On December 25th, the premiere concert of Gongge's new 2018 album "Daytime Song" ended perfectly in Beijing. In order to repay the long-term support and companionship of fans, the premiere concert adopted a zero-cost limited registration method. There are also music friends Yu Jiayun on the scene to help, and the chorus "How Long Is Left" to send Christmas surprises to fans. That night, nearly a thousand fans, with the strong support of beats presents, felt the stylized music world of its own genre on the album "Daytime Song".
Under the dim lighting, as the prelude to "Robbery" sounds, the crowd and noisy scene are immediately surrounded by spreading sensibility, and the fans of the scene are quickly wrapped up in the unique music world created by the palace. In a previous interview, Miyako had said that "Daytime Song" was like his first novel. The concert is like a 3D movie based on the novel, through the strong drum beats of the scene, the tone of the sensual effects, and the psychedelic visual effects, the content and atmosphere of the novel are presented in three dimensions. GongGe took over the sensory intuition of all the fans on the scene with a very spatial sense of tone, leading everyone to gradually deepen and explore, and feel the musical temperature and experimental theme hidden in "Day Song", which is difficult to describe in words.
An hour and a half, a band, a "Daytime Song", everyone not only witnessed the palace court's familiarity with instrumental operations, but also personally experienced his ease of stage control, highly restored cd's live singing skills, and the accuracy of his own sound inches also made the audience exclaim: It turns out that he can sing! Several unplugged lyrical songs have given fans a deep understanding of the rich character of the voice exclusive to the "Singer's Palace". The special atmosphere created through live performances makes the songs more subtle and sensual that is different from the recording studio records.
This performance is the premiere of the new album "Daytime Song" and the first special performance of Miyako's individual. Previously, the public's perception of Gongge was more focused on his musical production talent - "he is very good at making music", "his arrangement is very good"... But apparently, the reason why beats presents was able to work with for its first premiere in the Asia-Pacific region was because I saw a unique musician attribute in Gongge. From electronic to orchestral music, from R&b to hipphop, breaking down the boundaries between different musical genres, Miyako has evolved to create futuristic and forward-looking works. He shocked the public aesthetic with his avant-garde musical works, focusing on the entire Asian music market, and it is difficult to find a singer image similar to that of the palace pavilion. There is no doubt that Gongge is not a singer-songwriter, but a pioneer music icon who pays attention to the whole of Asia, and the artistic personal color revealed in his works has become a unique personal label to attract the cooperation of other outstanding musicians. In the album, the song "Tokyo" invites the popular Wei Ruxuan to help, which reflects his attraction as a musician. The entire album combines the more undulating Oriental melody with the Western electronic music framework to outline a more moving emotional tension, which constitutes the most important emotional expression core in Gongge music.
Rather than words, music and live are the best mediums for understanding the palace. The first concert will end with "Hello", which also tells everyone that now, it is only the beginning of the all-round understanding of Gongge Music.