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劉老師說
Liu said
小屋形成了這些獨立式屋頂結構的延伸，并增加了第五個浮動屋頂。建立築融合了”天才場所”。一個浮動的平台，插入屋頂下，形成小屋的主要空間和脫粒場建立。這個平台是完全玻璃和内部和外部之間的界限變得模糊。室内空間擴充到外部空間，形成一個花園小屋。類比現代主義的經典，菲利普約翰遜的“玻璃房子”和“範斯沃斯住宅”的路德維希·密斯·凡德羅出現。居住者成為自然的觀察者，環境成為室内的主角。大自然的分期; 從某種基座上稍微擡高，居民觀察周圍環境，雲層形成的不斷互相作用，季節和羊群在小屋前的放牧決定了小屋的氣氛和特征，周圍的環境變成了一個風景，一個背景。
The cottage forms an extension of these freestanding roof structures and a fifth, floating roof is added. The new building incorporates the "genius loci“. A floating platform, which is inserted under the roof, forms the main space of the cottage and a threshing floor is created. This platform is completely glazed and the boundary between inside and outside becomes blurred. The interior space expands to the exterior space and a garden house is created. Analogies to the classics of modernism, the "Glass House" by Phillip Johnson and the "Farnsworth House“ by Mies van der Rohe emerge. The occupant becomes an observer of nature and the environment becomes the main protagonist of the interior. A staging of nature; slightly elevated from a kind of pedestal, the resident observes the surroundings, the constant interplay of cloud formations, the seasons and the grazing of sheep in front of the cottage determine the atmosphere and character of the cottage and the surroundings become a scenery, a backdrop.
平面布置圖
大自然的完美展現在使用者面前。遊客通過一個平台進入小屋，這個平台位于小屋的東面。這裡是夏季的戶外區域，也是室内的延伸。從這裡，通過大滑動門(2.4米 x3.4米) ，進入主房間。它的比例(4x10米，4.1米淨高)以古典長屋的谷倉為基礎，别墅在這裡尋求農村、典型地方類型學和古典現代主義之間的對話。
The complete beauty of nature opens up to the user. The visitor enters the cottage through a terrace, which is located in front of the cottage in the east. This serves as an outdoor area in summer and is an extension of the interior. From here, through the large sliding door (2.4m x 3.4m), one enters the main room. In its proportions (4 x 10m, 4.1m clear height) based on the barns of classic longhouses, the cottage seeks here the dialogue between, on the one hand, rural, typical local typologies and classical modernism.