Liang Kai, a painter of the Southern Song Dynasty, was born in 1150 and was born in Shandong. His father Liang Duan, grandfather Liang Yangzu, and great-grandfather Liang Zimei were all ministers of the Song Dynasty. After the southern crossing, he lived in Qiantang (present-day Hangzhou, Zhejiang).
He was a painter with a considerable personality, and when Emperor Ningzong of the Southern Song Dynasty served as a court of painting, he was given a golden belt representing the highest honor of the academy. But he hung the golden belt in the courtyard and drifted away, not wanting to be subject to others at all. He likes to drink alcohol, and his behavior after drinking is informal, and he is known as "Liang Feng (crazy) son".
Liang Kai's works include "Six Ancestral Bamboo Drawings", "Li Baixing YinTu", "Splash Ink Immortal Diagram", "Eight High Monk Story Picture Scrolls", etc., but the "Splash Ink Immortal Diagram" is the most famous.
In terms of figure painting, Liang Kai himself was influenced by the Zen trend of thought and advocated simplicity, and he broke through the shackles of the meticulous and rigorous body painting of the Song Dynasty courtyard and used as little brush and ink as possible to portray the character image.
Judging from this "Splash Ink Immortal Figure", the whole painting, within a dozen strokes, can outline the shape of a drunken cute character.
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"Li Baixing Yintu" is also the leader in this, only a few strokes, it outlines a free and free poetic image. Abandoning all backgrounds and a few simple strokes, it outlines Li Baiyou's flowing and dashing look, with less winning more, and the meaning is far-reaching and intriguing.
Liang Kai's "Six Ancestors Cutting Bamboo" is a work after his middle age, and the pen and ink are also extremely rough.
In addition to figure painting, Liang Kai has also made outstanding achievements in the field of landscape painting. The following "Snow Landscape" is a classic, now in the Tokyo National Museum in Japan, and was designated a national treasure in 1951.
The development of ancient Chinese painting to the Song Dynasty, can be described as the pinnacle of perfection, court painting, literati painting, folk painting a hundred flowers blooming, Liang Kai's minimalist painting style can be described as unique at that time, he used concise brush and ink to convey a wealth of emotions and content, thus pushing freehand painting to a new height, so that people at the time were refreshed.
His works have had a profound impact on Xu Wei, Zhu Yun, Jin Nong, Shi Tao and so on in later generations.
"Ancient Wood Jackdaw Diagram" Xu Wei
"Ancient Wood Double Bird" Eight Mountain People
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