Mizuki Zhan Qinghua: Nature in Chinese Painting
When: April 20 - October 20
Beijing | Tsinghua University Art Museum, Hall 10, 4th Floor
In 2021, the 110th anniversary of the founding of Tsinghua University, the Tsinghua University Art Museum and the Capital Museum, with the strong support of some private collectors, jointly held the exhibition "Mizuki Zhan Qinghua: Nature in Ancient Chinese Painting" based on ancient fine paintings to present the school's celebration. "Shuimu Zhan Qinghua", a classic of the Eastern Jin Dynasty Xie Chao's poem "You Xi chi", "Jingfang Songbird Collection, Mizuki Zhanqing", which not only tells the name of "Tsinghua", but also a poetic revelation of the theme of this exhibition. "Mizuki Zhan Qinghua" can be regarded as a watershed in the transformation of people's "view of nature" in this period, marking the ancients' vision from the grand and distant thinking of nature to the specific beauty of nature, the "nature" of philosophy, evolved into life, and finally lived a "physical" life and realized the artistry of life.
Although the pavilions and pavilions in ancient life, cars, horses, boats and boats have become historical memories, but the green mountains and white clouds, insects and birds are still there, we can not spy on the lives of the ancients, but we can be sure that in the face of the eternity of the universe, in the face of the endless life of all things, we can still communicate with the hearts of the ancients, send out the same exclamation, the "nature" shown in these pictures will continue to trigger the ultimate thinking of modern people on the relationship between man and the universe.
Exhibition catalogue
28. "Pine Shade Gaoshi" Chen Hongjie Ming Vertical Axis/Silk Color
29. "Shochiku Stone" Item Saint Mo Ming Vertical Shaft/Ink on Paper
30. "Blowing Pipe Diagram Under the Moon" Fei Danxu Qing Vertical Axis/Color on Paper
31. "Boat Drawing in Luzhong" Gong Xianqing Painting/Ink on Paper
32. "Drunken Landscape" Fang Shishu Qing Vertical Shaft/Ink on Paper
33. "Guest View" Xi Gang Kiyoshi Vertical Shaft/Ink on Paper
34. "Python Guide River Official's Matter" Gao Xiang Qing Vertical Axis/Ink on Paper
35. "Imitation of the River Crossing Road Snow Creek Map" Wang Yi Qing Vertical Axis/Color on Paper
36. "Spring Snow Map" Yin Donglin 1797 Vertical axis/silk color
37. "Landscape" Liao Jing Qing Vertical Axis/Ink on Paper
38. "Autumn Mountain Map" Yuan Jiang Qing Vertical Axis/Ink on Paper
39. "Sleeve Ridge Peak" Guan Si Zhang Hong et al. Ming Hand-rolled/ink on paper
40. "Golden Rooster Diagram" Anon. Ming Vertical Shaft/Silk Coloring
41. "Ghost Bird Diagram" 喦清 Vertical axis/Color on paper
42. "Bamboo Stone Diagram" Zheng Xie Qing Vertical Shaft/Ink on Paper
43. "Peacock Plantain" Ren Bo Nian Qing Vertical Shaft/Paper Coloring
44. "Imitation of Beiyuan Landscape" Qiu Yuan Ming Vertical Axis/Ink on Silk
45. "Imitation of Hongguzi Landscape" Strip Shao Mi Ming Vertical Axis/Silk Coloring
46. "Right Army Book Fan" Anon. Ming Axis/Silk Coloring
47. "King Wei XueJing" Lan Ying Ming Vertical Axis/Silk Color
48. "Imitation of Juran Xia HanTu" Wang Yiqing Cui Vertical Shaft/Ink on Paper
49. "Gu embroidery landscape figure four screen embroidery" Qing vertical shaft (four screens) / embroidery
50. "Lintang Yin Songxuan Reading" Wang Ying Qing Vertical Shaft/Ink on Paper
51. "Imitation of Ishida Landscape" Mei Qing Qing Vertical Shaft/Ink on Paper
52. "Imitation of Yellow Crane Mountain Pencil" Xu Rongqing Fan/Paper Coloring
53. "Character Diagram" Ren Xiong Qing Vertical axis/color on paper
54. "Chicken Stone Flowers" Shi Yanzhang Qing Vertical Shaft/Ink on Silk
Exhibit details
【Works】Chen Hongjie · Pine Shade Coats
Chen Hongshou (1599-1652), courtesy name Marquis Zhanghou, was a native of Zhuji (present-day Zhejiang Province). In the early years, Pu was employed under Liu Zongzhou and Zodiac Zhou, and during the Chongzhen period, he donated money to the Guozi Prison, conferred the Zhongshu Sheren, and enshrined the inner court, and soon left the capital to return. After the death of Ming, he became a monk at the Yunmen Temple in Shaoxing, called himself a late repentant, also known as old chi, and then lived in Hangzhou, selling paintings for a living. Gong poetry, good at calligraphy and painting, grew up in landscapes, characters, flowers and birds, in the early years by Lan Ying influence, and later with Cui Zizhong' name, known as "Southern Chen Bei Cui". He is the author of "BaolunTang Collection".
【Works】Xiang Shengmu · Shochi bamboo stone
Xiang Shengmo (1597-1658), also known as Kong Zhang, Yi'an, xushanqiao, also known as Songtao Sanxian and Cuncunju, was a native of Jiaxing, Zhejiang, and the grandson of Xiang Yuanbian, a great collector of the late Ming Dynasty. The family is rich in learning, poetry and painting are excellent, and the families of the past generations are especially able to rely on the techniques of the Northern Song Dynasty and the charm of the Yuan people, and the landscapes, flowers, birds, and characters are all clear and elegant, and they are one of the few literati painters of their own style in the late Ming Dynasty. He is the author of "Langyuntang Collection" and "Qinghe Caotang Collection".
【Works】Fei Danxu · Blowpipe chart under the moon
Fei Danxu (1801-1850), zi zi yuan, xiao lou, late trumpet puppet, Wucheng (now Wuxing, Zhejiang) people. Good at painting people and flowers, especially fine women, good at the time.
【Works】Gong Xian · Map of the boat in Luzhong
Gong Xian (1618-1689), a Yi Xian, character half a thousand, no. wild relics, Chai Zhangren, etc., Kunshan, Jiangsu, participated in the revival of the community in his early years, went out to drift during the war at the end of the Ming Dynasty, and lived in seclusion in Qingliangshan after entering the Qing Dynasty, selling painting apprentices. His landscape creation, with the brush and ink of the Northern School of painting in the early Song Dynasty as the main body, refers to the brush style and ink rhyme of Mi Fu, Mi Youren, Wu Zhen and Shen Zhou, and combines his own observations and feelings to form a simple and beautiful ink accumulation method, which is different from the ancient creative style advocated by the "Four Kings" in the early Qing Dynasty.
【Works】Fang Shishu · Drunken landscape
Fang Shishu (1692-1751), a Xun (洵遠), the lord of Huanshan, Tianxu, tianxiao, tianxiao, xiaoshi Daoist in his later years, a native of Xin'an (present-day Shexian County, Anhui), and a famous scholar of the "Loudong sect". This work is the work of Fang Shishu Snow Night, and after drunkenness, he lifts his pen and swings it vertically and horizontally until the three more suddenly become this painting. Originally it was a snowy night to wait for friends to come, and friends did not arrive, so the two scribes gathered on the pavilion on the lake, taking advantage of the work, which was quite interesting. Fang Shishu This painting of pen law is a great fool, the composition is strange and longitudinal, and the pen and ink are smooth.
【Works】Xi Gang · Guest chart
Xi Gang (1746-1803), originally known as Gang, the character Tiesheng, the number of Mengquan Waishi, Mengdaoshi, Xi Daoist, Scattered Wood Resident, Qiantang Buyi, etc., originally from Xin'an, belonged to Qiantang. During the Qianlong period, he was filial and honest and square, and he could not resign. This work of Xi Gang is light ink and color, quite elegant. Tai Xie's Chinese people rely on books to write, and the conversation is very happy, which is quite consistent with the artistic conception in Yuan Hongdao's poems.
【Works】Gao Xiang · The python guides the river official
Gao Xiang (1688-1754), one of the "Eight Monsters of Yangzhou". The character Fenggang, the number of the Western Tang (Xitang, Xitang, Xitang, Xitang), also known as the foreign minister of the mountain forest, was a native of Yangzhou, Jiangsu. Gong seal carving, good at painting flowers, landscapes. The "Python Guide River", the Mangdao River in the Dongjiangdu District of Present-day Yangzhou City, Jiangsu Province, is one of the important (flood discharge) channels to the Yangtze River in the Lixia river area of Jiangsu Province.
【Works】Wang Yi · Imitation of the river through the snow creek map
Wang Yi (1632-1717), Zi Shigu, WumuShanren, Cultivator smoke sanren, Qinghui master, etc., Jiangsu Changshu people. In the thirtieth year of Kangxi (1691), on the recommendation of Song Junye and Wang Yan, he entered Beijing to preside over the drawing of the "Kangxi Southern Tour Map", which was received by the crown prince Yin Rong and given a handwritten letter "Shanshui Qinghui" (which is said to have been given by Kangxi). He is the founder of the "Yushan School".
【Works】Yin Donglin · Spring snow map
Yin Donglin (1758-1803), a layman, mainly active during the Qing Jiaqing period. The exchanges of the original names Fukun, Ning Guiyou, Qingyuan, Fujian Ninghuaren, Yi Bingshou and Yin Qingyuan left a large number of literature, poetry and wine collections, sightseeing in the mountains, and belonged to the typical literati friendship.
【Works】Liao Jing · landscape
Liao Jing, year of birth and death unknown, Fujian Tongzhi as a famous path. Zi Yin gong, Fujian Putian people. Good landscape.
【Works】 Yuan Jiang · Akiyama diagram
Yuan Jiang (c. 1671-1746), courtesy name Wentao, was a native of Jiangdu (present-day Yangzhou, Jiangsu). This work depicts scenes of three scribes, one of whom is inscribing on the wall, next to the child holding a stone platform to serve ink, and the other two scribes, one sitting on the side to watch, the other sitting on the water's edge and staring. In the distance, there are woodcutters with firewood, and the characters are dressed close to the Song people.
【Works】Guan Si · Sleeve Ridge Peak
This volume is the Ming Dynasty Xu Junping from the first year of Chongzhen Pengchen (1628) to the thirteenth year of Qing Shunzhi (1656), respectively, asked the painters Guan Si, Zhang Hong, Wen Congjian, Bian Wenyu, Liu Yuanqi, Jin Junming and other nineteen families to write a portrait of the strange stones of the family collection, before and after more than 20 years, before and after the completion of this volume. The stones in the volume are strange in shape, or clumsy or clever, or rugged bone protrusions, or exquisite and transparent, and the pen and ink of the family are also quite elegant. This volume was collected by Chen Banding, Wang Zhongwu and others, and there are inscriptions by Hu Jun, Zhang Heng, Xu Bangda and others.
【Works】Anon. · Golden Rooster Diagram
Author unknown
【Works】Hua Zhao · Phantom Bird Diagram
Hua Yue (1682-1756), also spelled Deok Song, also spelled Qiu Yue, was a Silla Mountain man. A native of Shanghang, Fujian, he later lived in Hangzhou. Good at painting characters and landscapes, with flowers and birds the most prestigious, and taking the strengths of Chen Chun and Yun Shouping to form a small freehand painting style. The shape is vivid, the composition is novel, the pen and ink are simple, and the colors are clear. He is one of the representative figures of the Yangzhou School of Painting and has a great influence on the painting of flowers and birds in the middle and late Qing Dynasty.
【Works】Zheng Xie (Zheng Banqiao) · Bamboo stone diagram
Zheng Xie (1693-1765), zi Kerou, no. Banqiao, Xinghua, Jiangsu, Qianlong first year (1736) jinshi, once served as a county commander in Shandong, and later lived in Yangzhou, selling paintings for a living. His paintings are mainly based on orchid grass bamboo stones, which are used to pin "the aspirations of the world", and the painting methods Xu Wei, Shi Tao, and Bada are freehand, the brushwork is healthy and elegant, emphasizing "the intention is to write first", the layout is less than more, and the composition is concise. He is the author of "Zheng Banqiao Collection", which is a representative figure of the "Eight Monsters of Yangzhou" in the Qing Dynasty.
【Works】Ren Bonian · Peacock plantains
Ren Yi (1840-1896), initially known as Run, zi xiao lou, later zi Bo Nian. A native of Shaoxing, Zhejiang, his father Ren Shenghe was a folk portraitist, the eldest uncle Ren Xiong, the second uncle Ren Xuan, was already a well-known painter. Its flower and bird masters Chen Chun, Xu Wei, Shi Tao and others, eclectic and talented, part-time with writing, full of ingenuity, color is suitable, vivid and charming. It has opened up a new world of flower and bird painting and has had a huge impact on modern and modern times.
【Works】QiuYuan · Imitation of beiyuan landscape
Qiu Yuan (1617-1690), ziyu xue, living in seclusion in Wuqiu Mountain, Mr. Wuqiu, Wuqiu Mountain, a native of Changshu County, Suzhou Province, was a descendant of Hou Qiuyue of the East China Sea, a drinker by nature, a wandering skeleton, and a writer of opera in the early Qing Dynasty.
【Works】Shao Mi · Imitation of Hongguzi landscape strips
Shao Mi (1592-1642), also known as Monk Mi, was a painter of the late Ming Dynasty. Noh poetry, good calligraphy and painting. Painting landscapes and rivers far away from Jingguan, reading the Zhong Shu Method, round and colorful, also making feathers, but also good at painting figures and Buddha statues. Wu Weiye called him one of the "Nine Friends in the Painting".
【Works】Anon. · Right Army Book Fan
【Works】Lan Ying · View of His Holiness Visher
Lan Ying (1585-1664), Zi Tian Shu, Trumpet Worm, Stone Tuo. A native of Qiantang (present-day Hangzhou, Zhejiang). Gongshu is good at painting and is famous for its landscapes. He first studied Huang Gongwang, and later copied the Tang, Song, and Yuan families.
【Works】Wang Yi · Imitation of the giant summer cold figure
【Works】Qing · Wang Yi · Imitation of the giant summer cold figure
Wang Yi (1632-1717), Zi Shigu, WumuShanren, Cultivator smoke sanren, Qinghui master, etc., Jiangsu Changshu people. Together with Wang Shimin, Wang Jian, and Wang Yuanqi, they are known as the "Four Kings". Zhang Ke, a fellow villager at the beginning, specialized in Huang Gongwang landscapes, and then transferred to Wang Jian, and was recommended by Wang Jian to learn from Wang Shimin and visited the Homes of the Song and Yuan Dynasties. In the 30th year of Kangxi (1691), on the recommendation of Song Junye and Wang Tuan, he entered Beijing to preside over the drawing of the "Kangxi Southern Tour Map", which was received by the crown prince Yin Rong and gave him a handwritten book "Shanshui Qinghui" (which is said to have been given by Kangxi). He is the founder of the "Yushan School".
【Works】Embroidery · Gu embroidered landscape figures four screens
Gu embroidery is named after the Gu family that originated in the Songjiang area of the Ming Dynasty, and often uses masterpieces such as landscapes, flowers, birds, and figures in Song and Yuan famous paintings as facsimiles, and the pictures are all embroidered and painted, with embroidery instead of painting.
【Works】Wang Jie · Lin Tang Yin Song Xuan read easy
Wang Jie (王荦), also known as Gong Nan (耕南), also known as Jia Ting (号稼亭), also known as Mei Jiao (梅峤), was a native of Wu County (present-day Suzhou), Jiangsu Province. Painters of the early Qing Dynasty, at the same time as Wang Shigu, the landscape imitated the painting style of Shigu.
【Work】Umesei · Ishida Sansui
Mei Qing (1623-1697), Ziyuan Gong, Qu Shan, also known as Mei Yi, Xuelu, etc., was a native of Xuancheng, Anhui. In the eleventh year of Shunzhi (1654), he was appointed as the secretary of the cabinet. Good at poetry, painting landscapes, especially good at painting pines, good at writing about the beautiful scenery of Huangshan Mountain. Be friendly with Shi Tao and exchange painting skills with each other. This picture adopts a bird's-eye view composition, and there are two people sitting opposite each other on the near-view stone platform, and one of them carries a piano, which means to know the sound. Next to it are two old pine trees, with a few bushes of miscellaneous trees. In the middle of the scene, there is a stream running through the stone valley. A cliff stands above the picture, not the peak, and the peaks in the distance are hidden in the clouds.
【Works】Xu Rong · Imitation of the Yellow Crane Mountain wood pen
Xu Rong, year of birth and death unknown, character Yuncang, Shanting, Baiyangshanren, Wujiangren, Wang Yizhong's disciple in his later years. Along with Yang Jin, Gu Xingwen, Gu Fang, and others, wang yi followed his disciples. Heirloom works are rare.
【Works】Ren Xiong · People figures
Ren Xiong (1822-1857), also known as Wei Chang, Xiangpu, Ren, a native of Xiaoshan, Zhejiang, was a representative figure of the "Hai School" in the late Qing Dynasty. Together with Ren Xuan, Ren Yi and Ren Pre, they are called "Four Ren on the Sea", and together with Zhu Xiong and Zhang Xiong, they are collectively known as the "Three Bears of Shanghai". In his early years, he became acquainted with Jiaxing Zhou Xian and lived in his Fanhu Caotang for three years. After getting acquainted with Yao Xie, a famous scholar in eastern Zhejiang, he invited him to his home in Zhenhai and lived in the Dameishan Pavilion to enjoy the famous calligraphy and paintings. Gong landscape, characters, flowers, feathers, insect fish, walking beasts, especially good at the immortal Buddha's Tao, the shape of Chen Hongshou, the pen is round, the image is strange.
【Works】Shi Yanzhang · Chicken stone flowers
Shi Yanzhang (1619-1683), also known as Shangbai, Yushan, also known as 蠖斋, late trumpet, Xuancheng (now part of Anhui) people. Gong poetry, good at calligraphy and painting. He is the author of "Mr. Shi Yushan's Xueyu Anthology" and "Xueyu Poems", which are on a par with Song Wan, and are known as "Southern Shi Northern Song".
Calendar of selected exhibitions for the National Calligraphy and Painting Exhibition in September