張百成，1943年5月出生于陝西省渭南市，中國榜書家，其作品多次參加國内大展并獲獎，兩次赴日參展并獲獎被收藏。
zhang baicheng, born in weinan city, shaanxi province in may 1943, is a chinese calligrapher. his works have participated in many domestic exhibitions and won awards. he has participated in two exhibitions in japan and won awards.
張百成作品遍及國内，遠流美、英、意及東南亞諸國，影響深遠。曾被授予“功勳書法藝術家”、“世界華人傑出藝術家” 、“世界藝術家”等稱号。榮獲“中國文化名人成就獎”和“世紀藝術家豐碑獎”。
zhang baicheng's works are all over the country, and have far-reaching influence in the united states, britain, italy and southeast asia. he has been awarded the titles of "meritorious calligraphy artist", "world chinese outstanding artist", "world artist", etc. he won the "achievement award of chinese cultural celebrities" and "century artist monument award".
張百成的榜書作品尤為精湛，下面是李女士帶來的兩幅張百成書法——《龍》、《馳》。
zhang baicheng's works are particularly exquisite. here are two pieces of zhang baicheng's calligraphy, dragon and chi, brought by ms. li.
長：178cm 寬：96.5cm（length: 178cm width: 96.5cm）
榜書，古曰“署書”，又稱“擘窠大字”。“擘窠”指手掌之虎口處，虎口如鉗，運全身之力把握之，駕馭之，猶如運斤，虎虎有生氣也。張百成寫榜書時，揮運碩巨的筆峰，和着他那一绺美髯一起舞動，人書合一，給人們留下了深刻的印象。
in ancient times, bangshu was called "shushu", also known as "breaking the big character of a nest". "breaking the nest" refers to the mouth of the tiger in the palm, which is like a forceps. it can be grasped and controlled by the whole body as if it were carrying a jin. the tiger and the tiger are alive. when zhang baicheng wrote the list book, he wielded the huge pen peak and danced with his beautiful beard, which made a deep impression on people.
遠觀書法《龍》與《馳》，何等氣勢！然在近看之下，結構緊湊，矩矱不失，轉也流暢，折也剛健。飛白流動處，精神綻露；黑墨澆注間，氣骨凝結。筆墨雍容，安靜簡穆，形式内容相得益彰，是精品也。
how magnificent the calligraphy "dragon" and "chi" are! however, in a close look, the structure is compact, the moment is not lost, the turn is smooth, and the fold is also vigorous. in the flowing place of white, the spirit blooms; in the pouring room of black ink, the air bone condenses. the style is elegant, quiet and simple. the form and content complement each other. it is also a fine product.
長：131cm 寬：66.5cm（length: 131cm width: 66.5cm ）
中國書法、中國水墨，中國文字都是肇自自然。毛筆，柔軟與堅韌的平衡之物，中國人哲學精神的展現。書法，中國人文化性靈的外化表現，曆朝曆代的書者便是這性靈表現的承載者、傳承者、創新者。
chinese calligraphy, chinese ink and chinese characters all originate from nature. brush, the balance of softness and tenacity, the embodiment of chinese philosophy. calligraphy, the externalized expression of chinese cultural spirit, is the carrier, inheritor and innovator of the spirit expression.
張百成，書者，靈也。其作品《正氣》刊登于《求是》雜志2000年第13期；《馳》刊登于《中國政協》2000年第8期。這兩幅作品皆為張百成的精品榜書代表作，藝術水準精湛，具有觀賞價值和收藏價值。
zhang baicheng, a scholar, is also a spirit. his work zhengqi was published in the 13th issue of qiushi magazine in 2000 and chi was published in the 8th issue of cppcc in 2000. both of these works are representative works of zhang baicheng's top-quality list books. they are of exquisite artistic level and have ornamental value and collection value.