The first Psychic Medium
The overall sense of ambience is well created, with a slightly longer cushioning in the front and an adrenaline rush in the back half. The perspective and shooting method of the film have the shadow of Kunchiyan, similar but different, Kunchiyan uses a first-person lens to unfold, and the psychic medium uses a documentary-like approach, they all have one thing in common, it is very easy to bring the audience into the perspective of the protagonist, and use seemingly objective lenses to amplify the horror experience. In addition to the methods and forms of shooting, the plot of the film is also very solid, the plot is rich, echoing back and forth, twisting and turning, until the end is addictive.
The Second Southern Witch
Witches are not evil, demons are not charming, not so much horror films as political films. This country, which has a lot of ties to us but always seems to be less familiar with, has been politically volatile in recent years. And this film may be seen as an "antidote" to understanding the history and culture of Malaysia. In the process of watching the movie, I automatically substituted the friends who interviewed the self-proclaimed "513 refugees" and personally experienced "Operation Thatch". The real experience is more blood and tears than the ethereal and mysterious of the movie. It is worth mentioning that Zhang Ji'an directs his people and his deeds are more exciting than the movie. For him, this film is also a masterpiece.
The third part of "Xing'anling Hunter"
Most of the networks are bad, and a few are well-made, but the script problems are obvious. This film is not only a solid play, a high degree of completion, but also a high degree of intention. Now it is difficult to see the work that really feels moving, but I did not expect it to actually do it, perhaps because of the long drought and Ganlin. The production, atmosphere, and effect achieved throughout the film are above the level line; the storytelling techniques of segmented narrative and unreliable narration are also relatively new; the thriller soundtrack of Oh Na is very close to the temperament of the film; the laying is solid, the emotions are not intense but very touching, in short, all the element techniques are in the theme and theme service. It is heartening to see such a large net.
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