Regarding Yang Jiulang's business, I wrote "say" and write "learn", do you think I should write "funny" next?
However, what I'm going to write is "sing."
Why not write a tease? Because saying crosstalk is to amuse, whether it is to speak, learn, or sing, it is all for fun.
Don't be funny, just say, that's a conversation. Don't tease but learn, that's a parody show. Don't tease but sing, that's singing, "We're performing crosstalk, not selling songs." (Hou Baolin)
Although cross-talk artists always emphasize that cross-talk pays attention to the study of cross-talk and singing, the "Cross-talk Traceability" co-authored by Hou Baolin, Xue Baokun, Wang Jingshou and Li Wanpeng explains their views: it is said that it is the expression of cross-talk, teasing is the comedy style of cross-talk, learning and singing is the artistic means of cross-talk, should not be learned to sing for the sake of learning, and the way and means should serve the baggage.
Therefore, "teasing" is embodied everywhere in Yang Jiulang's speaking, learning, and singing, and cannot be separated into a piece, saying that this is Yang Jiulang's amusing.
There are two kinds of cross-talk singing: one is the singing of bengong, that is, taiping lyrics; the other is learning to sing.
On the cross-talk stage before the Deyun Society, in fact, few people performed Taiping lyrics. The "Cross-Talk Traces" published in 1982 and updated in 2011 clearly states that taiping lyrics "lack comedy" and "almost everything on the stage".
If Lao Guo single-handedly let everyone know the Taiping lyrics, then Zhang Yunlei single-handedly made many young people like the Taiping lyrics.
However, Zhang Yunlei only acted as a serious program when he was a child and when he first returned to Deyun Society, and later when he grew up, didn't he say crosstalk?
In the end, it is still the form of Taiping lyrics that cannot bear the comedic thickness of crosstalk, so there is less and less singing.
Yang Jiulang is singing Taiping lyrics I have not seen, as a small part of the return, Zhang Yunlei and Yang Jiulang have exchanged praises and performed two crooked singing. With Zhang Yunlei Zhuyu on the side, Yang Jiulang's Taiping lyrics can only be said to be quite regular, not out of tune.
Some people always say that Yang Jiulang doesn't sing well, but which one is not good, anyway, I didn't find out in the crosstalk. Except for the 18-year cooperation with Li Jiuchun, I did not see Yang Jiulang's cross-talk singing collapse.
Although Yang Jiulang and Li Jiuchun cooperated, Yang Jiulang's voice suddenly became dumb, but after the two quickly exchanged roles, the performance was still seamless, and this tacit understanding and proficiency were very strong.
Yang Jiulang's singing skills are not bad.
In the 15-year four-team laugh drama "Great West Chamber", Yang Jiulang's Fa Ben has a large section of "Master's Classic", which is very good.
In the ninth issue of "Douxiao Society" last year, Yang Jiulang sang thirteen incense and Jingdong drums.
Especially in this year's Weiya Carnival, Yang Jiulang sang a few words of selling cloth heads, Hong Liang qingli has a voice and rhyme, Yang Jiulang's singing skills have made great progress!
Jingdong big drum
Watching a cross-talk actor sing, it still falls to see how his willow live is interpreted.
There are two types of willow work that Yang Jiulang often plays: one is the leg work, "Yellow Crane Tower", "Fenhe Bay", "Catch and Release Cao", this type of mo is a large proportion of performances, and the performance is like a small farce; one is "Tree Leaves" and "Hong Yang Cave", this type of style is to pretend to be stupid, strange and strange, to make fun of funny.
The plot of the program itself such as "Yellow Crane Tower" is not absurd, although it is classified as Liu Huo because the story involves opera, in fact, this kind of program focuses on portraying the characters, expressing the way, and paying equal attention to learning and singing.
This kind of show is a mother-and-son show, focusing on the comedic color of the characters and the dramatic tension of the story.
When Yang Jiulang performs such a program, he sings all the right songs, and the jokes come from the defective setting of the characters, starting from the character personality, and the burden is naturally generated by the character actions.
The absurd characters of the plot of "Hong YangDong" are stupid, and when Yang Jiulang is singing, he uses crooked singing and ugly singing to catch and make fun of it.
There are different interpretations of different types of willow work, which is what makes Yang Jiulang stand out in "willow life".
Yang Jiulang can do this interpretation because he has a brain, which is what Guo Guo often said, "Cross-talk actors fight to the end, fight for culture."
Only with culture can we have a thorough understanding of the works and the characters, can grasp the underlying logic of crosstalk, can set the characters' character defects, can decompose the organizational structure of the baggage, and can continuously dismantle and re-create the works until they are handy.
Only by doing this step can we cross from "skill" to "art".
The series of essays on learning to sing is over.
Say one, learn one, tease no, sing a few words.
The reason why I write this way is because in cross-talk, it is very important to say that learning is very important, and the comma is reflected in every place, and the weight of singing is not as good as the first three.
(There's another big reason why you think I'll say it?) That's my interest in singing in general. If you expect me to comment on Yang Jiulang's singing from the professional perspective of the timbre range where the sound range and where the resonance are used, it is looking forward to the wrong person hahaha! I can only say that Yang Jiulang's singing I listen to very well and smoothly, the expression of feelings is rich and sincere, professional skills I will not evaluate, after all, the singing of cross-talk actors is to learn to sing, we are not like some goods, Mao does not understand but said with himself are believed to be true - ( ́∀ ' ) ┏ ) )
The cross-talk industry is known for its "singing in four or two pieces of white with a thousand pounds of words", and Mr. Hou Baolin has repeatedly emphasized "speaking clearly and then singing", requiring cross-talk actors to "speak with approval".
Nine braids play willow live, Yang Jiulang criticizes the speech, Yunlei shows his throat in shock, the two show that they can complement each other, or is it a pro-partner?
At the end of the article, I can't help but sigh that Yang Jiulang, as a nine-character subject, can have the current professional height, in addition to his own efforts, the strength of his partner, to a large extent, because he is Lao Guo's pro-apprentice, from the beginning, Yang Jiulang was under the guidance and planning of Lao Guo, abandoning redundancy and pointing directly to the core of the business.
Say it's important, so before the Kaoder Cloud Society, let the burnt bread guide through the mouth. Entered the youth team and made a full mouth. Leave the youth team and talk about books.
Learning is important, so even sealing the box as a host, you have to bring characters, three hosts are normal curtain call, on Yang Jiulang from the beginning to the end of the "stupid".
After the big brother plate was cooked, Yang Jiulang was plated and slippery, and then he took his dowry (no, crossed out), wore the watch that Zhang Yunlei gave him, and jumped into Zhang Yunlei's bowl without hesitation.