Compared with the contest in the fields of hard power such as politics, diplomacy, and military affairs, people often ignore the invasion of Cultural and Ideological Aspects of China by Western countries. Since the beginning of reform and opening up, exchanges between China and other countries in the world have been deepening, and chinese and foreign people have continuously enhanced mutual trust in exchanges. However, under the general trend of development, many invisible dirts also appear frequently. Especially in the international pattern with the increasing tension between China and the United States, many Western cultural industry practitioners have "consciously" taken sides and stood against China.
A few days ago, there were media reports that Warner Bros., one of Hollywood's largest film companies, is preparing to make a new movie called "The Great Chinese Art Robbery". Unexpectedly, what it reflects is not the loss of Chinese culture due to the invasion of Western powers in modern times, but the so-called "Chinese stealing cultural relics of the Yuanmingyuan", which is really ridiculous and generous.
It is reported that the film is adapted from articles written by Alex W. Palmer in previous years, which mainly tell the story of the theft of Chinese cultural relics in many European national museums in the previous years, and most of the stolen cultural relics were Chinese cultural relics stolen from the Yuanmingyuan by the British and French forces in the Second Opium War. The reality is that, because of the complexity of the cases, these cases have not been solved so far. Despite this, the producers still disregarded the facts and identified the criminals as Chinese, claiming that they had "stolen Chinese cultural relics Chinese", and did not know whether they had basic historical knowledge.
In this article, Alex W. Palmer unashamedly argues that more and more wealthy Chinese merchants like to collect cultural relics from various sources, not only from auction houses, but even hire thieves to steal from museums, and among them, "some departments in China" have given a lot of assistance. It is ridiculous that typical self-talk and nonsensical articles can make the big American film companies "look like treasures".
Of course, since they accept the film script shooting of relevant themes, it is impossible not to know the relevant historical background, and the only possible explanation is that they are well aware of the historical facts, but they still have to explain it according to the perspective of the Westerners' own thinking, using all china-related events to carry out anti-China propaganda, so as to cooperate with the China policy formulated by the White House master.
1840 was the beginning of China's modern history of humiliation, and since then, more than 10 million precious cultural relics of Chinese history have been lost overseas and become the spoils of war in Western countries. Among them, the cultural relics of the Yuanmingyuan are called "priceless treasures" because of their special status as royal treasures. Up to now, the national treasure-level cultural relics in the Yuanmingyuan: Kangxi Yu Ruyi, "Female History Zhentu", and Qianlong Great Jade Mountain are still floating in other countries. In order to let the lost Chinese cultural relics go home as soon as possible, the Chinese government and the people have worked in an all-round way to recover cultural relics through diplomatic communication, personal donations and other means to ensure that all cultural relics recovery work conforms to legal norms and does not undermine national fighter relations. Today, China's efforts in the recovery of cultural relics have become a model for many countries to learn from.
What is even more ridiculous is that in order to make their film full of Chinese color, the producers invited many Chinese people as the main creators to participate in the shooting of "The Great Robbery of Chinese Art". For example, the director determined that Zhu Haowei, who had directed "The Amazing Demon Gang 2", was written by Ouyang Wancheng and Jessica Gao, who had a certain reputation in Hollywood. This kind of film, cloaked in Chinese colors, is actually an insulting propaganda against China, and can only blame the anti-China people in the West for feeling self-comforting, and will not deceive the Chinese people who have received a complete historical education.
In fact, Hollywood movies have always served as a propaganda position for American values, and all kinds of dazzling and cookie-cutter Spider-Man, Batman, and Iron Man movies, the root of which is to catch people's attention through eye-catching big scenes, so as to make up for the lack of its connotation. If you really want to say that these Hollywood blockbusters have any connotation, it is nothing more than the individualism, hedonism, and liberalism promoted by the Americans, and once the Chinese people are poisoned by these ideas, they will cause irreparable damage to the entire Chinese society.
With the comprehensive rise of domestic films in recent years, the status of American Hollywood films in the Chinese film market has slowly become history. After the Chinese market is becoming more and more difficult to make money, many foreign film companies have chosen to abandon the Chinese market, while catering to Western anti-China ideas, shooting movies that defame the image of the Chinese people and slander China, such as Marvel's first film "Shangqi" with Chinese as superheroes, from the casting of actors to the background of Fu Huadao, all of which reveal the stereotypical prejudice of Westerners against China.
As a Chinese, we should always remember the sufferings suffered by the Chinese nation in history and always maintain a sincere patriotic heart. At the moment of China's comprehensive rise, establish cultural self-confidence and road confidence, and know where you come from and where you are going.