The winter Japanese drama that is being broadcast, The favorite of The House Jun is "My Family Story" starring Tomoya Nagase, which has just started broadcasting and got a high score of 8.6 on Douban, and today I will introduce this drama.
As the "finale" of Tomoya Nagase's acting career, the screenwriter invited Miyato Kankuro to serve.
Known as "Miyakuku", Miyato Kankuro should be no stranger to everyone, a Japanese drama writer, representative works include "Haenyeo", "Kisarazu Cat's Eye", "Sorry Youth", "Prison Princesses", "Manhattan Love Story" and so on.
Gong Jiu's drama has almost zero bad reviews, and among Japanese drama fans, there is a saying that "Gong Jiu is produced, it must be a fine product", and he has touched many audiences with his unique concept of "joking with a serious attitude".
Miyato Kankuro and Tomomo Nagase are also an old pair of partners, and in 2000, they began to cooperate in "Ikebukuro Nishiguchi Park", "Narcissistic Criminal Police", "Yaji and Kita in the True Night", "Too Young Too Die" and other works.
Regarding this collaboration, Miyaku said, "As tomoya Nagase's last play, we want to create an outstanding work."
As the title suggests, "My Story" is a family drama.
The protagonist, Kanyama Shouichi, played by Tomoya Nagase, is a wrestler.
Among the shouyi professional wrestlers, it can only be said that they are of average level, and they have not won the championship of the big competition, but only the championship belt of puerto Rico.
However, he was handsome and popular, and was considered an "idol-type" player, and later became a member of a small wrestling team, mainly participating in performative wrestling competitions.
Now 42 years old, physical strength and injuries have brought him to the end of his wrestling career.
Shouichi, who is engaged in the sports industry, actually comes from an artistic family.
His father, Shusaburo Kanyama (Toshiyuki Nishida), is a well-known Japanese Noh master and chairman of the Noh Association.
Popular Science Noh:
Noh (Noh Drama) means "art with a plot" in Japanese, and like Kabuki and Kyogen, it is a representative traditional art form of Japan, and the difference between it and Kyogen is that it is very quaint. Performers of traditional Japanese arts have a high status in society.
In the play, Guan Shan Liu is a famous Noh gate, and his father, Kanyama Shouzaburo, is the 27th generation of people, known as the "National Treasure of the World", has received the Bauhinia Medal issued by the Japanese government, and has 10,000 disciples in the country.
Like Kabuki, Noh also has a "name", that is, the previous generation passes on the name to the next generation, usually to his son, so Shouichi was also asked by his father to learn Noh from an early age, and was trained as the next generation.
When he was a child, Shouichi also showed a talent for noh, and when he was 4 years old, he appeared on stage and was recognized by the outside world, but he never received praise from his father.
No matter how hard he tried, his father was not satisfied with him.
Gradually, the father and son became more and more speechless, resulting in a huge gap, and Shouichi had a showdown with his father during the rebellious period, "I don't have fun anymore, I don't want to be an heir, I want to do a challenge wrestling."
At the age of 17, he ran away from home and threw himself into wrestling, where he did not have the aura of "Star II", he would be beaten if he was lazy, but his efforts would also be exaggerated, and he felt the warmth that his father could not give.
It is not because Shouichi does not like Noh or that he loves wrestling, but because his father likes to watch wrestling, and he hopes to get his father's approval in this way.
In the 25 years of entering the industry, Shouyi did not achieve much, but left a body of pain, the family is not successful, his wife divorced himself, took the custody of the child, and he also carried 20 million child support and mortgage.
One day, he was told that his father was critically ill.
When Shouichi rushes to the hospital, his younger sister (played by Tokuko Eguchi), his younger brother (played by Nagayama Shudou), and his father's disciple Shou Ji Wu (played by Kenta Kiritani) are waiting at the bedside.
Although the 72-year-old father was rescued this time, he was already plagued by a lot of diseases, and the doctor told him that he only had one year left to live.
Taking this as an opportunity, Shouichi decided to inherit his father's mantle, returned home after 25 years, and began to learn Noh again.
In addition to learning Noh, Shouichi also takes care of his father's living, such as bathing.
However, the old father still did not recognize the son, but instead damaged him
There is also an important role in this drama - Sakura, a nurse played by Toda Eirika.
Her father suddenly announced that he had a marriage contract with Sakura and wanted to leave her all his inheritance.
The 72-year-old's decision to marry a young woman in her early 30s surprised others.
In front of the disciples, the old father let Sakura sit on his knees, and said that he had endured enough for so many years to let go of himself once in the last year of his life, and also made a list of last wishes, please "Night Lucy Bitter".
Sure enough, the young woman who was willing to marry the old man was not pure, and the younger brother found out that Sakura was doing "post-wife business" and had married many old people in the past.
After popularizing the post-wife business:
Is a very common group in Japan at present, young women to deceive the elderly inheritance purpose to take care of the elderly, deceive the elderly after marrying them, induce the elderly to write on the suicide note to keep the inheritance to themselves, some practitioners ostensibly take care of the elderly, but in fact will deliberately "rectify" the elderly, let them accelerate death, get the inheritance early, so as to find the next prey.
In the past, Kimura Kano starred in the Japanese drama "Later Wife", which is a very good drama that specializes in the post-wife business.
Sakura admits that she used to get her inheritance from other old people, but she doesn't feel like she's cheating on it.
She said that the old man took the initiative to give her the inheritance, and she could not stop it, all because you neglected the old man as a child, and she gave the old man meticulous care, so that the old man felt warm in the last stage of life, and some even extended his life.
Gong Jiu seems to want to explore a point of view through this frank "practitioner": "post-wife business" may not be a fraud, but a kind of hospice care.
At present, it is unknown whether this character is really evil or good, for the sake of her father's happiness, the children decided to continue to let Sakura serve as her father's nurse, and then there may be children and stepmothers competing for the inheritance of the plot.
I have to say that the toda with slightly longer meat looks better.
This drama, like Miyato Kankuro's previous works, is full of funny elements and spoofs.
For example, he spoofed Nintendo's game "Animal Mori Yukai", and also played Tomoya Nagase like an orangutan terrier.
Always making people laugh is the core of Gongjiu-style comedy, but it is also very different from Gongjiu's previous works: it is full of warmth.
In the past year or so, the world has experienced too many tribulations, Miyaku himself has also been infected with the new crown, and this is most likely the last play of Tomoya Nagase, so Miyaku wants to express his emotions in a more gentle way.
Chen Peisi, the king of Chinese comedy, has always said that comedy actually has a tragic core.
The story of this family has resonated with many viewers: from the beginning of the estrangement to acceptance and reconciliation, the family's love for each other is hidden in every word and deed.
There are a large number of son monologues in the play, and the old father tells the nurse about his inner thoughts, although they are all very plain words, Andya Jun will always see a sour nose.
In addition, in addition to half a year of wrestling training, he also has a large number of noh performances in the play, which also requires a long period of professional training.
In addition, Toda Eirika, Nishida Toshiyuki, Anda Kiritani, etc. are regular guests of Miyato Kankuro's works, and it is quite a drama worth watching.