laitimes

Talk about the interesting story of the famous Peking Opera character "playing on the stage"

author:Qi Lu cloth

What is hitting the table? First of all, the people and horses of the two sides must be equal, the second is that the repertoire is roughly the same, and the third is that the confrontation must be in the same place and the theater is not too far apart.

First of all, let's talk about drama, against the stage, also known as the play. The two stages are next to each other, and the actors of the two stages echo the sensational and interactive effects of the whole scene. Later, it became a lively competition for each independent performance method. There are also "matching stages" that are relatively set up in the same area.

The level of the two troupes should be comparable, in the same period, similar locations, performing the same or similar repertoire, competing for high and low. The lineup and performance level of these two troupes should be similar, otherwise the "right" will not be up.

As far as I know, several Peking Opera masters, such as Yang Xiaolou and Gai Tiantian, Gai Tiantian and He Yueshan, Tan Fuying and Meng Xiaodong, Tan Fuying and Xi Xiaobo, Tan Fuying and Wang Youchen, Tan Fuying and Li Shaochun, Shang Xiaoyun and Xun Huisheng, Zhou Xinfang and Tang Yunsheng, Li Wanchun and Zhang Yipeng, Li Wanchun and Li Shaochun, Yan Huizhu and Tong Zhiling, Gu Zhengqiu and Chen Yongling, Cheng Yanqiu and Mei Lanfang, Cheng Yanqiu and Xin Yanqiu, Hao Shouchen and Hou Xirui, and so on have all fought against each other, and some have more than once, and some have caused bloodshed. I introduce them to the fans one by one.

One

Yang Xiaolougai told The sky to fight against the stage

Mr. Wu Shengzhi said in his "Peking Opera Records": "I personally saw (referring to Yang Xiaolou) and the southern short strike originator Gai called Tiantian to perform "Righteous Flag Order", Gai played Huang Tianba, Yang Jun played Xue Yinglong, Gai Wuye could not be faster than him", "I also saw the Shanghai famous Wusheng Gao Xueqiao and Yang Xiaolou co-starring in "The Thief of the Imperial Horse", Dou Erdun was solved, Gao Xueqiao played Liang Daxing to rescue Dou Erdun, assassinated Huang Tianba, several cross-overs, always Yang zai waiting for Gao Xueqiao. ”

In the early years, Yang Xiaolou performed "Eight Sledgehammers" in Shanghai, Gai Callian played Yue Yun (hammer general), and Lu Wenlong, played by Yang, when he saw Yue Yun, he started to play the action of ripping the turnip soap head in it. The first carrot soap head slice cover is called the sky is to go down, and when the second radish is shaved, the cover deliberately does not bow his head, but he wears a big leaning, relying on the flag is higher than the person a large piece, if you change the general singing martial arts, this soap head film is absolutely impossible to go. I didn't expect Boss Yang to be so fast under his feet, Gai Mingtian had not yet turned around, Yang was already waiting for him, so Yang turned along the cover, pressed the cover flag with the gun in his right hand, because of the snobbery, the other party had to bow his head, only to see Boss Yang's cross-legged cheating legs go all over the flag of the cover. Only those who have sung Takeshi can appreciate how thrilling this action is! But Yang Xiaolou was calm and unhurried, and he really saw kung fu.

Yang Gai and the two performed together in fact, they also beat each other on the stage.

Two

Gai called Tianhe Yueshan to fight against Taiwan

Many years ago, there was a brave martial artist named He Yueshan in Shanghai, who was a Tianjin native who went south to Shanghai, and he used real knives and real guns to play "Iron Rooster". Talking about his short play, in addition to the elderly Li Chunlai, he is also very alone at sea. Moreover, he is well-dressed, and he can also deal with listening to two sentences. Sometimes he also flaunts his versatility, and reverses the Lao Dan of "Fishing for Golden Turtles", which is similar to the late Lü Yueqiao and Yang Ruiting, who both sang the B character in a false voice, and the situation was similar. However, the artist is most afraid of being too full and too proud, and it is absolutely impossible to eat all the food in each line alone. In the past, Cheng Changgeng, the master of the Sanqing class, could not also act in famous plays other than Shengxing, but he always embraced and did not use it, and when he encountered a certain corner in the class, he only showed his skills and performed a look for the horns of Naqiao to see, so that he would die in the future with bad thoughts and sing in the class with peace of mind. This is a true skill of their masters to control their peers. Usually, it is not surprising that the so-called drama has drama virtue, and it is always necessary to leave a way for others to eat.

He Yueshan, because he did not know the stakes here, angered a Gai Laowu who had an uneven road, Gai Called Tiantian was a native of Gaoyang, Hebei Province, who also went south to Shanghai to do art, he knocked Yueshan down on the stage, and even vomited blood, and since then he has been devastated, and his reputation has declined, which is also his retribution for his self-show and versatility. In a play of "Nian Tang Yao", He Zongbing (that is, the father of the thirteenth sister He Yufeng), played by He Yueshan, at the same time, Yue Zhongqi is Gai Mingtian. Gai Lao Wu deliberately made a bad one day, said something, entrusted the person to ask the backstage manager for leave, let others play his role first, instead of a game, if his things are done, if it is time, catch up to pick up the rear team. Fortunately, in this play, Yue Zhongqi's outfit is also similar to Zhang Jiaxiang in the "Iron Rooster" drama, and his face is smeared with black rouge, and he can't recognize his true face. As soon as the two sides began to fight, who knew that Gai Lao Wu also hid to the side and dressed up, shan Yueshan had already started a few fights, some tired, he suddenly pushed out, no matter three seven twenty-one, nor according to their backstage set of sets, he desperately tried to really fight. Yue Shan had known that Gai Lao Wu had taken a leave of absence, but he never expected that he would come out halfway to beat the dizzy duck. To talk about the martial arts of the two, they are all very rooted, but He Yueshan has been tired a few times, and he is close to the female color on weekdays, and his body and bones have long been lost. Moreover, in the opening of the fight this time, one is full of heart and mind, exerting great skill, and shaking up the full spirit, while the other is full of doubts, like falling into the fog of five miles. The vicious fight between the two people, not only the people watching the stage were stunned, the lively applause and applause were directly like thunder, that is, the drumming on the scene was also the same as the crazy, beating the drum to cheer, so for more than half an hour, it has not stopped. But later, in the end, Yueshan's strength softened, and he did not pay attention, and was knocked down on the stage by Gai Laowu, who vomited a few mouthfuls of blood at that time, and the person also fainted. The common cloud "peers are wrongdoers", Gai called Tiantian since the defeat of He Yueshan, his reputation is also like a day, and later became a short fighting martial arts Taidou, until now the north and south can not find a second person. His "Wusong Dadian", "Three Forks", "Qiankun Tu", etc., are inherently light and clean, that is, the "thirteen sounds on the ground" when exploring the village in "Evil Tiger Village", which is also very beautiful, and has the same magic as the small building. However, he often put a very good play later, plus the head and tail, for a long time, which inevitably had the disadvantage of snake feet, and was deeply disliked by the intellectuals.

Three

Shang Xiaoyun Xun Huisheng played against Taiwan

When "Three Little one White" starred in Shanghai Tian toad at the same time, the role was very neat. The three small ones are Yang Xiaolou, Tan Xiaopei, and Shang Xiaoyun, and one white is Xun Huisheng's stage name Bai Peony. Shang Xun two is a fellow countryman in Hebei, Shang Xiaoyun is a Nangong person Xun Huisheng is a Dongguang person, the two birthdays are only one day apart, the hometown is very close, when Xiao Yun's fame, much higher than Xun Huisheng, but the two sing Dan's way, completely different, Shang is zhenggong Qingyi, Xun is Hua Dan, knife horse. At that time, although the names of the four famous Dans had not yet been established, the city of Beijing already had four groups of syphilis, yellow disease, Shang Dang, and Baishe, which were quite popular terms in today's society. For more than twenty years, one of the four people had fallen into Huang Runqing and a Cheng Yanqiu, and the deficiency he had filled was exactly the second place. The difference was that Shang Xiaoyun descended into the palace army, but Xun Huisheng climbed on Xiaoyun's head. Speaking of the reason why Shang and Xun's ranks were reversed, it was somewhat related to this scolding and Xiao Yun's arrogance. It can be seen that the singing is still the most important thing, and the skill is especially secondary.

One day, the drama code is Shang and Xun co-starring in "Rainbow Pass", Xiao Yun plays Ya Huan, Hui Sheng plays Dongfang Clan, and it is still the Dongfang Clan that eats heavy. Later, I don't know which one of the famous Danxing actually took the Yahuan in the second book as the positive horn, and the Oriental Clan was reduced to a supporting role. Although it is said that yahuan has a large section of two or six plates, which is very exciting, but the workmanship expression of the Oriental Sichun is also not easy. Moreover, the previous role of this role also had to sing a slow plate Xipi, not as simple as only singing the original board after being reduced to a supporting role now. This time Hui Sheng sang this play with Xiao Yun, according to the brand bao yin of the two at that time, naturally it was also Shang ZhengXun. However, Hui Sheng came south for the first time at that time, and his great-uncle Wu Caixia took the scene for him, of course, the drama was serious everywhere. In fact, he was born with fair skin and a handsome appearance, originally he was singing Zi Hua Dan, for this kind of flowing expression, he belonged to the wood three points, really can make the audience fascinated, so the succession of colored sounds, always without a moment's interruption, and the appearance of The Most Shang Xiaoyun's Yahuan, simply did not get a good. Shang Xiaoyun originally called himself Shang Wangye It is said that his master is The King of Pingnan Shang Kexi, today he went to the right corner, before the positive horn did not appear, the thunderous color sound did not stop, and when he came out, it was silent, how can you think he can stand it? Therefore, he scolded Huisheng at that time, and scolded Xun Huisheng so much that "the second monk was confused."

A few years ago, someone asked Xun Huisheng: "Why did Xiaoyun scold you when it was fashionable?" He replied very interestingly, saying, "I was born to be a scolded bone, and I don't know what kind of illness Prince Shang had committed that day, so he scolded me indifferently." On that day, there were many people holding white peonies sitting in the front rows of the Toad Stage, and when they saw that Hui Sheng had been insulted by others for no reason, his heart was a little uneven, so he had to praise him here later. Since then, Xiao Yun and Hui Sheng have always had a grudge, pushing the crux of the matter, which was originally caused by eating drama and vinegar.

Four

Hao Shouchen Hou Xirui played against Taiwan

At that time, the three major Paijin, Hao and Hou were flowered. Jin Shaoshan was originally often in the south, and it became famous a little later. Hao Shouchen was originally from Xianghe, Hebei Province, when he first belonged to the Beijing class, he did not have a national name, and until Huang San was old, Shouchen worked hard to encourage himself and imitate his singing, but the fire was too heavy, and the young skills had no roots, so they were not taken by the knowers. However, things are rare and precious, after entering the Republic of China, the net corner talent is increasingly withering, the general opera fans want to hear Huang San can not hear, so they have to take him over the drama addiction, the so-called mountain no pine cypress, Yellow Artemisia is also respected. When he was acting, because he was short and fat, he had to raise the sole of his boots in particular, because he was all learning Huang San Twilight nian lost his teeth and could not catch his breath, so he deliberately exerted enough strength, and spit out word by word. If you sit in a chair, your body is moving wildly, and your ass is twisted from side to side, it feels very ugly. Therefore, many of his colleagues in Pear Garden said that he was gritting his teeth and farting, as if there were bed bugs on the chair, which made him sit still. Having said that, there are still many people in Beijing who praise him. Hao Shouchen is not ambiguous about the "brain door fee" (official affairs, that is, the performance fee), almost not at all, which is how much money is the price per foot of Qi Baishi. Since he has cooperated with Qingkui and Xiao lou successively, and has rehearsed several new plays since he has arranged, he is more valuable. Some people in Yuan Shihai said that he founded the Yuan Sect, but in fact he had not yet left the lair of his master Hao Shouchen, or the Hao Sect, of course, Lao Hai was able to create demons much more famous than Li Youchun, Zhou and Tong later.

Hou Xirui was a native of Hengshui, Hebei, and was also a member of the Huang Trinity school. Hou Xirui was originally a disciple of the head of the Fulian Cheng Society, not only in the style of gong frame edge, but also in martial arts, singing and reciting two sentences, which was also very interesting. When he was at his peak, he could catch up with four or five teams a day. Sometimes on the same day, there were two gardens performing "Famen Temple", and after he sang this play in the East City, he did not even wash his face, did not unload his load, hired a car, and hurried to the West City. Others thought that his role was cheaper than That of Shou Chen, and the two of them had no distinction between them, and there were those who praised Hao, and those who praised Hou, so they preferred to use Hou instead of Hao. However, later, because of his rich income, Sui'er became more and more addicted, and he loved to visit the team and choose someone, so that his voice was not as good as before. Hou Ye's play art is absolute, at that time Yang Xiaolou sang "Serial Set" did not dare to use him, afraid of being deceived by him had to use Hao Shouchen, the old people told me that Hou Ye was too beautiful, I had the privilege of watching his "Niu Gao Xia Shu", it was more than sixty but the prestige was still there, especially the broken throat with a hoarse taste, a self-reported home door can also cause the whole audience to be good! It is a pity that Hou Ye really got his mantle can be said to be no, Yuan Guolin is Xie Yueqing's lover, with Hou Ye for the longest time, I have seen him a few plays, in addition to the voice is not good like Hou Ye, the other is not as good as Jing Rongqing, said far away from the fight not to say.

Hao Shouchen's whole family is Christian, and his hobbies such as tobacco and alcohol are not sticky at all, so his voice is getting in the country day by day. It just so happened that in a church meeting somewhere, a troublemaker specially pointed out that the two of them co-starred in "True and False Li Kui", and originally Hao and Hou did not have much hatred, but in the general audience, there were loyalists from both parties, each holding their own horns, each shouting their own good, and at these two points, they actually caused a storm. It just so happened that Xi Rui's voice was not at home that day, of course, when singing the recitation was slightly worse than Shou Chen, so the people who praised Hao were particularly proud, and at the same time full of spirits, pretending that Xi Rui was chewed down by Shou Chen; and the two people on the stage were also proud and frustrated. In this way, the enmity between the two is great.

Later, when the real and false Li Kui fought, Hou Xirui took out his housekeeping skills. Xi Rui is the foundation of the class, and not to talk about him, on the rise, he is thinner and longer than Shouchen, and he is much more agile than the fat and short Shouchen. Shou Chen's martial arts were slightly weaker, and then the soles of his boots were too high, his body was bloated, and when he danced with his double axe, how could he match Xi Rui's agility and flexibility, flying up and down. At first, he could still support two shots, but then he was unable to fight back, straight back, and was almost squeezed by him to the stage and planted. At this time, Xi Rui's face was redeemed, and he was extremely proud, while at the same time, the people who held him in the audience also felt a hundred times more energetic, and they could raise their eyebrows and breathe. Later, Hao Shouchen and Hou Xirui collaborated on "True and False Li Kui", and Hao Shouchen used an axe to cut through Hou Xirui's seal hall, and the two married Jieti. At the time of Hao Shouchen's death, Hou Xirui went to Hao's residence to mourn, and Hao Shouchen's son Hao Deyuan bowed to Hou Ye and apologized, representing his father as the former Daoqian. Hou Xirui generously said that from now on, people should not mention this matter again, and I will not mourn the door if I want to worry about it.

Both Hao Hou and Hou were considered to be living a long life, and the two enmity and resentment disappeared with the two going west.

Five

Cheng Yanqiu and Mei Lanfang played against Taiwan for the second time

Cheng Yanqiu is a Manchu, not a disciple of Pear Garden, and his ancestors studied drama for the fall of the eunuch, suffered hardships, and have a personality who is not convinced, according to the Manchu generation, he and Xi Xiaobo are the same generation, he and Guo Xianglin's daughter also became a relative of Yu Shuyan's junior after marriage, Mei Lanfang is Cheng Yanqiu's master and Yu Shuyan's brotherhood, Cheng Yanqiu and Miss Guo'er are married or Mei Lanfang's former wife Wang Minghua's big medium. However, the two played against each other twice in 1924 and 1936, but they were not hurt on the surface. Between April 1924. At that time, Cheng Yanqiu performed two new plays in a row, "Earn Wen Juan" and "The Book of Golden Locks", which were extremely popular and, according to Cheng Shi Luo Gong, were the crown of the Jingshi Theater. At this time, the only one who can compete with Cheng Yanqiu is Mei Lanfang. Although Mei Lanfang only has one new play at this time, that is, "Xi Shi", he is after all a leader in Danxing, and his reputation is unstoppable, whether he plays a new play or regains an old drama, it is extremely appealing. Therefore, in a letter to his friend Yuan Bokuo, Luo Gonggong said: "Nearby, the theaters of the Great Beijing Division are silent, and only Yu Mei and Cheng Shi and his disciples are fighting against each other and are on par with each other. Mei's qualifications are sufficient, and Cheng is sharp, so it has become two major trends. ”

Although Cheng Yanqiu's cast is also very strong, the performance repertoire is also Cheng Pai's masterpiece "Golden Lock", "Jasper Hairpin", "Green Frost Sword", "Mandarin Duck Tomb" and so on. However, in this master-apprentice duel, he was still invincible to Mei Lanfang. In addition to Mei Lanfang's appeal and the reason why she has not appeared in the capital for a long time, there are other objective reasons. For example, Cheng Yanqiu's Zhonghe Theater is only two miles away from the first stage where Mei Lanfang is located, and the audience spends the same price, so it is better to see Mei Lanfang. In addition, the Zhonghe Theater can only accommodate 800 people, which is much smaller than the first stage. Therefore, in terms of pure audience size, Cheng Yanqiu could not defeat Mei Lanfang.

In 1936, when Mei Lanfang, who had been away from pingping for the first time, returned to the north and reappeared on stage, it naturally attracted a large number of long-awaited mei fans. In addition, he only set the ticket price at 1.2 yuan / Zhang, which is not expensive, and the cast with him is very strong, including the old students Yang Shengchun, Xiaosheng Cheng Jixian and Jiang Miaoxiang, the clown Xiao Changhua, etc., and the repertoire performed is mostly Mei Pai famous dramas. Therefore, famous characters, including Yang Xiaolou, know that they are not opponents, so they take the initiative to reduce the number of performances and avoid Mei's sharp edge. Only Cheng Yanqiu was not afraid.

At this time, Cheng Yanqiu was no longer an ordinary actor who sang opera only for dinner, he had his own unique artistic ideas, and he also had a deeper understanding of drama. He went abroad once, but on an expedition, he theoretically summarized his long-term performance practice. At the same time, he also has a different understanding of the master-apprentice relationship and the play on stage. He no longer thinks that fighting against the master is disrespectful to the master, on the contrary, he believes that only when one generation surpasses the other, can society continue to progress. More importantly, out of the consideration of his own life, but also in order not to affect the life of the whole troupe of actors and families, he could not shrink back in the face of the strong appeal of the master. Therefore, he insisted on performing twice a week in the Zhonghe Theater outside the front door, under the condition that Yang Xiaolou and others only dared to perform once a week.

The second time they played against Taiwan was exactly ten years after the first one, in late autumn and early winter of 1946, in Shanghai. In 1946, Mei Lanfang appeared twice on the Tian toad Stage in the first half of the year, and in late autumn, at the invitation of the China Grand Theatre in Shanghai, the Mei Opera Troupe took the stage in Shanghai for the third time. The old student is Yang Baosen, the wusheng is Yang Shengchun, the small student is Jiang Miaoxiang and Yu Zhenfei, the clown is Xiao Changhua, the old Dan is Li Duokui, the flower face is Liu Lianrong, and Mei's disciple Wei Lianfang also performs with Mei. Unexpectedly, Cheng Yanqiu was hired by Shanghai Diners club at this time and prepared to perform on the Toad Stage, and in order to strengthen the call, The company invited Tan Fuying, who was very popular, to serve as the chief old student and hang up with Cheng. He also invited Laosheng Wang Shaolou and Zhang Chunyan, Xiaosheng Ye Shenglan and Chu Jinpeng, Wusheng Gao Shenglin, Hua face Yuan Shihai, Wudan Yan Shishan, Lao Dan Sun Futing, clowns Liu Binkun, Cao Ergeng, Li Siguang, Gai Sansheng, Liang Cishan, Ci Shaoquan and other assistants. Such a strong lineup is rarely seen in addition to the obligatory drama and the church drama. Many people are very worried about Mei Lanfang, but Mei Lanfang is well-groomed and stable as Taishan. Cheng Yanqiu did not expect to come to Shanghai, but he fought with his teacher Mei Lanfang, he was very ashamed to go to Mei Lanfang's apartment and apologize to Mei, but Mei did not mind this, but also comforted Cheng and reassured him.

In the early days of liberation, Mei Lanfang and Cheng Yan met again, mei Lanfang was preparing to go to Shanghai after performing in Nanjing, and it just so happened that Cheng Yanqiu was performing in Shanghai, and Premier Zhou heard that ma Shaobo, secretary of the Party Committee of China and Beijing, said urgently, you should go and pull away the two deans, Ma Shaobo persuaded Mei Lanfang to extend the performance time in Nanjing and then went to Shanghai to persuade Cheng Yanqiu to shorten the performance time, and the two always took into account the overall situation and formed three confrontations with Taiwan.

Six

Xin Yanqiu and Cheng Yanqiu fought against each other

Xin Yanqiu was the best private Cheng Yanqiu, but because Cheng Yanqiu did not accept female apprentices in her life, there was also a special case of Jiang Xinrong, because at that time she and Ma Shaobo were not divorced or husband and wife, and Ma Shaobo was the only female apprentice of Cheng Yanqiu, the party secretary plus Premier Zhou's face. Xinyan Qiu worshiped the master unsuccessfully and stole the art and eventually became a big name. Coupled with the fact that Xin Yanqiu had a relationship with the upper-level bureaucrats at that time with his own conditions and took advantage of the opportunity of Cheng Siye's departure abroad, he dug up the corner of the Cheng Opera Troupe to dig Cheng Yanqiu's hard match into his hand, and the momentum was directly approaching Cheng Yanqiu, which was also the disdain of Xin Yanqiu, why Li Shiji suppressed Xin Yanqiu so much was also a reason, but Xin Yanqiu's artistic achievements could not be erased, and Zhong Rong was the high foot of Xin Yanqiu. But Xin Yanqiu should not take the initiative to fight against Cheng Yanqiu. In April 1936, Cheng Yanqiu and Xin Yanqiu were invited by the Nanjing Xinhua Grand Theater and the Nanjing Grand Theater to perform their art in the south. "Erqiu" arrived in Nanjing on the evening of April 16 and stayed at the Central Hotel, Cheng Yanqiu stayed at No. 217 and XinyanQiu stayed at No. 442. On the same day of April 18, they all fired cannons with "Yutang Spring" (Xinyan Qiu posted "The History of Su Sanyan", "Prostitution Courtyard", and ended the reunion; Cheng Yanqiu only sang "Three Halls of Trial" as usual), forming a confrontation, which also caused a sensation in Nanjing at that time, and they all wanted to see what kind of results the contest between "male and female Yanqiu" would play. Although the nanjing media are very concerned about the "Second Autumn" drama against the stage, the Nanjing media have not praised or depreciated the "Second Autumn" in the entire process of the confrontation. Shanghai "Drama World" noted the confrontation between Cheng Xin, and a columnist "Feng" said: "Recalling a certain time in Ping, Yan Qiu posted "Red Breeze", and Xin Yan Qiu also posted Si opera. The seat price is two yuan, and the king is one yuan and five cents. The seat of Cheng is almost without gaps, and the king is very few. After Yuhua was hit by this, Tian Cheng was afraid to confront Cheng. In fact, Cheng Yanqiu's victory over Xin Yanqiu is not news, and Xin Yanqiu's defeat of Cheng Yanqiu is absolutely good material, so Cheng Yanqiu's "six or seven seats" will not go away. The battle between the old and new Yanqiu formed two Jieti for many years, and many years later, the new Yanqiu also felt sorry for Mr. Cheng. It was not until later when the five elders (Xin Yanqiu, Zhao Rongchen, Wang Yinqiu, Li Qihua, and Li Shiji) cooperated to commemorate the fourth master of Cheng, Lady Cheng really could not see Li Shiji's attitude towards Xin Yanqiu, and only then did she clearly affirm that Xin Yanqiu was a member of Cheng Men, which gave Xin Yanqiu an official name.

Seven

Yan Huizhu and Tong Zhiling played against each other

Yan Huizhu and Tong Zhiling had originally been performing in Pingjin and Guanwai areas, and because they learned that the Shanghai Peking Opera Stage lacked danjiao with both color and art, they came to Shanghai at the same time - Yan Huizhu took the stage of the Golden Grand Theatre, and Tong Zhiling took the stage of the Empress Grand Theatre. Other Kunling who came to Shanghai from the north to take the stage include Xin Yanqiu, Wu Suqiu, Li Yanxiu, Liang Xiaoluan, Bai Yuwei, etc., all of which attracted much attention.

Yan Huizhu is a Mongolian, the daughter of Yan Jupeng, one of the "Four Great Su Sheng", and after the fame, coupled with the advantages of Mei Pai's succession, she has become famous without appearing on the Shanghai stage. Yan Huizhu is beautiful, beautiful in appearance, and her dancing style and singing are unique and popular.

Tong Zhiling is not as famous as Yan Huizhu, a Tianjin ticketer, but she is a horn in the troupe of self-organized drama, which includes Yu Pai Xusheng Chi Shigong, Gao Qingkui's son Shaozhuang Wusheng Gao Shenglin, Guan Dayuan Guan Shengji brothers, and An Shuyuan, who later fell in voice, and the lineup was stronger than the Yan family class. In particular, the cannon play that opened for three days was performed by Tong Zhiling in Xun Pai's "Yu Chun Tang", "West Wing" and "Nengren Temple", which caused a sensation on the beach. After the success of the cannon scene, if you want to hit the iron while it is hot, you must also have a "killer skill". At that time, Wu Suqiu's "Spinning Cotton" had swept Shanghai, and this play had become the "limelight" of the troupe. Although Tong Zhiling's appearance and figure are not as good as Yan Huizhu, she can sing and act, and her style is changeable, especially the "Four Five Flower Caves" of learning "Four Famous Dans" and the "Two Into the Palace" of Sheng Danjing's "One Kick", which are vivid and wonderful. In this way, the "stage drama" of Yan Huizhu and Tong Zhiling, two famous celebrities, lasted for a month, and both sides could not stop. According to the rules of the Pear Garden, at the end of each year, the troupe must "seal the box and stop the performance", and all the theaters must also stop the performance, so that Yan Huizhu and Tong Zhiling can rest.

On New Year's Day of the following year, Tong Zhiling was invited to perform in Nanjing, and the performance venue was in the National Assembly Hall at that time. The City Hall can accommodate 1,000 people upstairs and downstairs, spacious and gorgeous, and the ticket price is expensive, comparable to Shanghai's "Great Light". Tong Zhiling began to come up with Xun Pai dramas such as "West Chamber", "Iron Bow Edge", and "Stick Beating Thin Lover", which were hot in Nanjing. Yan Huizhu is not to be outdone, and her mother Gao Yi'an has a nephew who is powerful and powerful in Nanjing, and is also a fan of the opera. After the two sides contacted each other, as soon as they talked, Yan Huizhu's mother and daughter immediately rushed to Nanjing, and Tong Zhiling once again started a "confrontation with Taiwan." Yan Huizhu took the stage at the Star Theater on Suzaku Road, the venue facilities are relatively simple, the maximum ticket price is 24 yuan, which is 6 yuan lower than Tong Zhiling's field. Due to the low ticket price, Yan Huizhu is also a Mei Pai chuan, many fans are famous and go, and the selling is good.

Tong Zhiling later took out the "killer skill" play "Spinning Cotton" that became popular on Shanghai Beach. However, this time, she added a very mediocre "Drama Fan Biography" before "Spinning Cotton", and added a big gimmick - let the elderly and voiceless An Shuyuan play the father of the "drama fan" Miss in the play. When the father heard that his daughter was going to learn drama, An Shuyuan actually dropped a "hammer" and took off all over his body to carry the ground on his back. Although this gimmick won a piece of color, An Shuyuan broke his neck bone and could not move, so he had to perform with his hands instead of feet. The next day, when the audience gathered and wanted to see An Shuyuan's "trick", the old worker could not take the stage and quit the chrysanthemum altar.

Because Tong Zhiling's "killer skills" "Spinning Cotton" and "Big Split Coffin" were deemed to be "offensive to morality" and banned, these two plays had to be renamed "Rich and Home" after two performances. The plot of "Return home with wealth" is that Zhang San returned from a three-year business trip and was about to enter the door, but when he heard his wife singing a small song at home, he had a plan and threw silver ingots from outside the wall to test his chastity. His wife opened the door, the couple quarreled, and finally reconciled. Since the performance is in the New Year, everyone dreams of getting rich and reuniting, so the play is very popular. Yan Huizhu and Tong Zhiling both wear fashion acting, and Yan Huizhu is dressed in a silver cheongsam, which is brilliant and attractive than Tong Zhiling. At the same time, due to the high ticket price and many seats in the Great Hall, Tong Zhiling sang for less than 20 days and was unable to continue, so she had to stop the gong; as far as the star theater where Huizhu took the stage had low ticket prices and few seats, it was more lively. In addition, after Yan Huizhu's performance at the Star Theater expired, she also went to the Dahua Cinema to sing. At this time, Tong Zhiling had stopped performing, and the audience had to go to see Yan Huizhu's Mei Pai play.

Miss Yan Er died young, Miss Tong died in the United States, and there was no winner in this confrontation with Taiwan.

Eight

Gu Zhengqiu played against Chen Yongling, Xu Hanying and Yang Ronghuan

Gu Zhengqiu went to Qingdao to star after her departure from Shanghai, because her voice was clear and clear, the elegance was crisp, and the rigidity was implied, which suddenly caused a sensation in Qingdao, causing great interest from the majority of theater fans, making her a hit, not only signed a one-month performance contract and filled every day, full of seats. At this time, there are also three very excellent peers performing in the Qingdao Auditorium on Lanshan Road, they are Chen Yongling and Xu Hanying, a Qingdao male Dan who have just been rated as "the last four small famous Dans", and Yang Ronghuan, a famous male Dan, who is also a strong lineup and a pioneer. When Gu Zhengqiu first arrived, they could still sell 70% or 80% of the tickets, but then the audience was gradually attracted by Gu Zhengqiu and rushed to the Yong'an Grand Theater. These three people were finally defeated by the fledgling little girl.

Later, Gu Zhengqiu left Taiwan and went to the United States, known as Taiwan Mei Lanfang. Yang Ronghuan has never been on fire, Wen Wen swallowed sixty just after the death of the world, Xu Hanying died in Xuzhou at an early age, Chen Yongling half of her life was tortuous but red in the twilight years, I heard that after the death, buried in her hometown of Huimin Tomb in Shandong Province, it was stolen again, sorry!

Nine

Li Wanchun and Zhang Yipeng played against each other

Li Wanchun likes to play against people on stage, he is naturally aggressive, it is said that he and many of his colleagues have fought against the stage, because he is Yang Xiaolou, Yu Shuyan and Ma Lianliang's righteous son and righteous father have not played against the stage, most of them have been played. Shanghai opera fans like to watch the Wusong drama called Gai Tian, Zhang Yipeng's monkey play, Zhang Yipeng is Gai Tian's eldest son, and his ability is only higher than his father, because Gai tian marries another comment on Xue Yijie, Zhang Yipeng takes his birth mother and Gai Tiantian to separate and pass, Zhang Yipeng died of kidney disease in his forties, his children Gai is called Tianfu, and Zhang Yipeng's wife Ru has only passed away in recent years, and he has died nearly 100 years old. When Li Wanchun arrived in Shanghai, he performed plays such as "Eighteen Arhats Fighting Wukong", "Eighteen Arhats Harvest Dapeng" and all "Wu Song". Li Wanchun has studied the play of "Li Pai", and Gai Mingtian is also inheriting Li Chunlai's art, so Li Wanchun is also very prominent in playing Wu Song. He learned Yang Xiaolou's monkey play "An Tianhui" (that is, "The Great Haunting of the Heavenly Palace"), which is comparable to Zhang Yipeng's monkey play, and it can be said that each has its own advantages. The above-mentioned plays performed by Li Wanchun, especially "Eighteen Arhats Harvest Dapeng", caused Zhang Yipeng to misunderstand. Because there is the word "Peng" in the title of the play, it is thought that the two plays of "Receiving Dapeng" and "Fighting Wukong" are aimed at him. In a fit of anger, Zhang Yipeng rehearsed "Sun Wukong Stick Beats Wannian Spring", performed in another big theater, fought with Li Wanchun, and deliberately put the word "Nian" on the newspaper advertisement to be relatively small, at first glance, people think that "Sun Wukong Stick Beats Wanchun", which makes people gimmick and steals away a lot of curious audiences.

In the end, a well-meaning person came forward to fight the round field, and said to Zhang and Li respectively: "You are both well-known martial arts students, so in this way, you may lose both sides, or peace is precious." Although Li Wanchun was not convinced, he respected the senior artists, specially set up a table of wine, and invited Zhang Yipeng and the seniors of the Shanghai Peking Opera circle as guests. Zhang was a year older than Li, and Li called Zhang "Master Brother". During the banquet, Li Wanchun said, "Master and brother don't have to misunderstand. My father's name is Li Yongli, he is a martial artist, and in his early years he took your father's old drama class. They are old partners and old friends, I am a descendant of the Li family, how can I dismantle the stage of the descendants of the Zhang family? With such a statement, Zhang Yipeng's misunderstanding melted from ice and snow, turned anger into joy, shook hands with Li Wanchun and made peace, and has since become a good friend.

Ten

Li Wanchun Li Shaochun played against Taiwan

Li Wanchun's wife, Li Xiuchun, is Li Shaochun's older sister, and these two are lang uncles, but they have not fought against each other for many years. When Li Wanchun's career was in full swing, his brother-in-law Li Shaochun came from Tianjin to Beiping to act, and Li Wanchun naturally wanted to take the wind and wash the dust and entertain him, and the relationship between Lang and uncle seemed very harmonious. However, after Li Shaochun arrived in Beiping, he frequently starred in Li Wanchun's masterpieces, which made Li Wanchun feel very unhappy, especially Li Shaochun wanted to play the play "Water Curtain Cave", as if he wanted to do it with li Wanchun, and Li Shaochun was a few years younger than Li Wanchun, and his physical strength was obviously better than Li Wanchun.

  Li Wanchun really couldn't hold his breath, he felt that he should give his brother-in-law some color to see. Therefore, on the same night that Li Shaochun staged "Water Curtain Cave" again in the New Theater, Li Wanchun staged the double plays of "Shilang Visiting Mother" and "Water Curtain Cave" in the Qingle Opera Park in Dashilar, and the ticket price was preferential to the ticket price of "Water Curtain Cave" performed by Li Shaochun, which caused a sensation among the fans. Buy a low ticket price and watch the big names of the literary and martial arts drama, too worth it! As a result, the attendance rate on Li Wanchun's side was naturally higher than that on Li Shaochun's side, and Li Wanchun seemed to have won this battle.

 Soon after the launch of Li Shaochun's "Wisdom and Excitement of the Monkey King", the field was full, and the reputation was excellent, and everyone boasted that Li Shaochun was much more wonderful than Li Wanchun's monkey play! This can make Li Wanchun angry! Li Wanchun made up his mind that he must fight against Li Shaochun. After the success of "Zhi Ji Mei Monkey King", Li Shaochun also arranged the "Eighteen Arhats Fighting Wukong", which will be performed for three hours, and the acting team is full of big names, for example, Li Baokui plays Taishang Laojun, Yuan Shihai plays the dragon, Zhang Lianting plays Fu Hu, Gao Weilian, Yan Shishan and so on play Luohan respectively. The different weapons and different playing styles in the performance make people look dazzling, very enjoyable, full of seats, enduring, this play has become Li Shaochun's killer.

The two relatives were a draw, and the two were reconciled. However, after Li Shaochun's sister was an enemy queen, after Li Wanchun continued to marry Li Yanxiu, the relationship was much more flat, and only Li Xiaochun was able to maintain the relationship between the two Li and Li.

Eleven

 

Tan Fuying and Xi Xiaobo fought against each other

Tan Fuying was of mixed Manchu and Han chinese descent, Laoye was the grandson of the former Qing chancellor Mu Zhang'a, and Xi Xiaobo was the grandson of the former Qing scholar Yude and a disciple of Yan Jupeng. Tan is a cobain Xi is a ticket fan to the sea, in the mid-30s, Tan Fuying and Xi Xiaobo sang each other, singing for a year. One day, Tan's steward took a large piece of the three words "Tan Fuying" and knocked on the door of Xi's house, saying that our tan boss invited Fourth Master Xi to sit at home. Xi said, "Unfortunately, I just had a date and I'm leaving soon." "The next time it comes again, Boss Tan invites Fourth Master Xi to sit at home." Oops, unfortunately" pushed again. The third time came again, it was still the word "to sit at home." It was not appropriate to go any further, so Xi had to go hard. Tan lit a cigarette and asked for tea, saying: "Boss Xi, do you feel tired after singing this year?" "Broken, broken, Xi said in his heart, to fight." Busy replied, "Not tired or tired." Tan said: "You talk blindly, I am tired and lying down, can you not be tired?" How many days did we both sing the double out? Do you earn more money? Are you still packed with silver? Every day is full, where does the money go? You don't understand the things here, you're a layman. From now on, we both cooperate, just sing a play, we all sing a clear, with which money-making guys to do! This is unbelievable, Xi gave Tan a vigorous stroke. Since then, the two of them have become invincible, they have never seen Tan so wise, and Xi admires Tan's elder brother so much that he throws himself to the ground. This was what Xi Xiaobo personally told Liu Zengfu.

twelve

Li Hongchun and Lin Shusen clashed against each other

Li Hongchun and Lin Shusen are both apprentices of the old Sanmazi, and in the 1920s, the pear garden story of "South Forest and North Li" was once popular. At that time, Li Hongchun and his brother Lin Shusen invariably went from the north and south to Wuhan to perform. In order to attract business, the garden company used foreign drums and foreign trumpets for propaganda, and branded the sign of "Weizhen South China Wenwu Laosheng, Wang Junhongshou Lao Sanmazi Disciple, Hongsheng Taidou Lin Shusen" to perform on a day; Yang Qingshan, the leader of the Red Gang, also hired someone to blow a foreign trumpet, and held up a sign with a foreign drum, which read: "Weizhen North China Wenwu Laosheng, Wang Junhongshou Old Three Mazi disciples, Hongsheng Taidou Li Hongchun also chose a day to perform." At a glance, the brothers saw through the tricks of the two bosses who intended to let them sing the right stage, so they agreed to meet secretly in the morning when they walked the corner to discuss countermeasures. As a result, on the first day of the performance, "Ancient City Meeting" was sung, which made people feel like singing to the stage. From the next day, the drama code began to change, Lin sang "Passing the Five Passes", Li sang "Fengjin Pick The Robe"; Lin sang "Battle Changsha", Li sang "White Horse Slope"; Lin sang "Xu Ce Ran city", Li sang "Zhao Yun Cut The River": Lin sang "Sweeping the SongXia Book", Li sang "Battle against the Knife Step", and so on. If it is performed for two consecutive months, everyone does not know the mystery of this. Someone finally proposed that the two of them sing "Walking Maicheng" together for a week, and the two discussed and decided that Lin would act first, Li feigned illness, and when Lin returned to Shanghai after acting, Li continued to perform. Since then, the reputation of "South Forest North Lee" has spread.

thirteen

Zhou Xinfang and Tang Yunsheng fought against each other

Zhou Xinfang was born in Huai'an, Jiangsu Province, from an artist family, and was an apprentice of Chen Changxing. Tang Yunsheng's ancestral home in Shenyang was born in Fuzhou, tang Jingyun Yizi, both of whom were from Jiangnan, and two of the people who sent the Southern Qibei Maguan outer Tang should be included in the Waijiang Sect. On August 10, 1947, Shanghai Tiantou Stage specially invited "Guan wai Tang" performance. Three appearances on the day: "Picking Up jade bracelet Famen Temple" Tang Yunsheng former Liu Mediawowo Zhao Lian, Zhao Xiaolan yu Sulian as two jiao; "Dasizhou City" Zhang Meijuan Zhang Yunxi; "Ancient City" Tang Yunsheng. Five night scenes: Zhang Meijuan of "Thief Immortal Grass"; Tang Yunsheng of "Throwing Army"; Zhang Yunxi of "Three Forks"; Zhao Xiaolan of "Spinning Cotton"; Tang Yunsheng of "Big Iron Cage Mountain", Zhang Yunxi and the famous Martial Arts students in Shanghai. At that time, Mr. Tang Yunsheng was in the limelight, showing the all-round ability of literature and martial arts and stunts, and the box office was hot.

 At this time, "Nanqi" was performing in the Golden Theater. The day's two appearances: "Lü Bu and the Mink Cicada" (catch and release Cao to the White Gate Tower) Qilin Tong Before Lü Bu, Jiang Miaoxiang Hou Lü Bu, Li Yuru Mink Cicada, Liang Yiming Chen Gong; "Ertang Fangzi" (Noisy Learning to Playing Tang) Qilin Boy Li Yuru Qiu Shengrong. Three outs of the night: "Luo Cheng Called Guan" Jiang Miaoxiang; "Dumu Guan" (Xue Li rescued to the gun to pick An Dian Bao) Qilin Tong; "Dabao II" Qilin Boy Li Yuru Qiu Shengrong. At that time, Zhou Xinfang was contracting the front and backstage of the Shanghai Golden Theater, and he had to attract the audience with the strongest drama to keep the box office from being defeated by the sky toad.

From this day's "stage play", we can see that Mr. Tang is versatile, while Qi's veteran Wen Wukun is chaotic. Now we see that Qipai is often limited by his two film arts in his later years, and all we see is a kind of pure style in his later years. In fact, the comprehensive QiPai is colorful, the Big Voice of the Qilin Boy is a must, and the martial arts are also sharp. You see in "Lü Bu and the Sable Cicada" in his big voice Xiaosheng Lü Bu and Jiang Miaoxiang's traditional xiaosheng response. Qilin Tong's old students are not limited to "workmanship", and the heavy singing skills in "Dabao II" are still uniquely competent, so that you have to obey. And "Dumu Guan" Qi Pai performed relatively traditional Huang (Yueshan) school martial arts has a unique feature.

fourteen

Goldman Sachs Lin and Li Shaochun played against each other

Gao Shenglin was the son of Gao Qingkui, the first four sons of Xu Sheng (Yu Yan Gaoma), the granddaughter-in-law of Yang Xiaolou, and zong Yang was also the head of the wang hongshou, Zhou Xinfang, Lin Shusen, Gai Mingtian, and Miao Shengchun. Li Shaochunzong Yang Xiaolou and Yu Shuyan, sons of Li Guichun, Li Lanting, Ding Yongli, Zhou Xinfang, and Yu Shuyan. At the end of May 1947, Zhou Xinfang wanted to promote Gao Shenglin, who always hung a "special card", and decided to pick the top card of the class to sing the big axis next by the 32-year-old Gao Lai. At that time, because Shanghai had Qi Laopai, Li Yuru hanging head, and second card, whenever there was a performance, Gao could only "rank in the front spear" (the same was true of Wang Jinlu, who took over after Gao left in 50 years). At that time, Gao also had a certain influence in the Peking Opera circle, but it was not too big. In addition, at that time, two famous actors in Beijing zhenghong were performing in Shanghai, one was Tan Fuying and Wang Yurong at the Empress Grand Theatre, and the other was Li Shaochun and Yuan Shihai on the Tiantou Stage. Gao lacked confidence in this, while Zhou Xinfang lived alone with his eyes and patted his chest for Gao: Everything has me! In this way, Gao Yu and Miao Shengchun encouraged him to descend this "thunder".

 After some planning by them, Gao Shenglin, who is famous for his martial arts, was surprised and used Wenwu Laosheng to play cannons: the first day "Zhan Taiping", the second day "Beating sticks out of the box", the three days "Dingjun Mountain", the first day to fight the cannon, Goldman Sachs Lin as Hua Yun, the second lady of hibiscus grass, the second lady of Miao Erye, the prince of Jiang Miaoxiang, and the king of Li Kechang's Northern Han Dynasty. On the same day, it poured heavy rain and the theater audience was full, the water leaked behind the front desk, the theater atmosphere was warm, the effect was excellent, on the same day Li Shaochun also sang "Zhan Taiping", Hou Yulan's second wife, Sun Shengwu's Hua'an, Gao Weilian's prince, Yuan Shihai's Northern Han King, the lineup was quite good, and the audience really had a sense of taking care of one or the other.

 The sky is full of high heads, and the next two "Sticks Out of the Box" and "Dingjun Mountain" are full. After three days, Gao changed the drama and returned to the line, performing the Yang Pai Wusheng Drama and the Gai Pai Wusheng Drama, the drama code was constantly renovated, and the audience was in a good mood. After more than half a month of acting, Gao and new judges: every day one article and one martial arts, the previous performances of "Battle Changsha", "Dingjun Mountain", "Catch and Release Cao", "Wujiapo", "Xiaoyaojin" ... Wait, after that, he acted in "One Arrow Vengeance", "Sijie Village", "Wash Floating Mountain", "Iron Cage Mountain", "Pick Hua Che", "Siping Mountain", "Changsaka Slope"... wait. In this way, Goldman Sachs Lin, Tan Fuying and Li Shaochun sang the stage drama for nearly two months, and the attendance has never faded.

The two played against each other, and since then Goldman Sachs Lin has been promoted from three cards to special cards, ranking among the great martial students. Li Shaochun went from Jinghong to Shanghai to shake the north and south of the Yangtze River.

sixteen

King Tan Fuying played against Taiwan

Many years after the liberation of Wang Youchen, no one mentioned it. He is famous for learning from Tan Xinpei, lacks his own original spirit, and is the primary figure of the old Tan school. Born in 1885, Wang Youchen served in an army supervision office in his early years, and was an officer to the alternate Zhi County. Because of his love of Pi Huang opera and his specialization in Tan Lu, he often sang as a ticket holder in various theaters, won the praise of Tan Xinpei, and took the name of his wife. After he "went to the sea", he spent his life studying Tan Xinpei's performing arts and achieved certain achievements. In his prime, Wang Youchen's voice was thick and clear, and his voice was rounded.

I have not seen Wang Youchen's play but I have heard his plate, which is now said to be a clone of Lao Tan. At that time, the enemy could not match Ma Lianliang, Tan Fuying, and Gao Qingkui, which was better than Yan Jupeng. Wang Youchen's family drama is "Lianying Village". Wang Chen dressed up bitterly.

These two should not have played against each other naturally from Tan Xiaopei, and Wang Youchen was Tan Xinpei's son-in-law, Tan Fuying's uncle. As early as 1918, he performed in Shanghai (Xun Huisheng hung the second card for him). In the 1920s, he performed for many years until 1929, when he began to organize classes. At that time, Yan Jupeng was in the same class as him, and Dan Jiao was the rookie Zhang Shuyun at that time. In the 1920s, Wang Youchen's reputation grew, and he often performed in Ping and Tianjin. In order to establish his superior position, Wang Youchen adopted two strategies. One strategy is that he organized a tougher team - Furong Cao (Zhao Tongshan), Jiang Miaoxiang, Ma Liankun, Wang Quankui, Wen Liangchen, and Ru Fuhui were his important supporting roles, especially Furong Cao, which made Wang Youchen's plays a lot of color: in Wang's "Visiting Mother's Return Order", Furong Cao played Empress Xiao and played the Princess of Daizhan in "Red-maned Horse". Wang Youchen performs every time "Yuanmen Chopper", in front of him, he plays "Mu Kezhai Mu Tianwang", Furong Cao plays Mu Guiying, and Jiang Miaoxiang plays Yang Zongbao, which can attract the audience. Chen Shengsun, Yang Shengchun, and Guan Shengxi had just left the "Fu Liancheng" class and had all joined Wang Youchen's class. Zhang Junqiu first came to Jinlu to perform in March 1937, and he came with Wang Youchen. Finally, Zhang Junqiu became popular in Tianjin. Another strategy is that Wang Youchen's ticket price is lower, Tan Fuying sells one yuan in the front row, and he only sells six corners and five cents. Some of the old audience members who used to listen to Tan Xinpei turned to listen to him at this time, hoping to "quench their thirst by looking at Mei". On September 19, 1935, Wang Youchen and Tan Fuying fought against each other at the same time in Tianjin, Wang at the Beiyang Theater (now Yan'an Cinema), Tan at the Star Theater (now the Peace Cinema), the distance between the two courtyards was less than half a mile, and countless audiences were worried about Wang, fearing that he would be difficult to defeat Tan Fuying's momentum. Tan Fuying's team has Chen Lifang and Ye Shenglan as the supporters, while Wang Youchen's team has Chen Shengsun, Yang Shengchun, Furong Cao, and Ma Fulu as the matching, each with its own advantages. As a result, after a week, the two sides played a draw. One night, both sides posted "Mother Visiting Order", and both theaters were full. It can be seen that Wang Youchen has considerable appeal. Unfortunately, in February 1938, Wang Youchen once again accompanied Zhang Junqiu to return to Beijing shortly after performing in Tianjin, and he died shortly after. He only lived for 53 years, and his artistic life is not very long.

The idea of these two playing against Taiwan must be Tan Xiaopei, Tan Fuying only cares about singing, all power is in the hands of his father, my family used to have old drama newspapers, and the things that Tan Wang played against Taiwan were reported by Wang Youchen, and the Father and Son of the Tan family were not kind to this matter.

seventeen

Tan Fuying and Li Shaochun played against Taiwan

Li Shaochun, Meng Xiaodong, Wang Shaolou, Tan Fuying, Yang Baozhong, Chen Shaolin, and Wu Yanheng (Wu Shaoxia) were all apprentices of Yu Shuyan. Li Shaochun worshiped Yu Shuyan as a teacher, Yu Shuyan's first play to him said "Zhan Taiping", a month and a half fully mature, the first performance in Xinxin, the results are satisfactory, Yu Shuyan took the field, but also very proud, since then "Zhan Taiping" has become Li Shaochun's signature play.

Tan Fuying's "Zhan Taiping" is also quite of a standard, because Tan Fuying changed his martial arts background to an old man after learning martial arts for the first time, and at the same time, for the sake of competition, he also plans to sing "Zhan Taiping". As mentioned earlier, when he sat in science, he learned "War Taiping", only because this drama was too tired to sing martial arts, he had not moved for many years, and now he had to step up his voice and practice, and prepared for some days, which was launched in the spring of 49, and naturally sold all over the hall. However, in the audience's evaluation, it is believed that in addition to the wide voice, the delicacy is not as good as Li Shaochun, which is where Tan Fuying misses. Because Li Shaochun is a refined processing product of Yu Pai, and Tan Fuying is a big road worker of Keban, although Yu Shuyan's apprentices have not learned much from Yu Sanye, and Li Shaochun and Meng Xiaodong are Yu Shuyan's favorites. Therefore, Tan Fuying should not fight with Li Shaochun for "War Taiping" for a short day.

eighteen

Tan Fuying Meng Xiaodong played against Taiwan

There are too many rumors about Meng Xiaodong, one is that the girl of the famous Meng Hongqun is in Shanghai, the other is that she was born in Wuhan and is the adopted daughter of the Meng family, and the other is that Meng Xiaodong and Mei Lanfang have a daughter, that is, Du Jinfang, in the past, the tabloids have published news that Tan Fuying wanted to remarry Meng Xiaodong after losing his wife, because Tan Xiaodong did not agree to the female relatives singing and did not succeed.

We don't study these, but Tan Fuying and Meng Xiaodong are the apprentices of the first master are Yu Shuyan's apprentices, which is certain, and he (she) has also played against each other. Tan Fuying and Meng Xiaodong's confrontation with each other is In Beijing's Xinxin and Chang'an, just a stone's throw away. The new one is the big axis Meng Xiaodong's "HongYang Cave", and the finale Zhou Ruian's "Golden Leopard". Tan Fuying on the Chang'an side is out: the big axis "Picking The Ribbon Meeting", the finale "Mulberry Garden Sender". A Xipi, a two yellow, and is a good play of the Yu faction, Tan Xiaopei also made a lot of thoughts, in fact, it is still not worth the loss, if Tan and Meng are close to the old drama, such as "Dingjun Mountain", "Zhan Taiping" and the like, Tan Fuying will definitely take the limelight, because Tan is born in Wusheng, Meng Xiaodong can not say that the knife and gun are not in line with Tan Fuying. The new class standard is very high, only Meng Xiaodong, Li Shaochun, Cheng Yanqiu, Jin Shaoshan, Ma Lianliang (he is a shareholder, there are two slots a week) a few classes can enter, other classes can not enter.

At that time, Meng Xiaodong was like a day in the sky, and the reputation of the "Winter Emperor" was far above Ma Lianliang and Tan Fuying. Ordinary people know that Meng Bima and Tan have a call, and they don't know how much difference in strength is? Ma Lianliang is very clever, and finally does not fight with Meng, and welcomes her to the new new to sing, which not only improves the status of the new theater, but also increases the income from the approval account, why not enjoy it? Meng Xiaodong sang "Pirate Scrolls", and Ma Lianliang came to observe it, borrowing the mirror Yu Pai to perform the method; Ma Lianliang sang "Ten Old An Liu" (including a fold of the "Pirate Volume"), and Meng Xiaodong also came to see the play, referring to the figure of Ma Pai, which is a sympathetic demeanor, not hostility.

Meng Xiaodong not only has a higher performance than Tan Fuying, but she is frail and sickly, does not show her performances, and cannot sing three or four plays a year, but Tan Fuying has to sing one or two times a week. In contrast to this situation, the general audience naturally tends to give up. Because I didn't listen to Tan's two plays this time, I would soon have the opportunity to see it again; If you let go of the opportunity to watch Meng Xiaodong's "Hong Yang Cave", do you know when she will sing again? So Meng sang a full seat, and Tan sang 70% of the double.

This is just like Zhang Huoding and Chi Xiaoqiu now, Zhang Huoding can't sing a few plays a year, Chi Xiaoqiu often performs, so Zhang Huoding is full of stickers, because I don't know when the next time it will come out, so I often say to my friends that Zhang Huoding phenomenon is the same as Meng Xiaodong in that year, the more I don't sing the more popular, of course, I don't deny Zhang Huoding's artistic level.