Source: Reading Special
In recent years, the "national tide" has become popular, chinese traditional cultural elements have increasingly penetrated into all aspects of life, and the collision and integration of traditional essence and contemporary trends have burst out more unprecedented excitement, and have also received more and more people's attention. On October 12, on the occasion of the 14th anniversary of its establishment, Shenzhen Concert Hall released a new music brand "Shenzhen Concert Hall • Chinese Music Tide" Music Festival, which brings a new Chinese music appreciation experience to the audience with a number of characteristic ethnic cross-border concerts and a series of "Youyisi" peripheral activities. It is reported that the "Chinese Music Tide" music festival will last throughout the golden autumn in October.
When the Guangling school meets Western classical chamber music, how do guqin and string quartets collide?
The guqin has a history of more than three thousand years. In 2008, at the opening ceremony of the World-renowned Beijing Olympic Games, Chen Leiji's performance of "Taikoo Relics" conveyed the depth and longevity of the guqin to the world. This guangling qin school descendant from a Shanghai musical family was evaluated by Mr. Gong Yi, a guqin player and educator, as "a rare (performer) in the guqin world". During his study in France to study conducting, he conducted systematic and in-depth study of Western classical music. He has repeatedly tried to cross the guqin with Western classical chamber music, and has been constantly thinking about the improvement of Chinese classical music.
On October 15, he will join hands with the performers of the National Centre for the Performing Arts Orchestra to bring the audience works that integrate the beauty of Eastern and Western rhythms, including the classic works of guqin "Flowing Water", "Pingsha Falling Goose" and "Long Xiang Cao", as well as cross-border adaptations of Guqin and Western string music, "Erquan Yingyue", "Persuade the Jun to Drink a Glass of Wine", "Qingyun Music", "Tribute to Beethoven", etc., to stage a "string dialogue" between the East and the West. In addition, on the day of the Chongyang Festival on October 14, Chen Leiji will also meet with the Shenzhen audience in the series of activities around the "Youyisi" of the music festival to talk about his music story with Guqin.
The "World Intangible Cultural Heritage" Dong nationality song of the Spring Festival Gala on the fourth day of the Spring Festival Gala is an ancient echo that has been passed down for thousands of years
"There is no word and a thousand years of rhyme, and there are songs to vibrate the national voice." Dong Dage is a multi-voice, unconducting, a cappella, natural chorus form, which has a complete multi-voice structure and is the most perfect folk chorus found in China. This musical art originated in the Spring and Autumn Period and the Warring States Period, has a long history, known as "the world's oldest Acapella", the "living fossil" of choral art, has been included in the world intangible cultural heritage list, has been evaluated as "the voice of a nation, a human culture".
On October 23, the Liping Dong Nationality Song Art Troupe from Guizhou Province, the birthplace of Dong culture and the "hometown of Chinese folk culture and art", will take the stage of Shenzhen Concert Hall to perform the "Echo of a Thousand Years". In addition, the performance also invited Zhao Yi, a young tenor singer in Italy, and Li Hongmei, a national first-class actor and lyrical soprano of the China Oriental Song and Dance Troupe, to sing together. In addition, the troupe will also bring "Dong Music Song Workshop - Dong Instrumental Music Workshop" and "Intangible Cultural Heritage Dong Wuzhi - Dong Great Song Music Market" to show the audience traditional musical instruments with national characteristics such as ox leg organs and Dong pipa, as well as the on-site production of traditional crafts such as Dong costumes and embroidery, as well as the interpretation of wooden leaf songs and flute songs.
"The first smell is full of surprise", after 00, the new "qin" huai is described with ancient rhymes
On October 29th, an antique Nguyen Le concert will be staged. Xue Miao, the inheritor of the new generation of "post-00s" Ruan Music, will join hands with the well-known Ruan musician and his teacher Xu Yang, and the contemporary young pianist Qian Weixiang and the Chinese young percussionist Li Shang will perform Ruan Le works such as "Zhongnan Ancient Rhyme", "Bloom", "Freedom", "Jingwei Reclamation", "Yunnan Memories" and other Ruan Le works. Xue Miao, the inheritor of the new generation of Ruan Music and a young Ruan player of the "post-00s", although he is young, has won the finals of the Chinese Instrumental Music Television Competition, and is currently the youngest Ruan player in China to cooperate with professional orchestras.
The symphony orchestra from the "Kingdom of Heaven" plays a unique Shu rhyme movement
On 30 October, the Sichuan Symphony Orchestra from the "Kingdom of Heaven" will perform "HotPot Symphony", "Zhuang Zhoumeng", "Ode to the Sun" and Mahler's Symphony No. 4 in G major under the direction of world-renowned Singaporean conductor Hong Yiquan. The performance also invited cellist Mo Mo and Zhang Rose, a young soprano singer from Chengdu, Sichuan Province, to perform on the same stage.
It is worth mentioning that the three Chinese works in the first half have their own characteristics: "Hotpot Symphony" is a work created by Wang Delong, a young composer of the "post-90s" special commissioned by the Sichuan Symphony Orchestra, who believes that hot pot is not only the mood of Sichuan people's "spicy joy", but also the taste of home, so in the work will present the "taste of hot pot" with two different expressions of passion and lyricism, and also hopes to attract more young people to pay attention to the symphony through such works with affinity and regional characteristics. In addition, the cello concerto "Zhuang Zhou Meng" is a work created by Zhao Jiping that was born from the philosophical thought of ancient Zhuangzi; while "Ode to the Sun" is a symphony developed based on folk materials in bayu area, showing the style of Bashu with four movements of "stepping on the river", "picking mountains", "missing" and "ode to the sun", and "enjoying the flavor of "Tianfu" with the audience with unique Shu rhyme movements.
(Original title: "National Music is the Tide!") Shenzhen Concert Hall released a new music brand, wonderful and lasting in October Golden Autumn")
(Author: Shenzhen Special Economic Zone Daily reporter Zhang Rui)
This article is from [Reading Special] and only represents the author's views. The National Party Media Information Public Platform provides information dissemination services.
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