"The Biography of the Painter" ~ 325th article
<h1 class="pgc-h-arrow-right" data-track="2" > West Garden Left Pen Shoumen Book, Gao Fenghan with poetry and calligraphy printed proudly in the "Yangzhou People Monster"! </h1>
Text/Lu Xiuhui
Gao Fenghan (1683 ~ 1749), the character Xiyuan, the number of Nancun, also known as Nanfu, Yunfu, alias because of the place, because of the time, due to illness, etc. more than 40, late due to illness and paralysis, with the left hand as a calligraphy and painting, also known as Shang Zuosheng, Shandong Jiaozhou Sanlihe Village people.
Gao Fenghan was a descendant of the family, and his father was nothing more than a county and prefecture scholar; his second uncle, Gao Yuecong, the official Fujian inspector, had only a few tattered clothes at the head of the bed when he died; his third uncle, Gao Yuerui, was the official of the prefecture. Gao Fenghan was the second oldest, in his early years he studied poetry with the famous poet Zhang Qianyi of Jiaozhou, Gao Fenghan was 15 years old, living with his father in Zichuan, when his father served as a teacher in Zichuan, under the guidance of his father, Gao Fenghan read a lot of books and became acquainted with a group of talented literati. When Gao Fenghan was 18 years old, his father left office, and Gao Fenghan returned to his hometown with his father and began to prepare for the imperial examination. Gao Fenghan's "Nostalgia on the Sea", a poem:
Extreme cold smoke meets the wilderness, and the mountains and mountains are in the same autumn.
The wind rings the bells and stones, and the sound of the tide and anger urges the drums to be yang.
Set up a risk to stay in Chu Sai, asking where to ask the Qin Emperor.
The horseshoe is extremely emotional, and the sunset is yellow under a thousand peaks.
In the forty years of the Kangxi Dynasty (1701), Gao Fenghan, 18, took the Examination of Xiucai and married his wife Fu Chuangu. His wife was a tongyi with Gao Fenghan, born into a rich family, one year younger than Gao Fenghan, and bore Gao Fenghan two daughters and two sons. In his later years, Gao Fenghan's right hand was sick and sick, and he was seriously infected, and his wife Fu Chuangu waited by his side, accompanied him for forty years, always, "diligent and whitehead without resentment".
The following year, Gao Fenghan was 19 years old, and in the Shandong Autumn Examination, his name fell to Sun Shan. The fame of the achievement, the death of his father, the famine in Jiaozhou, the tim ding with the mouth, the pressure of life is getting bigger and bigger, 26-year-old Gao Fenghan went to Nanchang, defected to the clan Bo Gao Wenyi. Gao Wenyi was a general in Nanchang, Jiangxi at the time, but Gao Wenyi was a military attaché, and he could not bring help to Gao Fenghan on his career, let alone an official and a half-post. After less than a year in Nanchang, Gao Fenghan returned disappointed. He has not given up participating in the imperial examination, and has participated in a total of eight township examinations, all of which have failed to be Chinese. In the second year of Yongzheng (1724), Gao Fenghan was hired by the Shandong Yanzhiguan to participate in the compilation and revision of the Shandong YanfaZhi.
The imperial examination struck at many Chinese intellectuals. However, it is undeniable that in the era of nepotism, it was also a good way to optimize talents. Although Gao Fenghan was born with the decadent mentality of "fame and fortune are not my own", it is also an indisputable fact that he has been working hard for this all his life. In the fifth year of Yongzheng, Huang Zhirui, the prefect of Jiaozhou, changed Gao Fenghan's fate, and Huang Zhirui recommended him as "a virtuous and virtuous man" to go to Beijing to take the exam in preparation for the Yongzheng Emperor's probation. In December of the sixth year of Yongzheng (1728), Gao Fenghan was sent to Shexian County, Anhui Province, to take up the post of county magistrate. His career finally came true at the age of 45, and he took his wife and son to Shexian County. Gao Fenghan's "Song of the Ancient Chisels of the Primeval Dynasty", Shiyun:
The dwarf was starved to death, and the old Shuo temple called out to the Heavenly Son.
Before the first jade step, the jade flowers rose with Shuo.
It is said that people substitute for Wu Cao, scraping and polishing to see the texture.
The clouds are made into grape balls, and the piles are full of 10,000 purples.
The broken angle is half unreal, and the word of the beginning can still be referred to,
The double-titled parallel jigong name, the palace character empty survival of its tail.
Mozi shouted long to the guests, and this gentleman should read a lot of people.
The crags of the earth eroded the ancient flowers, and a few into the deserted graves and several battle bases.
I chisel it as a companion of the book, and do not carve or dwell on its beginnings.
A stone of ink storage is full of frost, and the fighting wine is still worthy of the history of Han.
In the eleventh year of Yongzheng (173), Gao Fenghan was appointed to Yizheng County and supervised the salt affairs of Taizhou. At that time, salt was the state's control of materials, and all those who were involved with "salt" were all oily and fat. When Gao Fenghan was serving as the supervising producer of Taizhou, he was accused of having formed a party with Lu Jianzeng, the envoy of the two quasi-salt transporters. At that time, Lu Mizeng made a judgment that "the stove belongs to the merchant pavilion, and the grain belongs to the stove" on the matter of the salt merchants colluding with the government to occupy the salt pond of the stove (salt people), re-issued the deed of the salt people, safeguarded the interests of the salt people, harmed the illegal interests of the salt merchants and corrupt officials, and was framed by them in various ways. Although the target of the revenge was Lu Jianzeng, Gao Fenghan became a "pond fish", as Lu Jianzeng's compatriot and his subordinate, he inevitably bore the brunt of being implicated. Gao Fenghan was deposed and removed from office in the second year of Qianlong (1737).
Lu saw the children of eunuchs and elegant people, and had a great relationship with the "Eight Monsters of Yangzhou". He once built the Twenty-four Views of the Red Bridge and the Jinjiao Louguan along the Xiaoqinhuai of Yangzhou, and in the spring of the twenty-second year of Qianlong (1757), the "Repair Zen" activity was held in the Red Bridge, where poets gathered, Lu Jian once composed four poems of the Seven Sayings and Laws, and more than 7,000 people in the world cultivated rhymes, which was once a good story in the literary world. Lu Jian was tall, informal, short and thin, and was known as "Dwarf Lu". Learn poetry from Wang Yuyang, have poetry names, love and hospitality, four famous celebrities salty collection, lingering singing and singing, for a time known as the Hai Nei Zong craftsman. Thirty-three years after Qianlong, the two Huai salt cases occurred, because they accepted more than 10,000 antiques worth more than 10,000 yuan from salt merchants, they were detained, and they died of illness in Yangzhou prison. He is the author of "Yayutang Poetry Collection" and engraved with "Yayutang Series". Ji Xiaolan's eldest daughter married Lu Yinwen, the grandson of Lu Jian. When the Yanyin case occurred, Liu Tongxun, a scholar of the Imperial University, and The official Shangshu Tuo Tuo found Ji Yun guilty of omission and reprimanded Urumqi.
From the age of 44 to 54, Gao Fenghan was an official for ten years, one son died, one son was blind, and he tasted the bitterness and bitterness of the officialdom, and saw through the cold and warm feelings of the officialdom, and his heart and body were tired. At the age of 55, he became ill with a disability in his right hand and was unable to write until he was completely ill. Instead, he used his left hand to dance and ink, called himself "Hou Shang Left Hand", and carved a stone medal of "Ding Mi Remnant", marking the right hand in Ding Mi Nian's illness and suffering. From then on, during the last eleven years of his life, he switched to left-handed calligraphy and painting. He lived in Yangzhou, boarded the Buddhist monks' house, and survived for several years with the financial support of a group of literati and poets, especially the characters in the "Eight Monsters of Yangzhou", and selling paintings himself. In Yangzhou, he was very involved with a group of literati of the "Eight Monsters of Yangzhou", relying on their financial support and selling paintings by himself, and maintained a wandering life for several years. At the age of 59, Gao Fenghan returned to his hometown.
The salt merchants in Yangzhou were the food and clothing parents of the literati calligraphers and painters, and the literati were highly dependent on each other. Literati want money, businessmen want names and faces, and at that time, the two brothers of "Yangzhou Erma" Ma Yuezhen and Ma Yuelu had a poetry meeting, and they must invite someone in the "Eight Monsters of Yangzhou". In addition to the friendship with calligraphy and painting, the "Eight Monsters of Yangzhou" also has poetry and singing. Gao Fenghangong's poetry calligraphy and painting are printed, and his poetry is not under Li Xiaocun and Zheng Banqiao. When the wine is sweet and the ear is hot, it is sprinkled with smoke clouds, which is valued by people. The Ma brothers also favored Gao Fenghan, so they became deep friends with Gao Fenghan in literature and their friendship deepened.
In the summer of the sixth year of Qianlong (1741), when Gao Fenghan was 59 years old, his heart of returning to Jiaozhou was increasingly cut, and he returned to Jiaozhou from Yangzhou. After Gao Fenghan arrived home, his illness became more and more serious, his life was extremely poor, and he was trapped in the lack of money to buy medicine and bait. As a last resort, he had to sell his paintings to his friends to spend his life. When he was most helpless, he entrusted someone to bring a painting to the prefect of Jiaozhou, and the prefect knew that he was really powerless to do so, and personally went to the village of Nansanlihe to send the "run pen" silver hundred and two to solve his medicine costs and food and clothing. When there was a severe drought in Jiaozhou, and a flood, and was harmed by strong winds, the sea flooded, and There was a great famine in Shandong, for three consecutive years, Gao Fenghan was unable to support it, so he had to ask Lu Jianzeng for help.
There are no definite number of characters in the "Eight Monsters of Yangzhou", and there are as many as fifteen people in various records, and Gao Fenghan is one of them. Later generations took the top eight of the fifteen people as the "Eight Monsters of Yangzhou", Gao Fenghan was not in the front, but he was an important artist of the Yangzhou School. Gao Fenghan's poem "Song Ren Xue Lu Su Yan Tu in the Great Heat", poem Yun:
The guest hall book hides the red cloud arrogance, and the fire dragon ya is empty and burned.
The head of the tree is not moving and bald, and the birds sit on the tree.
Suddenly, a guest knocked on the door, carrying several pieces of raw fish.
Flying smoke and fog spread around the walls, pointing to Gu Yiyi forgot to be tired.
Just one of them is particularly strange, and the wild shore is windy.
The remnants of the reeds are half-folded and the creek is frozen, and the frost flowers and snow are clear at night.
There are flocks of geese living in the sand mouth, and three or three are two and two.
Jiangnan Jiangbei dreams of cold rain, where is the top of the dome.
The same is true of the fate of life, and the mud is lost in the blink of an eye.
Unexpected leisure embellishment, but also sweep the fallen feathers poor,
The sand is blowing snow to fly, and the wind is suspicious of the curtains.
Bian Luan Cui Bai was no longer sleeping, and the rest of the world was proud.
Mozi stared at him silently, and there seemed to be a cold spring pouring on his head.
Usually quite strange north wind delusion, at this time the real sense of forest hair.
Hu Tong swept the floor and whisked the bamboo mound, and the prostrate lay on the frost sky high.
Gao Fenghan's lifelong talent was mistaken by poverty. His poetic talent is enough to occupy a place in the history of Chinese literature, and his art also has a place in the history of Chinese art. Gao Fenghan's poetry was famous in his youth. His poems were approved by the great poet Wang Shichen, who had a will to grant him a private disciple. Gao Fenghan worked on flowers and landscapes, and won the quiet atmosphere of the Song people and the Yuan people. His paintings are informal, attributed to the "Eight Monsters of Yangzhou". His seal carvings, mainly in white script, the two Han Dynasties of the Indian Sect, the strokes are rich, not bound to the law, and the fun is interesting.
Gao Fenghan's calligraphy is divided into right-handed calligraphy and left-handed calligraphy. His right hand calligraphy is rigorous and smooth; his left hand calligraphy is full of fun. The left hand fulfills the last Gao Fenghan, allowing him to be detached in art. In the jerkiness found not to be crazy, not to be weird, to be unrestrained and not to indulge.
Zheng Xie once said:
West Garden left pen Shoumen book, Hai Nei friend asked Yu.
The short and long notes are gone, and the old man's crumbs are not left.
In Yangzhou at that time, his artistic talent was not buried and was respected by people inside and outside the industry. His calligraphy in his left hand has become his distinctive and informal feature.
Lu Xiuhui has a poem "Song for Gao Fenghan's West Garden", praising:
Sending Jun away from sadness and leisure, the remnant moon Guan Shan old people are sad.
Shandong cultivation read jiu feng en, high lying book Ramadan spit head.
The eight tests of the township are not happy, and the virtuous Fangzheng County is harvested.
Flying dust jianzhang micro-official riding, ten years of hard work and negative spring and autumn.
The boycott is already among the crippled, and when he returns, he is the only one who guards the monastic house.
The far pen regrets not cutting the verses, and the near painting turns the poverty floating.
There are few rivers and mountains in the world, and there are many snakes and insects in the world.
One son died and one son was blind, and he lacked medical treatment and less money to commit bullfighting.
The strokes are rich and interesting, and the poetry and fishing swim around.
Sadly look at the twilight of the year, the water flows alone, and celebrate this pen on Yangzhou.