Ancient official calligraphy, an appendage of literati cultivation!
Eastern Jin Dynasty Wang Xizhi Zhangcao "Leopard Slave Thesis"
In the eyes of the ancients, calligraphy was only a representation of personal cultivation. "Books are like people", to be an official, you must write well, which is an inevitable product of the ecological situation of calligraphy that is still practical writing.
Tang Ouyang Inquiry "Ji Ying Ti"
Ancient officials paid more attention to the cultural benefits of calligraphy than to its economic value; they paid more attention to the intrinsic lyrical function of calligraphy than to the superficial utilitarian meaning. They regard calligraphy as a "residual matter" and deliberately summarize calligraphy into the category of literati and become an appendage to the cultivation of literati.
Tang Yan Zhenqing 《Yan Qinli Monument》
Modern official calligraphy, the "label" that raises the value!
Nowadays, although "official calligraphy" is very easy to become a hot topic in society, it seems that most of the focus is not because of "calligraphy", but because of the word "official".
Yuan Zhao Mengfu "Autumn Deep Thesis" (partial)
The Eastern Han Dynasty calligrapher Cai Yong famously said: "Calligraphy and painting are endowed with words, those who are small in talent, Kuang Guo is in charge, and he has not been able to do so." Officials' use of calligraphy as a self-cultivation hobby is worth advocating, but not as a "powerful weapon" to raise "prices."
Qing Liu Yong 《論書轴》
At the same time, de-utilitarianization is the first priority in the development of calligraphy, and "being willing to be lonely and immersed in art" should also become the new normal for contemporary calligraphers!
Below, let's take a look at the calligraphy of ancient officials, it is not simple!
Zhong Xuan
Zhong Xuan was a heavyweight figure of Cao Wei during the Three Kingdoms period, and was known as the Three Dukes along with Hua Xin and Wang Lang, and the official was Taifu. His words are as dotted as mountains, hooks as stormy as the wind and rain; the ties between the strokes are as thin as a hair, and the lightness is like the faint fluttering clouds in the sky. The pen has Ruo Mingfeng soaring in the sky, and when it returns to the front, it is like a girl roaming in the flower forest, brilliant and distinct, and it is simply wonderful.
《He Jie Watch》
"Long Wind Post"
Wang Xizhi
The officer to the general of the Right Army, will audit the internal history, known as the "Wang Right Army". He came from a prominent family of the Two Jin Dynasties. When Wang Xizhi was twelve years old, he was taught the theory of penmanship by his father, "the language is outlined, that is, there is some understanding." When he was a child, he learned calligraphy from Mrs. Wei, a famous female calligrapher at that time. Later, he crossed the river north to travel to the famous mountains, and he learned from the strengths of all the people, the cursive calligrapher Fa Zhang Zhi, and the main book was able to rely on Zhong Xuan. Observing and studying "combining the methods of the masses and preparing them into a family", it has reached the height of "Guiyue group products, ancient and modern Mo II".
Lan Ting preface facsimile
《Knowing Questions》
"Cold Cut Thesis" expanded the book
Ouyang inquired
Through the three dynasties of Chen, Sui and Tang, the Prince of Shili was more ordered, a bachelor of Hongwenguan, and a male of Bohai County. In his early years, he specialized in the books of the Second King (羲之, Xianzhi), and later liu minshu in the Northern Dynasty Sangonglang, and integrated the strengths of the calligraphers at that time, studied diligently, carefully pondered, and gradually obtained the way of calligraphy, got rid of the imitation, and formed his own posture and style, and his books were refreshing with their unique style of danger and vigor.
Book of Lan Ting
"Zhang HanTi"
Shin-sung Face
During the "Anshi Rebellion", he was heavily used by the imperial court for his resolute uprising and anti-thief service in the Pingyuan Commandery, and successively held important positions such as Shangshu of the Bureaucracy and Shangshu of the Punishment Department, and was the founding duke of Fenglu County, known as "Duke of Yanlu". He turned to many teachers, and once he became a law, he created an aesthetic paradigm of calligraphy that was solemn and upright, simple and majestic, and his grass also conveyed a master's atmosphere of composure, happiness, and boldness. The main works passed down from generation to generation are "Sacrifice of Nephew Manuscripts", "Scramble for Seats" and "Magu Stele" and many other inscriptions.
"Guo Xuji's Epitaph"
"Scramble for Seats"
"Yuanjie Monument"
Zhao Mengfu
The 11th grandson of Zhao Kuangyin, the grandfather of the Song Dynasty, and a descendant of Zhao Defang, the King of Qin. He once "lived in an official residence and was famous all over the world". Since the age of five, Zhao Mengfu began to study calligraphy, almost every few days, until his death, juggling calligraphy, which can be described as a love for calligraphy to the point of love. He is good at seals, li, true, line, cursive, especially known for his calligraphy and writing, and his writing style is charming and elegant, with a strict body and a mature penmanship, and is known as "Zhao Body".
True Grass "A Thousand Words"
Zhao Mengfu "Taihu Shizan"
"Sending Ying Gong Abbot Longjiao Temple Shu"
Zhang Zhidong
One of the important leaders of the late Qing Dynasty movement, he was the founder of modern heavy industry. Zhang Zhidong learned from Su Dongpo and made good use of the flank, but there was its wantonness and no dunhe.
Zhang Zhidong "Xingshu Fan"
Paper 丨18×51.5cm
Xiling Printing Society auctioned the 2005 autumn auction works
Zhang Zhidong "Sheng Xuan Huai Zhi Mu"
Shanghai Library Collection
Zhang Zhidong "Xingshu Vertical Axis"
Zeng Guofan
Qing Dynasty minister, literary scholar, leader of the Western faction and the Xiang Army. Zeng Guofan calligraphy originates from a deep traditional thesis foundation, learning characters is extremely diligent, whether it is galloping on the battlefield, or idle at home, do not forget the things Han ink, Zeng Guofan will set a schedule for himself every day: "Every morning, learn to save a hundred large characters, and make a little socializing." "Zeng Guofan believed in Cheng Zhu Lixue all his life, and his calligraphy paid attention to the method of pen and writing, never exceeded the rules, had more than enough rules, and lacked personality.
Zeng Guofan "Letter of Letters To Xianting to Join the Army Fan"
Zeng Guofan "Lingzhi Daique" Seven Words Lian"
Book on paper 丨174×38.1cm×2 丨South National Palace Museum, Taipei
Zeng Guofan "Fu Zeng Guo Tsuen, Zeng Guo Bao ShuZha"
Collection of Hunan Provincial Museum
He Shaoji
Officials to Wenyuan school manager, Wu Yingdian seal repair, study and politics and other positions. He has lectured at Changsha Chengnan Academy and Yuchanggao Wharf Dongzhou Caotang. Ho is proficient in Jinshi calligraphy and painting, and is famous for his calligraphy. It is known as the first in the Qing Dynasty. Initially learning Yan, middle-aged bo to study the Southern and Northern Dynasties, strong brushwork, this period of the work has been passed down very little. After the dedication to subordination, The Han and Wei famous carvings, all of which are deeply studied and closed, and copied up to a hundred copies.
He Shaoji's "Book On the Book Fan"
18×51.5cm 丨 On paper
He Shaoji's "Linzhang Qianbei" was selected
Information from "The Complete Works of Chinese Calligraphers • He Shaoji"
He Shaoji's "Five Words of the Book of Penghu Dragon Luan"
Li
He was a major military and political minister of the late Qing Dynasty, the founder and commander of the Huai Army, and the main advocate of the Foreign Affairs Movement. He is the author of The Complete Works of Li Wenzhong. He entered the political arena through the imperial examination, and had both culture and martial arts, and played a storm in the late Qing Dynasty for several decades. In commenting on his merits and demerits, people gradually paid attention to his calligraphy art. Through the large number of ink marks in his lifetime, we can see his calligraphy skills, and it is not an exaggeration to call him a calligrapher.
Li Hongzhang's "Eight Sayings of the Book of Conduct"
1881 丨 165×34cm×2
Li Hongzhang Codex
Li Hongzhang calligraphy
Zhang Peilun
Zhili (now Hebei) Fengrun people, famous courtiers in the late Qing Dynasty. Tongzhi Jinshi. In 1875, he was promoted to a lecturer in the Great Examination of Editing and Revision, and was promoted to a living official. Later, he entered the curtain of Li Hongzhang, and was Li Hongzhang's son-in-law and granddaughter Zhang Ailing, a modern talented daughter.
Zhang Peilun letter
Poly Auction 2014 Autumn Auction Works
Zhang Peilun Shuzha
Beijing Poly 10th Anniversary Autumn Auction Works
part
Tso
In the late Qing Dynasty, he was one of the commanders of the Xiang Army and an important leader of the Western affairs faction. Zuo Zongtang was a warrior general, who was also fluent in literature and ink, good at calligraphy, Chongbei version, seal, li, xing, grass and good, strong penmanship, heroic style, and Many of Yang Lian's works were loved by the times. It is said that he has loved calligraphy since he was 12 years old. His style of writing is calm and exciting, the words are smooth, and the thin writing, clear knots and loose layout vaguely reveal a kind of hesitation and ambition.
Zuo Zongtang's "Seal Book", "Front Seat Waiting body" Seven Words Lian"
Seal on paper 丨 155×36.5cm×2 丨South National Palace Museum, Taipei
Zuo Zongtang's "Letter to Shi Liang"
Collection of Hunan Tan Guobin Museum of Contemporary Art
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