Her beautiful singing voice is not limited by age; the beauty of her deep connotation, spanning thousands of miles of ocean; her charming eyes like stars, refreshing the heart. She is the Toei beauty artist, Natsuko Wudai.
I often wonder why Chinese would put aside history (even those who lived through that era) and sincerely like Natsuko Wudai. What qualities in WuDai Xiazi made Chinese so fascinated and respected her, even though she had never come to Yangyang China on the other side of the ocean.
Perhaps it was Natsuko Wudai's beautiful singing voice and charming smile that attracted Chinese. Accustomed to listening to sonorous and powerful political songs, such lyrical and praise songs of life came from the other side of the ocean, and at that time the hearts of the Chinese people must be like a spring breeze, even if they could not understand what she was singing.
Perhaps it is the beauty of traditional oriental women in Wudai Xiazi that has resonated with the Chinese people. The beauty that Chinese appreciates is the beauty of "subtlety". And it just so happens that WuDai Xiazi has this "implicit" beauty. Wu Dai Xia Zi took this "implicit" beauty of oriental women to the extreme, going deep into the bone marrow.
Perhaps it is the huge contrast between the typhoon of Natsuko Wudai and the domestic singers. Between domestic stars and the masses, there is a strong sense of distance and a sense of "being on top". The typhoon of Wudai Xiazi's affinity and closeness to the people makes the audience more comfortable and can walk into the audience and friends. It's as if you're whispering in your ear.
Natsuko Wudai's persistence in the road of art has set a "inspirational" benchmark for the people who love her. The performance of WuDai Natsuko's traditional national costumes and traditional Dongying culture in one body allowed the Chinese people to see the importance and inheritance of the traditional culture of their motherland by the Japanese, which China ignored. Wudai Xiazi is elegant and more close to the people.