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Sixty Gardens in Jinan 丨 Mr. Zheng Qian's Three Absolute History Nanpo's West Garden - West Garden Portrait No. 4 "Jinan Garden Sixty Houses" Series of Works 丨 "Zheng Qian Three Absolute" Mr. Shi Nanpo's West Garden - West Garden Portrait No. 4

author:Chic Jinan

<h1 class="pgc-h-arrow-right" data-track="1" > "Sixty Gardens in Jinan" series of works 丨 "Zheng Qian's Three Absolutes" Mr. Shi Nanpo's West Garden - West Garden Portrait No. 4</h1>

Hou Lin Hou Huan

Jinan, as a garden city since ancient times, is as beautiful as a painting, however, in the process of history, many gardens have been annihilated, and there is no record in the prefectural records. For many years, we have excavated in depth according to the Fuxian Zhi and the Ming and Qing Dynasties, and written "Sixty Gardens in Jinan". It is now launched under the wind and incense calendar, and the period is shared with readers.

Sixty Gardens in Jinan 丨 Mr. Zheng Qian's Three Absolute History Nanpo's West Garden - West Garden Portrait No. 4 "Jinan Garden Sixty Houses" Series of Works 丨 "Zheng Qian Three Absolute" Mr. Shi Nanpo's West Garden - West Garden Portrait No. 4

The old scenery of the West Garden of the Republic of China is provided by Yongjian

"Zheng Qian's Three Absolutes", a reference to Tang Li's "Shang Shu Gushi":

"Zheng Guangwen (Pian) studied books and was sick without paper, and there were several houses with persimmon leaves at Zhici'en Temple, so he borrowed the monk's house to live in, and took the red leaves to study books every day, and he was lost all over the years. After writing and painting the poems he produced, the same volume was sealed, and the end of The Xuanzong Imperial Pen Book read: 'Zheng Qian Three Absolute'. ”

The New Book of Tang and the Biography of Zheng Qian also have roughly similar records.

In later generations, the poems, books, and paintings praised people with the "Three Perfections of Zheng Qian" are exquisite.

There are obviously not many such characters.

Sixty Gardens in Jinan 丨 Mr. Zheng Qian's Three Absolute History Nanpo's West Garden - West Garden Portrait No. 4 "Jinan Garden Sixty Houses" Series of Works 丨 "Zheng Qian Three Absolute" Mr. Shi Nanpo's West Garden - West Garden Portrait No. 4

Zheng Qiansan's freehand paintings

During the Qianlong Jiaqing period of the Qing Dynasty, the cultural hometown of Tongcheng, Anhui Province, produced such a figure, whose name was Shi Pei, the character Lansheng, the number Nanpo, and the descendant of the first ancient temple.

Spencer is less lonely. How difficult it is to be home. Cocoon independence. He was first appointed as the manager of the Salt Transport Division, but was dismissed from his post due to an incident. In the sixteenth year of Jiaqing, Jiaqing toured the west of wutai, Shi Pei painted bamboo, and collected the "Orchid Pavilion Preface" to present, Jiaqing was greatly rewarded, and the county was used to supplement Lanxi. He is the author of "The Aftermath".

In the field of science, Shi Pei's fate was like Pu Songling's, although he did not have the first place in the autumn and had to fall into the rivers and lakes. However, the contemporary famous Gong Juqing was not impressed. The main reason for this is that in his early years, he was known for his poetry, books and paintings, and was known as "Zheng Qian's Three Absolutes".

Shi Pei's uncle, Guangdong envoy, and shi Yi'ang, a squire of the Military Department, wrote a preface to Shi Pei's "Collection of Remaining Events".

He called Shi Pei "the article halal and mysterious", "the poetry is close to the body, the Tang Dynasty model, the ancient style is the Six Dynasties Fengfan, straight can be the same as chewing plum blossoms to read the Book of Han", "the painting method ink is idyllic and into the gods, super Song and Yuanren, and the standard is rare in the world".

And the most wonderful one is Shi Peizhi's calligraphy, Shi Yiang called it "beautiful and vigorous, Zong Qin, Han, Jin, Tang and all the families and the collection of great achievements, and the ability to write with a left hand", he described the style and weather of Shi Pei's left pen in this way: "Using the Po Ram's pen as a hanging needle tadpole jade pillar text, natural and wonderful, it is doubtful that no human can create it!" ”

At that time, Shi Pei's left hand book was alone in the book world. Prince Cheng's calligraphy crown at that time also deeply approved of his left pen.

Sixty Gardens in Jinan 丨 Mr. Zheng Qian's Three Absolute History Nanpo's West Garden - West Garden Portrait No. 4 "Jinan Garden Sixty Houses" Series of Works 丨 "Zheng Qian Three Absolute" Mr. Shi Nanpo's West Garden - West Garden Portrait No. 4

Book Shadow: Shi Pei's "Aftermath"

Speaking of Shi Pei's personality, Shi Yiang said that he traveled between mountains and rivers, running north and south for more than twenty years, difficult and dangerous, and painstakingly wrote ink. Broad-minded, thoughtful, and heroic. Although it is a cold Confucianism, and its amazing composition is getting more and more strange, every seeker is not cherished as a treasure.

Around the fifty-third year of Qianlong, Shi Pei came to Jinan. He was warmly received by Miao Qiji, the envoy of Shandong Province, Cai Tingheng, the prefect of Jinan and the governor of Jinan, and the celebrities of Jinan. In Jinan, he visited jinan's famous places and wrote many poems such as "Baotu Spring", "Revisiting Baotu Spring and Rhyme one day after the Mid-Autumn Festival", "Pan Daming Lake under the Night", "Listening to the Rain Garden Rhymes", "Licheng Hotel Shangyuan Night Stay with Fellow Villager Yu Akita Drink", "Licheng Official Office Gives Mr. Qiufang Chen" and many other poems. Among them, the West Garden is written in the "Garden Rhymes in the Office of Miao Fangbo of Licheng":

The famous garden has a tortuous step, and Wufu is like a mountain forest.

The big wood is a thousand chapters, and the flowers are several paths deep.

Article Autumn water blue, wind and moon ancient people's hearts.

Sweep the stone inscription poem, the platform covered with green shade.

(Qing Jiaqing 21 years of Hongguishan fang carved version of "Yu Shi Ji Volume II")

Sixty Gardens in Jinan 丨 Mr. Zheng Qian's Three Absolute History Nanpo's West Garden - West Garden Portrait No. 4 "Jinan Garden Sixty Houses" Series of Works 丨 "Zheng Qian Three Absolute" Mr. Shi Nanpo's West Garden - West Garden Portrait No. 4

Book Shadow: Shi Pei's "Garden Rhymes in the Licheng Miao FangBo Office"

Miao Fangbo, Miao Qiji, a native of Wuhu, Anhui. Gongsheng. Qianlong served as a political envoy to Shandong in August of the 1950s. Gardens, West Gardens also.

"The famous garden steps tortuous, Wufu like a mountain forest", called the West Garden as a famous garden, it is deserved, the West Garden is twisting step by step, step by step, one scene, the winding path is hidden, there is a wide and large and secluded beauty; Wufu, the old refers to the Imperial History House. The Biography of Zhu Bo of Han is published: "It was the Shi Yushifu ,...... In the middle of the cypress tree, there are often thousands of wild crows perched on it, and the morning goes to dusk. This refers to the Office of the Cloth Administration, which the poet expresses with "like a mountain forest", which is appropriate, in the West Garden, not only surrounded by mountains on all sides, languang flying blue, but also in the park there are mountains (rockeries), and there are pavilions on the mountains, which are specially used for rest and viewing. The "forest" of the "mountain forest" is even more lush and picturesque, and the poet writes about the beauty of the flowers and trees in the West Garden, a thousand chapters, a thousand trees, saying that there are many green trees and dense trees, and many flowers that are born beautiful are clustered and hidden in the depths of the West Garden, "several paths deep".

The beauty of the poem lies in the "article autumn water blue, wind and moon ancient people's heart" a link, which is a turning point, that is, from the copying of natural landscapes, to the perspective of humanities, that is, history and culture, to express the unique beauty of the West Garden.

Qiushui Bi refers to the Spring Creek in the West Garden, flowing bi qingxin, and also refers to Zhuangzi who wrote the "Qiu Shui" article in ancient times, which is a wild and dashing genius article, and "Wind and Moon", in the context of Chinese culture, is not only a natural scenery, but a dashing cultural mentality that is enjoyed happily in the face of natural and beautiful things. Since ancient times, under the moon in front of the wind and the pavilion in the West Garden, I don't know how many famous scholars and poets have come, they have invited the moon with wine, and they have left countless brilliant poems and other works. Baume & Mercier and Mingyuan shine together, and nature and culture blend together, which is where West Park is most proud.

Sixty Gardens in Jinan 丨 Mr. Zheng Qian's Three Absolute History Nanpo's West Garden - West Garden Portrait No. 4 "Jinan Garden Sixty Houses" Series of Works 丨 "Zheng Qian Three Absolute" Mr. Shi Nanpo's West Garden - West Garden Portrait No. 4

Zhuangzi Haoliang view of the fish

At the end of the knot, "sweep the stone inscription poem, the platform covers the green yin", sweeping the stone, which is said to sweep the mountain site, mostly refers to the residence of self-cultivation and health care. It can be seen from this that in Shi Pei's mind, the West Garden is not only an official court, but also a place of poetry that can cultivate oneself, and the "platform covered with green yin" is a beautiful image of the West Garden, which will surely remain in the mind of the poet Shi Pei forever.

In Jiri, Shi Pei had close contact with scribes in Jinan, especially painters. Such as Chen Lin (birth and death year unknown), Chen Lin character rain person. When he was crowned with calligraphy and painting, he was named the same as his brother Chen Zhen (Zi fengren). It is fond of bamboo stone, with the characteristics of both the east slope and the kezhi. One frame can be prime gold. Chen Lin is also a landscape architect. Weixian's famous TianShi Garden and one acre of garden were designed and constructed by him. (See Wang Xianyi's "Notes on Family Words")

Shi Pei and Chen Lin can be described as falling in love at first sight. Shi Pei wrote the poem "Title Chen Yuren Painting Bamboo":

Where the clouds thunder and rain, the rain and wind cut straight into the air.

Such as reading an autumn voice, such as seeing the smoke of rivers and mountains.

The top of the mountain is the kuma of water, and thousands of rods are planted together.

The rain man is so clever that I want to take the rod to the fishing platform.

Sixty Gardens in Jinan 丨 Mr. Zheng Qian's Three Absolute History Nanpo's West Garden - West Garden Portrait No. 4 "Jinan Garden Sixty Houses" Series of Works 丨 "Zheng Qian Three Absolute" Mr. Shi Nanpo's West Garden - West Garden Portrait No. 4

Book Shadow: Shi Pei wrote "Title Chen Yuren Painting Bamboo"

The poems are so well written. It vividly shows the characteristics and style of Chen Lin's bamboo paintings, and skillfully embeds the names of Chen Lin and Chen Zhen brothers, and the whole poem is rendered through an art, ending with "I want to hold a rod on the fishing platform", like a bright moon through the clouds, bringing the reader's emotions into an exciting climax.