Ōhori is a great beauty in the World Badminton world in the Japanese badminton world. Saying that she is a big beauty is worthy of the name. Bright eyes and bright teeth, delicate appearance, tall figure, elegant temperament. Such a beautiful and lovely girl golfer, which fan can resist her charm? But the fans like her, not only because of her white and beautiful appearance, but more importantly, because of her good ball skills and beautiful playing movements.
I knew about Ohori samuel relatively early. At least four or five years ago, there was a low-level game in Japan on the Internet, as if it were a junior high school league or a corporate league, but there was actually a ball that was Otori. The impression is that she was still relatively young at that time, and the appearance of a little girl was not yet mature. Regardless of her looks or skills, I don't think it is very outstanding, but her temperament and confidence and hard work on the court have left a deep impression on me.
In the past two years, it seems that she has slowly come out to participate in international competitions, but I have seen that she does not play many games, but in the forum, I found that many golfers paid special attention to her, and there was a Thai Masters final, so I specifically looked at the women's singles. Don't look at it, I don't know, I think this Otori is really remarkable, although the result of the game is not satisfactory, but the skills and fighting strength she showed in the process are still not easy to let go.
First of all, what impressed me the most was that Oohori's technical movements were very standard, the force was very coordinated, and there was always that heroic charm on the court. I think that's probably the key to what most fans think about Ohori's beautiful movements. Because as far as badminton is concerned, the premise of beauty should first be a variety of technical action standards, in this regard, Ohori Whether it is a variety of high, hanging, killing actions in the backcourt, or the hook and pick action in front of the net, it pays attention to the angle of the basic framework and the rhythm of the batting force.
Especially in the control of body shape and pace center of gravity, it is also very easy, in place and perfect. Therefore, we watch Obori play and feel that the power of each shot is particularly coordinated. That is, beautiful and full of connotations. Among amateur fans, there are also some people who look cool in their playing actions, but in fact, they are just an empty shelf, and they cannot transmit their strength through the joints around them, coordinated, smooth and perfectly released. This kind of playing action that seems to only pay attention to form and lacks connotation lacks spirit in the end.
Secondly, I found that each shot of Oohori has a common feature, in fact, not only Otori, many players with high technical level have this feature, that is, the position of people and the ball is very reasonable. Note that it is very reasonable! Not far away, not forward and backward, not left or right, not up and down, but it seems to be at the outermost end of the body. Note that it is at the outermost end of the body! That is to say, every ball she just ran into place, not forward, not backward, not left or right. One point is not enough, one more point is too much. Ohori played ball, and I had a big feeling that the position of the person and the ball always ran very accurately.
Third, because there are two points in front as a guarantee, Ohori Yoshi's movements are very smooth and stretched every time he hits the ball vigorously, almost stretching all the joints of the body to the limit before hitting the ball. At the same time, in the treatment of small balls, it is also very important to pay attention to the relative relationship between the position and the shooting surface, combined with the batting point, stretching and shrinking freely, so that the ball is full of rhythm and concealment.
Finally, I think Ōhori is the best of all the pros in terms of the non-clapper's frame for technical movements and the instant power of the bat. To put it very objectively, in the world of feathers, almost no one can apply one of her non-holding arms to the same free and graceful as holding a clapping arm, which is really pleasing to the eye and loving.
In this match, Ohhori lost on physical strength rather than technicality. When her physical strength dropped significantly in the third set, she fell to the ground many times to save the ball, which was both amazing, painful, and made people feel a lot of admiration for her. This little girl, who loves the sport so much, can be said to be the best example of a beautiful sport that shows the strength, speed and skill of badminton. And that kind of spirit of fighting for every ball and never giving up is also worth learning hard from our amateur golfers.