項目的起源來自像這樣的環境所發出的微妙的低語，這些低語被仔細聆聽，以及來自客戶尋求庇護的需求。
The idea that originated this project came from the subtle murmurs whispered by an environment like this, which were carefully listened to, and from the client’s search for protection and shelter.
人如何才能感受到被保護？當人感到脆弱時，可以做些什麼？這個問題總是伴随着一幀畫面，或是一段記憶：一個受驚的孩子用一張薄床單蓋住自己，他向外看，以確定他能看到周圍發生的事情。用床單遮蓋是一種基礎的保護行為，這是一種心理暗示：即床單可以隐藏，保護，包裹并在下面創造一個如此安全和親密的空間，以便能夠遠離房間周圍的任何精神，幽靈或惡魔。項目在被包裹的美麗的土地周圍形成了一座新的“山丘”。
How can one feel protected? and in any case, what can be done when feeling vulnerable? This question was accompanied by an image or perhaps a memory: that of a frightened child covering himself with a light bed sheet as he looks out to make sure he sees what is going on around him. Pulling a bed sheet to cover up is a very elemental act that alludes to the most basic part of the self; a bed sheet hides, protects, wraps, and creates a space underneath so safe and intimate that it is able to keep away any spirit, ghost, or demon that may be surrounding the room. At the same time, it generates a continuity in the beautiful living surface around the land, forming a new hill in a place already surrounded by many of them.
在這樣的環境裡，建築應該是詩歌的重音，逗号，或是問号，但它永遠不應該是詩歌本身。因為這首詩已經由松樹，橡樹，甜金合歡，螢火蟲，道路，籬笆，鄰居的水井，大地，果園和夜莺譜寫完成。
The architecture should be in this case an accent on the words of the poem, a comma, or in any case a question mark, but it should never be the poem itself. The poem is already given by the pines, the oaks, the sweet acacia, the fireflies, the road, the fence, the neighbor’s water well, the earth, the orchard, and the nightingale.
詩歌中的重音是四堵混凝土牆，出其不意地從風景中浮現出來;其中兩面支撐起這座新山丘的土地，形成了仿佛擡起的“床單”一般的地形，另外兩面圍合成入口通道，護送客人進入房屋。
Such accents in the poem were four concrete walls that emerged surprisingly from the landscape; two of them bear the land of this new hill that was created by raising the bed sheet, and two others frame the access and escort the guests on their way into the house.
▽兩面混凝土牆構成的通道
這條通道足夠寬，可以一人獨自舒适地行走，但又足夠狹窄，無法結伴而行。遊客被孤獨地投入這段朝聖之旅，通往一棵老樹，其存在感如此之大，以至于需要用柔和的曲線扭曲其中一面牆的弧度，以便人們可以從它旁邊擦肩而過。
This path is wide enough to walk it comfortably alone but narrow enough not to be able to do it accompanied. Visitors are cast into a pilgrimage in solitude that leads to an old tree with such a significant presence that it was necessary to distort the linearity of one of the walls with a gentle curve to be able to pass next to it…so close that it is even possible to graze it.
▽狹窄的通道使遊客與老樹擦肩而過
走過老樹，走下幾道堅固的石階，打開一扇沉重的鋼門，一個混凝土拱頂矗立在那裡，支撐着上方綠色的“床單”，讓人仿佛身處于一個寒冷，黑暗但舒适的洞穴之中。
After crossing the tree threshold, going down a few solid pearled stone steps, and opening a heavy steel door, a concrete vault stands there, supporting the loads of the green bed sheet that rests on it; it gives a sensation of being inside a cold, dark, but strangely cozy cave.
混凝土之是以被選為主要材料，是因為它能與森林互相作用并改變顔色，由灰色變為綠色、黑色和黃色，逐漸融入環境。地闆采用木材，旨在還原被松樹包裹時的香氣，并平衡混凝土的冷調。最後，鋼材的選用是因為随着時間的推移和降雨，它将會獲得樹皮一般的外觀。
Concrete was chosen as the main material because of a dream of this new rock melting while inevitably interacting with the forest, changing colors… grays that turned to greens, blacks and yellows that were gradually incorporated into the environment. The flooring would emphasize the aroma of wood that is perceived when surrounded by pine trees, giving balance to the cold temperature of the concrete; and finally, the steel took place because with time and rainfall, it acquires an appearance like tree bark.
▽室内以混凝土和木材作為主要材料
▽卧室
至于空間組織，房子的左側是完全暴露在樹木繁茂的峽谷中的公共區域，右側是略微向庭院開放的私密區域，可以看到天空和少許樹梢，但相對更封閉。
As for the spatial organization, on the left side of the house are the public areas completely exposed to the wooded ravine, and on the right side the private areas open more timidly to a courtyard that allows to see the sky and the top of some trees but that closes a bit towards the outside.
▽公共區域
▽私密區域
項目的重點在于減少參考與特定時刻相關的元素，是以冰箱和電器被隐藏起來，照明布置得非常謹慎，僅使用了四種主要材料：石頭，木材，混凝土和鋼材。對于客戶來說，保留山區粗犷和原始的氛圍非常重要。
It was important to have very few references of elements that would connect to a specific moment in time, so the refrigerator and appliances were hidden, the lighting was arranged very discreetly, and only the four main materials were included: stone, wood, concrete, and steel. It was very important for the client to preserve the rough and primitive atmosphere of being in the mountains.
▽平面圖
Arquitectos: HW STUDIO
Website: www.hw-studio.com
Contact e-mail: [email protected]
Facebook: @hwstudioarquitectos
Instagram: @hwstudioarq
Localizacio: El vaquerito, Morelia, Michoacán. Mexico
Google maps link: https://goo.gl/maps/HibBsYDsX4iKazYL7
Completion Year: 2021
Tama o: 250 mts 2
OTRA INFORMACION TECNICA I OTHER TECHNICAL INFO
Arquitectos: Rogelio Vallejo Bores y Oscar Didier Ascencio Castro.
Equipo: Sergio Antonio Garcia Padilla, Jesus Alejandro Lopez Hernandez, Alberto Gallegos Negrete.
Constructora: ARGA Constructora
Rainy Mood Pictures: Cesar Bejar
Photographer’s website: www.cesarbejarstudio.com
Sunny Mood Pictures: Dane Alonso
Photographer’s website: www.danealonso.com
Video: Mavix. Hugo Tirso Dominguez
非常感謝HW STUDIO供稿分享
本文由hhlloo/景觀邦編排翻譯