無限長的曲線，是宇宙的抽象，一頭連着無限的過去，另一頭連着無限的未來，中間隻有無規律的随機起伏，一個個高低錯落的波峰就像一粒粒大小不等的沙子。
——《三體》
The infinitely long curve, an abstraction of the universe, is connected to the infinite past at one end and the infinite future at the other end, with only irregular random ups and downs in the middle, and one high and low crest just like a grain of sand of different sizes.
——<The Three-Body Problem>
Yes Art Warehouse位于杭州長江中路52号天官創意園内的一個獨棟小别墅中，在原為老廠房的基礎上，改造為更鮮明的藝術工作室。
Yes Art Warehouse is located in a small, detached villa in Hangzhou Fengshan Gleaning Creative Park, transformed into a more distinctive art studio based on what was originally an old factory building.
▲ 平面圖 Floor plan
疊加
OVERLAY
磚，作為建築與室内的構思之源，在形與相、物與象的重構中融入環境。建築物的部分漆成白色，其裸露的混凝土結構為工作室注入了一種舒緩的樸素感；部分運用了紅磚元素，延續了原有的豁達肌理感，保留屋面和建築輪廓，以此為材質基礎延續感官。
Brick, as a source of conception for architecture and interior, is integrated into the environment in the reconfiguration of form and phase, object and image. Parts of the building are painted white, and its exposed concrete structure infuses the studio with a soothing sense of simplicity; parts of the building use red brick elements to continue the original sense of expansive texture, preserving the roof and building contours as a material basis to continue the senses.
室内空間中，大量的留白創造了簡約的空間表面，集中場景美學，放大空間故事。整體空間純淨整潔，強化人對空間架構和秩序的知覺。
In the interior space, a large amount of white space creates a minimalist spatial surface that concentrates the aesthetics of the scene and amplifies the spatial story. The overall space is pure and tidy, reinforcing one's perception of spatial framework and order.
延續建築多面折角的元素，通過金屬材料的對稱、翻折、穿透，藍白色塊的分割圍合成不同的立體空間，進行室内外空間的貫通，将空間中的立體感與力量感完美展示。
Continuing the element of multi-sided folding of the building, through the symmetry, folding and penetration of metal materials, and the division of blue and white blocks to enclose different three-dimensional spaces, the interior and exterior spaces are connected, and the sense of three-dimensionality and power in the space is perfectly displayed.
四個圓形玻璃窗戶，如同通透的飛船駕駛艙，突破觀者視野局限的同時，最大限度提升其藝術表現張力。
The four round glass windows, like the cockpit of a transparent spaceship, break through the viewer's restricted vision while maximizing the tension of its artistic expression.
穿插
Interlacement
在建築的情感，空間的氣質中，藝術始終是另一次元的存在，藝術在某種層面扮演着拓荒者的角色，它可以跨越曆史與當代，穿插區域與文化，彙聚自由與創新，為空間的空白填補想象，不斷描繪出生活的答案。
In the emotion of architecture and the temperament of space, art is always another dimension of existence. Art plays the role of a pioneer at some level, it can cross history and contemporary, intersperse region and culture, converge freedom and innovation, fill the gap of space with imagination and continuously depict the answer to life.
線、面的構件沿着形式邏輯和内在結構有條不紊地展開，帶來了韻律的美和深度的層次。
大量留白以及體塊穿插将整個空間分隔、變換并且再次重組,讓建築和室内之間自由生長、協調共生,增加了一樓與二樓之間的連結豐富性,同時也實作了從聚合到疏散的空間過渡。
The components of lines and surfaces unfold methodically along the formal logic and inner structure, bringing rhythmic beauty and depth of layers.
A large amount of white space and interspersed blocks separate, transform and reorganize the whole space, allowing the building and the interior to grow freely and harmoniously, increasing the richness of the connection between the first and second floors, and at the same time achieving a spatial transition from convergence to dispersion.
解構
Deconstruction
牆壁方正的幾何體在空間中流動、組合、延展，重塑空間的生命力，嚴苛的比例控制，除了勾勒空間的基本屬性之外，呈現視覺之後的下一個感覺。
在統一和諧之下，秩序是設計者強調的設計手法，簡潔幹淨的線條，營造空間的節奏感和比例之美。
The square geometry of the walls flows, combines and extends in the space, reshaping the vitality of the space. The strict proportional control, in addition to outlining the basic properties of the space, presents the next perception after the vision.
Under the unity and harmony, order is the design approach emphasized by the designer, with simple and clean lines, creating a sense of rhythm and beauty of proportion in the space.