from Ho Jing to Chengzhou, The King of Fengwu held a blessing ceremony. Inscription Five Lines Twenty-Four Characters: 隹 (唯) March, Wang Cai (in) Chengzhou, Yan Hufu, Zi Artemisia (suburb), Xian. Wang Yi (Xi) Debei Twenty Peng, with Zha (Zuo) Bao Zun Yi.

lot4091 Cai Gongzi pot extension on paper

Song pot, Ma Ziyun's Tuofeng Gongdu collector. Inscription: At the beginning of the first month of the first month of the first month, Ji Geng, Cai Gongzi made a pot, and his eyebrows lived without boundaries, and the sons, grandchildren, and eternal treasures of ten thousand years shared.

Golden Stone Stone Platform

lot4006 Kingdom Weiming treasure bottle Stone

1 piece of cleaning

17.5×11×2cm

Sheshi, the color is green and blue, the stone is firm, the whole body horn wave eyebrow pattern, the stone face treasure bottle shape, the bottle mouth is an ink pool, the bottle belly is a brick hall, and the edge of the stone is thin. The bottle shape is high and elegant, and the ornamentation is quaint. Circle feet, decorated with sea water patterns, lower square bottle holders, four-legged back patterns.

Yan back cover hand, engraved inside the inscription: the original rosewood brick box. This inscription is quite similar to Su Shi's "Dragon Tail Yan Song".

Wang Guowei (1877-1927), zi boyu, Jing'an, Guantang, Yongguan, Zhejiang Haining Yanguan town people. Late Qing Dynasty Talent. China's modern and contemporary academic giants have made outstanding achievements in literature, aesthetics, history, philosophy, paleography, archaeology and other aspects.

It is one of the "Four Halls of Oracle Bones" and has studied epigraphy. In fact, the golden stone to Wang Guowei, not only is the cold material and serious knowledge, but also a kind of art worth appreciating, tasting and tasting, the physical object it goes without saying, that is, facsimile and Tuoben, also has considerable aesthetic value, Wang Guowei is also willing to give them a new aesthetic form and aesthetic significance, which should often be written on the fan surface of the Yin Zhou artifact inscription and Chinese inscription, and the letterhead used to communicate with friends and friends also has a lot of gold and stone theme special products.

lot4003 Dragon pattern end stone rectangular stone stone stone

Ming system 1 piece

24×17.5×5cm

Duanxi Huanglongkeng jia stone, warm texture, rich stone products, as a door-shaped large stone, yan edge left skin trap shallow carving dragon pattern, knife method is clumsy, yan back shallow cover hand, the whole brick breath is simple, thick and abnormal, extremely rare, the original with large lacquer.

rubbings

There are clouds in the "Four Scores of the Study Room": the thickness of the Yan can be seen.

lot4002 Xuzi Jinming duanshi natural stone stone stone

1 piece made in the early Qing Dynasty

20×17×4cm

Duanxi Shuiyan old pit stone, there are yellow dragon, fire, blue and other precious stone products, with the shape of the shape, simple and natural, Yan forehead yin carved gold text: "Park Shi Jingshi seal inscription immortal, Zhaoshan." ”

The original is equipped with a whole digging mahogany brick box, and the brick cover is filled with white inscription: "The five combinations of the book genealogy of The Sun Dynasty, the paper and ink are excellent, can not be without the help of Yan, Xu Zijin of Xia Wu County." ”

Xu Zijin: Xu Kang, Zi Jin, Zi Jin, Xu Shu, Changzhou (present-day Suzhou, Jiangsu) Zhusheng. Gong poems, paintings, seals, seals, engravings, and not studies, especially fine identification of books, paintings, and gold stones. Yang Gong Weng (岘) is known as Song Jie (宋荦). He is the author of "Former Dust Dream Video". And Tongqi Huang.

This stone product, shape, inscription are excellent, inquiry for the best tool in the study room, can be treasured. "Zhaoshan" is not available for the time being. Or for Yang Yuwu's father Yang Xiuchun, the character Zhaoshan, the joy of the world, love calligraphy and painting, gong chanting, and sing harmony with poets. For reference.

lot4077 Monk's Tower Brick Brick

Old system 1 case

15.5×12.5×4cm 6 1/8×4 7/8×4in

This is the "Monk's Hidden Pagoda Brick". The inscription on the left is "The Twelfth Year of the Great Sui Kai Emperor" on the outer frame. The brick inscription is in block letters, where the five elements and three crosses are written: "In July of the twelfth year of the reign of emperor Kai of the Great Sui Dynasty, the monk Master Xuan was hidden in Shuzhi's Anhui Gongshan Mountain, and the pagoda was offered, and the Daoxin was remembered." ”

Monk Xuan (c. 510-606 AD), sui daye died in the second year, the year of birth and deeds are unknown, the three ancestors of Chinese Buddhism Zen Buddhism, once followed the second ancestor Hui Ke to learn Buddhism for several years, and later received the mantle of the three ancestors of Zen Buddhism. Before he died, he passed on the mantle to his disciple Daoxin as the four ancestors of Zen Buddhism. He is the author of "The Letter of Faith". Emperor Xuanzong of Tang honored him as a Zen master of Jian Zhi.

This pagoda is actually a treasure of Zen Buddhism in China. The front record of the Pagoda of the Three Patriarchs. It is written by the Four Patriarchs of Zen Buddhism. According to Yun, it is the only authentic calligraphy of Daoxin.

This zhi has been found in the Qing Dynasty, the Republic of China and modern times. In the Qing Dynasty, Changbai Tuohuoluo Duanfang once hid one, which is found in the "Records of the Stone of The Tomb", the pagoda on the front, the chronology on the left, the right side and the top are ornaments, and now belongs to the treasure of Shanghai Longhua Temple. In 1982, one was found in Hangzhou and published in The 1985 Issue 4 of Cultural Relics. However, there are differences between it and the Zozo. This lot is different from the above two works in addition to the memory, and the cover mold engraving is inevitable. This product is in good condition, and the wooden box made by the Qing dynasty is inscribed with a letter.

lot4076 Stub stele Stone

Old system 1 piece

32×8×11cm 12 5/8×3 1/8×11in

Those who carved stone scriptures after Xi Ping had Wei's Zhengshi Shijing, which was carved during the first years of Wei Qi's Wang Fang. Each word has three bodies of ancient text, seal and li, so it is called the "Three-Body Stone Classic" in later generations. Its stone was destroyed early, and the Song people "Continued". His remnants were recorded. In recent times, Luoyang, the earth does not love treasure, and several stones are even produced. This is suspected to be a fragment of its stone.

The Three-Body Stone Classic, inscribed with the Book of Shang, the Spring and Autumn Period, and some of the Zuo Zhuan, is the second stone classic established after the Xiping Stone Classic of the Eastern Han Dynasty. It is of great significance in the history of Chinese calligraphy and the evolution and development of Chinese characters.

lot4004 end stone Taiji stone stone

10×8×1.5cm

Duanxi Kengzai Rock Jia Stone, delicate texture, with the shape of Taiji style small brick, Yanchi carved yin and yang fish, edge decoration bas-relief three sheep, quasi-Sanyang Kaitai meaning, the original with the fine worker rosewood brick box, easy to carry, can also enjoy.

Rubbings, inscriptions

There is an inscription: Bright should test ink, warm and moist. According to this, it can be seen that this yanfa color research ink is excellent.

lot4010 mung bean sand clay scribe stone

17.5×10.5×6cm

Cheng mud originated from Shanxi Daizhou, to eel yellow, crab shell blue, rose purple, mung bean sand as the upper product, this stone is mung bean sand cheng mud as a copy of the brick, no excess ornamentation, simple and solid, thick pulp, placed on the desk of the study, ancient Mu eclipsed. Originally equipped with a mahogany brick box.

Chengni Yan, derived from the fine brick and tile technology, is made of filtered fine mud as raw material, which began around the Tang Dynasty, and flourished in the Song Dynasty, and the Ming Dynasty reached maturity. This kind of stone is convenient to take materials, quite popular, the Song Dynasty has summed up a complete set of production methods, according to the Song Dynasty Su Yijian "Four Spectra of Literature" record, its processes are numerous, mainly Luo Tu, Cheng filter, Dan powder, carving, smelting, etc., the finished product after the texture is hard, easy to ink, do not lose the pen, and the end, She, Tao Yan and called the four famous Yan.

lot4005 greenstone too shi yan stone

21×12.5×7cm

Bibliography: "The Treasure of the Literary Room", River Out of the Study Room New Society, 2013, p217.

The old collection of Japanese collector Fumio Nan. He has published a number of Yantai works, such as "Ancient Famous Yan", "Tokyo Essence Of Yan Spectrum", "Chinese Famous Yan", etc., which shows that his Knowledge of Yan is profound.

This stone is rectangular, the shape is high and ancient, square and straight, the stone is delicate as jade, the stone color is dark green, and the stone body has dark green and yellow ochre flocculent stone patterns. The brick hall is shallow, and when it is a self-collected stone for its own use, it is not decorated with carving, and the stone is dug deeply diagonally, showing a rectangular steep slope. As a covered hand, the overall breath of the two tarsals is calm and stable, and the pulp is thick.

Publication cover

Taishi Yan is one of the most representative shapes in the Song Dynasty, also known as mediotic yan and copying hand yan. In the Ming and Qing dynasties, its system was more delicate and elegant. In its line and surface treatment, it is elegant and simple, still paying attention to practicality, and more rustic. Get rid of the cumbersome and gorgeous wind, quite a lot of golden stone book atmosphere. It can be said that "quality is better than text".

lot4011 Jiang Yuan Pu Ming duan stone rectangular flowing pool stone stone

14.5×9.5×1.5cm

Duanxi Kengzai Rock Jiashi, the background color is azure, there are large banana leaves white, interspersed with hidden blue flowers, Yan zuo gate glyph, Yan back yin inscription: 癸卯清和 Tianmen Jiang Yuanpu. Originally equipped with a mahogany brick box.

Jiang Yuanpu, courtesy name Hou, was a native of Tianmen, Hubei. Qing Daoguang thirteen years of decay, Wang Mingxiang, the third person to enter the list. Jiang Yuanpu was born into a famous family, and his father Jiang Liyong was the sixteenth year of Jiaqing. In the eighth year of Daoguang, Jiang Yuanpu participated in the township examination, and after passing the ceremonial examination and the temple examination, he was given the hanlin academy to edit and repair. In the fourteenth year of Daoguang, Jiang Yuanpu served as the examiner of the Shuntianxiang Examination. Later, he served as an assistant scholar at the National History Museum. Daoguang served as the head of Wenyuan Pavilion for fifteen years. In the sixteenth year of Daoguang, Jiang Yuanpuchong taught Shuheshi. In the seventeenth year of Daoguang, he served as a repairman in the National History Museum. In the twentieth year of Daoguang, Jiang Yuanpu served as the chief editor of the National History Museum, and once again served as the examiner of the Shuntianxiang Examination. Daoguang twenty-one years, Jiang Yuanpu Guozi supervised the industry.

lot4007 Wang Shaolan Mingduan stone rectangular stone stone

18×11×2cm

Duanxi lower rock puddle stone, as a suchi rectangular stone, the texture is delicate and warm, the stone products are rich, and the inscription is on the back: Jiaqing Jia Shu Qiu Yue Thinking Resident, Wang Shaolan. The ancients cloud, the instrument to use as the upper, this is the ink swing of the literary room good utensils, the original mahogany brick box.

Wang Shaolan (1760-1835) was a Qing Dynasty minister of the Qing Dynasty. In the forty-fifth year of the Qianlong Dynasty (1780), he was raised as a person, and in the fifty-eighth year of the Qianlong Dynasty (1793), he was promoted to the rank of a third-class soldier. From the second to the sixth year of Qing Jiaqing (1797-1801), he served as the zhi county of Minxian County and the tongzhi of haiphong, managing the civil affairs and litigation affairs of Nantai. The Haiphong Tongzhi Office set up Xiapu Street in the Taijiang area. During his term of office, he handled affairs conscientiously, tried many unjust cases and suspected prisons, and was called a good official by the people. Later, he was promoted to prefect of Quanzhou Prefecture, Xingquan Yongdao, Fujian Envoy, Fujian Envoy, and Inspector of Fujian. Because of his participation in the 21st year (1816) of Qing Jiaqing's slander of Fujian's envoy Li Gengyun, he was dismissed from his post by the Qing court and returned to Lili, and he thought about it behind closed doors. He is the author of "Diaoyulongtai Hanging Ancient" and "Taijiang Night Pan" and other poems that commemorate Taijiang.

lot4001 million volumes of books in the cloud bat pattern rectangular end stone

27.5×18×2.5cm

Duanxi Luo banana stone, rich in stone, delicate texture, as a rectangular pool of large stones, brick edge relief cloud bat pattern, fine workmanship, brick wall side seal book inscription: 10,000 volumes of library. This brick shape is huge, the stone art is exquisite, it is a rare thing, the original mahogany whole digging brick box.

lot4009 Taiping has elephant end stone

24×16×3cm

Duanxi Mazi pit stone, the texture is warm, the shape is too peaceful and elephant, the carving is delicate and regular, very rich in the atmosphere of the times, the original mahogany whole digging box.

4008 Ribbed Venus Bangs Play Toad Stone Stone

18×13×2cm

Dragon tail landscape water porthole ribbed Venus stone, clear and firm, buckle of the golden sound, delicate texture, ink Yihao. The stone face is carved with bangs to play the golden toad, the knife technique is exquisite, the image is vivid, and the atmosphere is peaceful. More high-grade chicken wing wood is carved in the shape of the same pattern to cover the dust, close the tight silk seam, the ingenuity of the ancients, which can be seen.

a bunch of instruments

lot4059 white jade imitation Han Jianchu copper ruler jade

Qingqianlong system 1 piece

23.5×2.5×0.3cm

The antique style of artifacts originated in the Song Dynasty and reached its peak in the Qianlong Emperor of the Qing Dynasty. In addition to the profound political and cultural reasons for Qianlong's good antiques, its mugu feelings are also important reasons. It ordered the imitation of antiquities, which is a way to return to the ancient cultural relics system.

A large number of shang bronze ceremonial vessels, porcelain from the Song Dynasty to the Ming Dynasty, ancient jade and other antiquities collected by the Qing Palace on the one hand enhanced the appreciation and taste of the Qianlong Emperor, on the other hand, it enabled him to have the best foundation and reference object in antiques, and at that time, the strong national strength produced many skilled craftsmen who made the Qianlong Emperor's desire for antiques possible. It is in this context that this object arose. Returning to the system of cultural relics is an important purpose of antiques. Weights and measures are an important part of the canon system, and the ruler as a measuring instrument bears the brunt of entering the ancient horizon of the Qianlong Emperor.

This lot is carved in white jade, a long strip, the front is marked with scale, meticulous and neat, and the back is engraved

Wang Guowei has this record of the founding of the Eastern Han Dynasty:

This Qing palace was built and did not know how to make it, but as an important instrument of weights and measures, this ruler was highly valued. The fashion of the court influenced the aesthetics of the folk scholars, and at the same time, the tastes of the scholars and doctors reacted to the court, and the two sides intertwined with each other. Not only did the Qingneifu imitate it, but the literati also competed to imitate it.

Deng Zhicheng's "Bone Dong Trivia" volume VIII "Imitation of the First Copper Ruler" article is recorded: that is, Ye Zhiyi, Weng Fanggang, Ruan Yuan, etc. have all done something, but it is a copper ruler, and even Ruan Yuan does a long song to record it.

In summary, it can be seen that the han jianchu ruler is an important artifact in the antique fashion of the Qing Dynasty. This device is delicately engraved, clear and clean, practical and ornamental.

lot4058 White Jade Rui Beast Zun Jade

10.5×4.5×6.5cm

White jade antique, shaped from the Warring States period bronze statue, the beast looks forward with its head held high, has two ears on its head, one ear stretches, and the other ear is close to the neck. His eyes are bulging, his mouth is full and his nose is curly, his body is plump and solid, his limbs are strong and powerful, and his breath is upright and ancient. It is an ancient cattle used for sacrifice; zun is a wine vessel. As the name suggests, the wine vessel is "carved in the shape of a cow and used as a respect".

The Zhou Li defines the Zun Zun, Xiang Zun, Zhi Zun, Hu Zun, Tai Zun and Shan Zun as six, of which the Zun Zun is also called the Xian Zun, and in ancient times, "牺" and "Xian" homophones were all pronounced as "牺" and "牺". Among the six figures, the most beautiful is the one.

Qing Chengming system, still attach great importance to the production of sacrifices and sacrifice vessels, although the Manchu Qing Dynasty at the beginning of the world but the absorption of ancient Chinese ritual culture rapidly, the mysterious and vibrant bronze works of the three generations of the ancients have a strong attraction to the emperors of the early Qing Dynasty, and the Zun zun has become the source of inspiration for craftsmen to make ancient works, drawing on the original craft modeling while extracting, jade and enamel are imitated, and re-giving the work a new taste, becoming an auspicious ornament, widely displayed in the library hall.

lot4078 Silver Protector statue two silver

Ming system 2 pieces

H:7cm

This pair of statues of the Protector Heavenly King is made of silver, hammered and disc, decorated with flames behind the head, thick eyebrows and heavy hair, round eyes, and a solemn look. Dressed in armor, the proportions are symmetrical, straight and powerful, the heroic posture is refreshing, the depictions of clips, chest guards, shoulder armor, etc. are delicate and realistic, the layers are clear, the foot is majestic on the mountain stone, and the streamers naturally hang behind them.

The whole statue meticulously shows the neat and intricate dress and imposing momentum of the Buddhist temple protector with realistic carvings, both gods and statues, and complex and exquisite craftsmanship, which can be regarded as a pair of rare statue art masterpieces. The style, size, craftsmanship characteristics and materials of this pair of protector statues are very close to the silver protectors of the Tang Dynasty collected by the Shaanxi History Museum, which can be used as an chronological reference.

lot4064 Crystal Beast Button Ring Bottle Crystal

Qing Kangxi system 1 piece

H:15cm

This bottle is carved with a relief technique, with a round carved beast as a button cover. The neck is full of shoulders, the neck is surrounded by animal ear rings, the bottle body is simple, and the yin carved line is like a melon, close to the foot. The whole apparatus is clearly distinguished from complexity, the complexity is magnificent, and the simplicity is simple and stable, which shows that the style of the Kangxi period of the Qing Dynasty is obvious. The texture of the crystal bottle is natural, the structure is tight, the crystal is crystal clear, the hair is like a crystalline, the grinding is rounded, full of spirituality, and the texture is also in line with the characteristics of the early Qing Dynasty.

lot4079 White Jade Arhat Holding Sutra Ornament Jade

H:5.5cm

Luohan white jade, delicate and warm texture, smooth and lustrous. Round carved with original mahogany base. The shape is vivid and vivid, the arhat sits upright, the head is full, the face is wide, the cheeks are plump, and the ears are hanging on the shoulders. Hands in hand, smiling, amiable. This piece is exquisitely carved, smooth and refined, and has both form and spirit, reflecting a high level of art. Original rosewood box.

lot4067 Tea Crystal Pen Mountain Tea Crystal

12×3×4cm 4 3/4×1 1/8×4in

This pen holder is exquisitely carved from brown crystal, the whole instrument is carved on both sides, bas-relief craftsmanship, carved into a mountain-shaped pen holder, five peaks or large or small, high or low, the layers are clear, meaning auspicious. And because of the raw material, it is extremely difficult for the general skill to portray the lines so smoothly and gracefully, which is a beautiful work.

lot4066 Culling the Red Dollar Treasure Box Culling The Culling Red

11×10×4.5cm 3 7/8×1 3/4in

Source: VAN HAM, Cologne, Germany

Qingqianlong red falling flower flow pattern ruyi lid box, this box is flat top straight wall, the mouth of the child and mother is together, the inside of the box is black paint, the outer wall is decorated with red removal process, the paint is heavy, the paint color is red, the paint is crisp, and the carving is fine and kitty.

The lid of the box is full of carved water surface waves, falling colorful, drifting with the water, there is the meaning of falling flowers and flowing water, the edge decoration is divided, the composition is complicated and quite legal, the side wall is full of carved brocade pattern, showing the exquisite conception and superb skills of the maker, which is a work that represents the typical style of reddishing in the Qianlong period of the Qing Dynasty.

Falling flowers and flowing water, the Tang Dynasty poet Li Qunyu's poem "Fenghe Zhang Sheren Sends Qin Alchemists to Cen Gongshan":

lot4060 Crystal Mountain Pen Holder Crystal

11×7cm 4 3/8×2 3/4in

Source: Old collection of important French collectors.

Pen mountain crystal as a material, such as ice like jade and transparent as water, with the shape of the round carving, its texture is natural, the texture is clear, as a mountain, fine and rounded, no abruptness, the lines are comfortable, simple and meaningful, full of vitality between the ups and downs, to the thick and clumsy wind, replaced by a light and handsome, beautiful and graceful appearance, can be described as elegant to the extreme.

Sanfeng-style pen mountain is more common in the Kangxi period, there are porcelain, jade, hardwood and other materials, this piece of Zhongfeng side engraved "Kangxi Imperial System" four characters, which is filled with gold. Placed on the desk as stable as Mount Tai, the style is simple and full of charm, which is a rare literary product.

Similar collections can be seen in the Forbidden City collection "Crystal Mountain Seat", whether it is crystal material or craft style, there are similarities, so it can be learned.

lot4069 Stone Shanzi Stone

H:9cm

This piece of stone appreciation, elegant shape, exquisite and small, the stone quality is unknown, but its texture is tight, the shape is staggered, simple and elegant. The whole body is artificially carved, just like a natural, very "wrinkled, leaky, thin, transparent" beauty. The original mahogany skeleton base is very rare.

In fact, the culture of stone appreciation has a long history, whether it is the "Mountain Zi Qing Offering" in several cases, or the "Strange Peak Strange Stone" in the garden, it has been naturally created. It is either like a towering obstacle, or like a steep overhanging stone, or a single stone on the ground, exploring among them, "the god walks bottomlessly".

lot4061 white jade carved beast face wen beast earring wash white jade

10×10×2.5cm 3 7/8×1in

This washed white jade texture is made of the best Xinjiang and Khotanese seed materials, with a slight yellow skin, and the jade is warm and moist as grease. The whole apparatus is round, the four sides of the body are convex carved animal heads for the ears, and the under the ears are covered with live rings. The outer abdomen is engraved with gluttonous stripes. The inner wall is light-free and has no ornamentation, and the bottom is circled.

The washed jade is round and smooth, finely carved, and has a high level of jade. It can be used to hold water washing pens, and can also be appreciated as exquisite furnishings, which is a precious representative work in jade washing in the middle of the Qing Dynasty.

After thousands of years of rise and fall, Chinese jade finally reached its peak in the Qing Dynasty. Whether it is the choice of jade, or the variety, quantity, processing technology and decorative ornamentation of jade, the jade of the Qing Dynasty cannot be compared with any dynasty in history.

lot4070 Green Jade Rui Beast Paperweight Green Jade

10×5×5cm 3 7/8×2×5in

The beast is carved in green and white jade, with a round and fat body, its limbs curled up under the abdomen, and its long tail is folded at the side. The beast looked back, its ears hanging down to its sides, its round eyes, wide nose, square lips, alert look, and its back was carved with hair lines. The beast is alive and well, with the meaning of ensuring peace and avoiding disasters. The jade selection is excellent, the jade is pure and delicate, the carving is sophisticated, the shape is simple, and the gods are present, which is a rare and wonderful product.

Picture books

lot4113 Baby play picture screen two sheets of illuminated paper

Qing Dynasty system 2 pieces

166×172cm 65 3/8×67 3/8in

China has a long tradition of painting babies, and in the Tang and Song dynasties, the techniques gradually matured, and the Song Dynasty was the golden age of baby drama, making it a very popular painting in Chinese painting. The Ming and Qing dynasties were the heyday of baby drama, from a simple image of one or two young children to more than a hundred young children, and the young children had different looks. The popularity of baby drama pictures reflected the psychology of the people at that time.

The characters depicted in this baby drama are vivid and meticulous, and the characters of play, lion dance, reading, and music are vivid, like court paintings.

Baby play diagram is a painting depicting children's play, also known as "baby play picture", which is a kind of Chinese object painting. Because children are the main objects of painting and the main purpose of expressing innocence, the pictures are rich and the forms are interesting.

lot4057 Painted Zhou Qianzun on paper

Qing Palace Painted Book 1 single page

17×11cm 6 3/8×4 3/8in

The Qing Palace painted Bogutu, with magnificent colors and exquisite depictions. Attached with an old mahogany frame.

The Northern Song Dynasty Grand View song Huizong ordered the chancellor to compile and paint the ancient artifacts collected in the Xuanhe Hall and repaired them into thirty volumes of the Xuanhe Bogutu. Therefore, later generations will paint pictures of ancient artifacts such as porcelain, copper, jade, and stone, called "Bogu Tu", and sometimes decorated with flowers, fruits and other decorations. "Bogutu" has the meaning of Bogu tong and advocating Confucianism.

The rest of the rare books

Beijing Taihe Jiacheng 2021 spring auction, "Ancient Books Rare Books • Golden Stone Tablet Edition" special session, in addition to the "10,000 Volumes of Library Old Collection", there are many rare books, which are also rare and can be treasured.

lot4158 Supplement Correction Wang Zhuangyuan Annotated Classification Mr. Dongpo's Poems Volume XIII On Paper

Song Jian'an Yu Ping Zhai Wu Ben Tang carved first print book Line bound 1 volume 23 pages

23×15cm 9 ×5 7/8in

Publication: The Ninety-fourth Edition of the First Edition of the Four Series, The Commercial Press, 1922.

Description:

1. "Records of the Books and Eyes of the Tibetan Garden Group", P1170, Zhonghua Bookstore, 1983.

2. Bibliography of the Tibetan Garden, P1133, Zhonghua Bookstore, 2009.

3. "General Catalogue of Rare Books of Ancient Chinese Books", P1256, Linebound Bookstore, 2005.

4. Dictionary of Ancient Chinese Engravings, P164, Soochow University Press, 2009.

5. "Notes on the Objectives of the Four Libraries", P700, Shanghai Ancient Books Publishing House, 1959.

See:

1. "The Later Edition of the Bibliography of The King Ding Tianlu", P538, Shanghai Ancient Books Publishing House, 2007.

2. "Tibetan Garden Group Book Proofreading And Reading Record", P477, Zhonghua Bookstore, 2012.

3. "Inscription of the Book of the Tibetan Garden Group", P678, Shanghai Ancient Books Publishing House, 1989.

Jianzang Seal: Jin Binghanxin

According to the "Records of the Scriptures of the Tibetan Garden Group", "Concise Annotations of the Four Libraries", "General Catalogue of Rare Books", etc., it is a half-page eleven-line book, nineteen lines, twenty-five words in double lines, left and right sides, thin black mouths, and the number of words in the heart, which is an engraved copy of the Song Jian'an Yuping Zhaiwu Bentang.

Fu Zengxiang's praise is no less than that of the famous Huang Shanfu (Jian'an engraver of the Southern Song Dynasty and Emperor Ningzong) of the same period, and Yuan Kewen once hid the fragments of Su Shi of Wang's commentary, volumes 3, 7 to 12, praising his name and traveling through the clouds

The filming venue is seen in the Song and Yuan engravings, most of which are the history of the classics, the collection department is rare, the four parts of the classics, histories, subs, and collections are precious to the collection, and the poems are precious in the collection, and the lot is a volume of Su poems, Fu Zengxiang and Yuan Kewen can not get their full body, although they are piece feathers, they are also extremely precious.

According to the "Dictionary of Ancient Chinese Books": "Wu Ben Tang" or "Wu Ben Tang", the name of the bookshop of Yu Pingzhai of the Jianyang people in the Song and Yuan Dynasties, which lasted for more than a hundred years, avoided the Song Dynasty, such as the lack of the last pen of the "Xuan" character (which began in october of the fifth year of the Northern Song Dynasty), but it was not very rigorous, which can prove that the Song Dynasty folk engraving book avoided the loose wind.

According to the "Inscription of the Book of the Tibetan Garden Group", Wang Zhu Su Shi Fu Zengxiang also has two kinds of Song Quanzhou Ben and Yuan Xiong Clan Ben, and there are six differences in this Song Yu Clan Ben after comparison:

(1) He is in front of Zhao And Wang is in the back, and this is before the king and after Zhao;

(2) His title is "Wang Zhuangyuan's Collection of Hundred Classifications of Mr. Dongpo's Poems", which has the words "Supplement Correction" on this book, but there is no word "Hundred Families";

(3) Kumamoto's Chronicle is a detailed book of deeds every year, and this book is written in large characters;

(4) Kumamoto has Liu Suxi's batch point, so there is a bit of a throw between the lines, and there are comments under the title, but this book has none;

(5) Note that the name of the family Kumamoto shall not be in the yin script, quanzhou ben is not, and this book is added to the circle;

(6) This edition occasionally contains additional notes, appended to the end of the poem, marked with the word "supplement" in the yin text, but he does not have it.

Therefore, Fu Zengxiang examined that its engraving time should be equivalent to the Song Quanzhou Ben, and also saw that the Song Lou once had the Song Yu Ren Zhong's Ten Thousand Volumes Tang Inscription, which was the same as this book, and now the Ten Thousand Volumes Hall Ben has been in the sea, and Fu Zengxiang put this Yu Shi Ben in the "Tibetan Garden Inscription" wang zhu Su poem, which shows his preciousness of this book.

According to the "Records of the Survey of the Tibetan Garden Group Of Books", Fu Zengxiang's collection of three kinds of Su poems, of which Quanzhou Ben was given to Sun Zhongshan, chairman of the Dazhong Bank, Xiong Shi Ben was given Hou Lu, and Yu Shi Ben was left alone, and at the gathering of Su Shi's 900th birthday in the 24th year of the Republic of China, he showed this book to his friends Zhang Chaoyong, Xiao Fangjun, Luo Chaofan, and others, and made a record after this book, which also shows Fu Zengxiang's great value for this book.

At the beginning of the Su Shi Annotated Edition, there were four annotations and five annotations, and by the middle of the Southern Song Dynasty, there were wang annotations that were classified and arranged, and the Wang Family Annotations of the Hundred Families appeared, which were included from Huang Tingjian to Wang Shipeng Brothers Fan Ninety-six Commentaries, divided into seventy-eight doors, eclectic and generous, and the network was rich, enough for posterity to pick up the funds, the influence was far-reaching, Fu Zengxiang was very highly evaluated, and even subverted the view of the "Four Libraries Summary", and the subsequent Shi Shi annotations were also taken from the Wang Notes.

After the first engraving of Wang Zhuben, the Ming Dynasty Wang's Sincere Zhai and Liu's An Zhengtang occasionally re-engraved, the same volume and the line of money has been easy, and now it is difficult to find, to the end of the Ming Dynasty Liangxi Wang Yongji added and Tao poems, changed to thirty-two volumes, deleted more than 100,000 words of the annotation text, so that the song original face of posterity can not be seen, Fu Zengxiang after obtaining this Song ben wanted to find a one-night near the book to investigate the similarities and differences, but it is unobtainable, which shows that the ancient version of Wang Zhu is rare in the world.

lot4159 Tang poems preach on paper

Yuan Ji Shan Tang magazine this line contains 1 letter and 6 volumes

24×15cm 9 1/2×5 7/8in

This lot is half page and thirteen lines, with twenty-two words. Thin black mouth, double fish tail. At the end of the catalogue is the "JiZendo Journal" sign. The Bibliography of Ancient Chinese Books is not contained. According to the "Mongolian Yuan Edition Inscribed Comprehensive Record", there is a Yuan carved Ji Shan Tang Ben. However, it is thirteen lines and twenty-four words, and it is not similar to it, and the location of the book is unknown, and it cannot be compared with several.

The font of the picslot is simple, the texture of hemp paper is lustrous, and the ink color is somber, which is consistent with the engraving style of the Yuan Dynasty. This book is extremely rare and precious, and can make up for the lack of engraved historical materials. The book was compiled by Hao Tianting, a disciple of the famous Jin Dynasty scholar Yuanhaoqing.

Hao Ju's official Shangshu and Zhongshu Zuo Cheng (中書左丞), Chengshi Collected Notes on Tang Poems, and in the seventh year of Yuan Dade (1303), he wrote a book called "Notes on Tang Poetry And Advocacy" in ten volumes, collecting a total of ninety-six Poets of the Tang Dynasty and 593 poems. It was first engraved in the first year of the Yuan Dynasty (1308) in zhejiang province Confucianism (ten lines and two crosses, currently only the taiwan central library has an orphan copy), so there is a reprint.

lot4021 beauty mirror white cotton paper

Ming Magazine this line bound 1 letter 2 volumes

24×17cm 9 1/2×6 3/4in

It is a book font written on the engraved version, fine printing of white cotton paper, and the quality is good. After investigation, it is an extremely rare Yanxue masterpiece in the Ming Dynasty, and it is not recorded. The title of the book is "XiangXue'an", the second "Beauty Mirror", and the edition is also named "Beauty Mirror", taken from "The Scribe's Mirror, the Jude Beauty Has a Mirror".

The author Xu Rulan, Zi Xiangqi, Anhui Feidong people, Wanli 44 years of the Bingchen Kedian test gold list fifteenth. After that, he successively served as the Governor of Gwangju Zhi County, the Ministry of Works Langzhong, the Prefect of Shaoxing, the Zhejiang Inspector of Zhejiang, the Inspector of Henan, the Inspector of Miyun Province, the Inspector of Suncheon, the Inspector of Guangxi, and the Vice Governor of Yushi. He is the author of the twelve volumes of the Xiangxue'an Collection, one volume of the Natural Yan Notation, the ten volumes of the Fuguang Song Discussion, and the You Qu Ji Luo.

However, due to his brave resistance to the Qing Dynasty before his death, by the time of the Qing Dynasty, his works were banned and destroyed by the Qing court, and almost no one knew his life. In the forty years of Qianlong, Pei Zongxi, then the governor of Anhui, included the "Xiangxue'an Collection" in the bibliography that should be destroyed and banned, and the "General Catalogue of Banned Books" included in the "General Bibliography of Banned Books" in the "Various Bibliographies of Books That Should Be Destroyed by Other Provinces" and "Various Titles of Books That Should Be Paid and Violated". One work is "Xiangxue'an Collection" and the other is "Xiangxue'an".

It is speculated that another kind of "Xiangxue'an" is likely to be "Beauty Mirror". The "Collection of Xiangxue'an" is occasionally mentioned in some records. For example, Sun Dianqi, a famous bibliographer in modern times, once saw this collection of poems and said: However, this book inscription has not been passed down, only a volume of Xu Rulan's "Xiangxue'an Poetry Collection" in the nineteenth year of the Republic of China.

The "Examination of Classical Opera" contains Xu Rulan's "Xiangxue'an" and classified it as opera, and the original appearance of this book can be slightly corrected by the book of Zhuang.

Although the book is not divided into volumes, it is divided into six parts: On Yan, Commenting on Yan, Washing Yan, Tsukasa Yan, Yan Poetry Endowment, and Yan Ming praise. At the front of the volume there is the preface of the Ming Dynasty Xie Shi Chapter.

Xie Shizhang, also spelled Hanzhi and Su, was a Ming Dynasty poet and calligrapher, born in Ningdu County, Jiangxi Province, and was later adopted as an adopted son by Chen Shiyan of Ningdu Zhi County, because of his name Chen Shizhang. In the year of Wanli Bingchen (1616), he entered the priesthood and was the same as Xu Rulan. He successively served as the prefect, deputy envoy of Guangdong, and participated in the government of Linyuan Province, Yunnan, and wrote "The Collected Poems of Mr. Xie Shiqu".

According to the plutonium seal, this book was once the old collection of the Qing Dynasty bibliophile Wang Xian. Wang Xian, zi qianpi, no. yuting, Zhejiang Hangzhou people, Qianlong ten years of jinshi, the construction of the library building name "ZhenqiTang" "Cun Regret Zhai", etc., the collection of ancient and modern books tens of thousands of volumes.

The Qing Dynasty poet Gong Zizhen wrote a poem saying: Its collection of books is printed with "Zhenqitang Binghou Collection", "Tongxuan Master Collection Book Seal", "Wang YuTing Collection Reading Books" and so on. He is the author of "Zhenqitang Manuscript" and six volumes of "Moss Spectrum", two volumes of "Easy to Say Regret", and four volumes of "Saying Literature And Passing on Examinations".

At the end of the Qing Dynasty and the Republic of China, this book was the object of the great collector Li Shengduo's shelf. Li Shengduo (李盛铎), a native of Jiujiang, Jiangxi, was a former imperial court official and served as the governor of Shaanxi at the end of the Qing Dynasty. He was a well-known bibliophile, proofreader, editionist, and bibliographer. Later, the book was acquired by Kang Sheng, which contains its collection chapters, which although smeared, are still faintly visible. This book is a rare and rare ancient book that has been collected by famous artists and has been treasured by famous artists.

There are other good productions, and so on, and the good ones can go to the preview site to see what is going on.

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